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Étiqueté : antiquité

Colloque international : “Les nouvelles vies des divinités grecques en Europe du XIVe au XXe siècle”, Athènes, École française d’Athènes, 14 et 15 novembre 2024

PROGRAMME Jeudi 14 novembre · 13h30-18h 13h30 : Accueil des participants 13h45 : Gilles de RAPPER (Directeur des études modernes et contemporaines de l’École française d’Athènes) et Catherine GAULLIER-BOUGASSAS (Craham, ERC Agrelita), mot d’accueil et introduction 14h15 : Charis MESSIS (Université nationale et capodistrienne d’Athènes), « La perception des dieux de l’antiquité gréco-romaine dans la littérature byzantine des derniers siècles (XIVe-XVe siècle) : continuités ou innovation ? » 14h45 : Juan Bautista JUAN LÓPEZ (Central European University), “The Soul’s...

Colloque : « La Fabrique de l’Antique », Rome/Paris, Académie de France à Rome – Villa Médicis/Musée du Louvre, 21-24 octobre 2024

Après plusieurs décennies de travaux consacrés à l’histoire des collections d’antiquités, à la restauration des antiques, ou, plus largement, à l’histoire longue de la réception des sculptures, entre tradition et science, ce colloque international souhaite se pencher plus précisément sur les questions relatives à la présentation matérielle des antiques, entre la Renaissance et le XIXe siècle. En tâchant d’articuler réflexions générales et études de cas, cette rencontre sera l’occasion d’éclairer les pratiques de collection, d’exposition...

Appel à contribution : « Fake News? Fantasy Antiquities », Munich, Zentralinstitut für Kunstgeschichte, 14 février 2025, date limite le 15 septembre 2024

Fake News? – Fantasy Antiquities. Visualizing Antiquity. On the Episteme of Early Modern Drawings and Prints IV. The academy project “Antiquitatum Thesaurus: Antiquities in European Visual Sources from the Seventeenth and Eighteenth Centuries”, hosted at the Berlin-Brandenburg Academy of Sciences and Humanities (thesaurus.bbaw.de/en), and the Zentralinstitut für Kunstgeschichte Munich (zikg.eu) are organizing a series of colloquia in 2023–2025 on the topic “Visualizing Antiquity. On the Episteme of Drawings and Prints in the Early Modern Period.”...

Colloque : « Antiquaires voyageurs (XVIe-XIXe siècles) », Rome, Bibliotheca Hertziana/École française de Rome/Academia Belgica, 26-28 juin 2024

On nous voit souvent comme des érudits, tapis dans nos cabinets de travail, sombres de préférence, peu enclins à quitter nos tables et papiers. Nous empruntons pourtant aussi les routes et mers, dans l’idée de gagner ces ailleurs vers lesquels nous attirent les textes que nous lisons, les menus objets qui arrivent jusqu’à nous, les lieux rêvés, nos désirs de retrouver un passé si proche et si lointain à nos yeux. Le colloque souhaite éclairer...

Appel à contribution : « Immured Relics – Display, Signs and Memory », Rome, Bibliotheca Hertziana, 28-29 novembre 2024, date limite le 18 mars 2024

This workshop is to explore the relation between relics and architecture. First and foremost, we are interested in cases of relics physically built into the architectural fabric of churches and chapels, such as columns whose capitals have been equipped with relics, triumphal arches or the apse’s semi-dome with relic depositories, “secret chambers” or even foundations and walls fortified by holy material. In order to capture the variety of the phenomenon we decided to exclude the...

Journée d’étude : « Visualizing Antiquity: EM Drawings and Prints », en ligne/Munich, Zentralinstitut für Kunstgeschichte, 31 janvier 2024

The academy project “Antiquitatum Thesaurus: Antiquities in European Visual Sources from the Seventeenth and Eighteenth Centuries”, hosted at the Berlin-Brandenburg Academy of Sciences and Humanities (thesaurus.bbaw.de), and the Zentralinstitut für Kunstgeschichte Munich (zikg.eu) are organizing a series of colloquia in 2023-2025 on the topic “Visualizing Antiquity. On the Episteme of Drawings and Prints in the Early Modern Period.” The significance of drawings and prints for ideas, research, and the circulation of knowledge about ancient artifacts,...

Appel à contribution : « The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century », Lille/Paris, Université de Lille/Bibliothèque de l’Arsenal, 23-29 mai 2024, date limite le 15 janvier 2024

In his famous work, La survivance des dieux antiques, published in 1939, Jean Seznec demonstrated that knowledge of the Greek gods did not disappear during the Middle Ages, and thus challenged the opposition often drawn between the Middle Ages and the Renaissance: “Pagan antiquity, far from being ‘reborn’ in 15th-century Italy, survived in medieval culture and art; the gods themselves were not resurrected, for they had never disappeared from the memory and imagination of men...

Journées d’étude : « The Image of the Book. Representing the Codex from Antiquity to the Present », Philadelphie, University of Pennsylvania et en ligne, 16-18 novembre 2023

The 16th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age University of Pennsylvania and Free Library of Philadelphia A great deal of recent research has focused on the objecthood of the pre-modern book and its associated materiality. But only sporadic attempts have been made to understand the role of visual representations of the book in conveying ideas about knowledge. How can our understanding be transformed when the dictum that “a picture...

Journées d’étude : « The Allure of Rome: Studying Ancient Architecture 1500 – 1550 », Rome, The British School/en ligne, 26-27 octobre 2023

The buildings of antiquity, especially those in Rome, were of fundamental interest to Renaissance architects over the course of the first half of the sixteenth century. During a very few decades, numerous works were surveyed and recorded, often for the first time, and in ever more exacting detail and with ever greater sophistication, among them Rome’s Colosseum and Pantheon and very many other prominent monuments. This great achievement not only provided a touchstone for contemporary...

Parution : Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard (eds.), « Restoration as Fabrication of Origins: A Material and Political History of Italian Renaissance Art », English/French (Open Access), Berlin/Boston: De Gruyter, 2023

The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with...