Étiqueté : architecture

Appel à communication : « Gardens and Academies in Early Modern Europe », RSA 2021, Dublin, date limite le 31 juillet 2020

Session du Congrès de la Renaissance Society of America – Dublin, 2021 The objective of this session or series of sessions is to explore the place and role of gardens in early modern academies. Although research on academies has expanded considerably in recent decades (Vagenheim et al., 2008), little has been written about the places where they met, including gardens, with the possible exception of the Bosco Parrasio in Rome (Grant, 2018). How did an academy...

Appel à communication : Newberry Seminar in European Art, date limite le 15 juin 2020

The Center for Renaissance Studies is pleased to welcome proposals for the 2020-2021 Newberry Seminar in European Art. Focused on the history of European art, from its origins through the nineteenth century, this seminar provides a forum for presenting current research, as well as a venue to bring together a diverse community of art historians for intellectual exchange, collegial conversation, and debate. We construe art history in broad terms, embracing painting, sculpture, graphic art, architecture,...

Parution : Dario Donetti, « Francesco da Sangallo e l’identità dell’architettura toscana », Milan, Officina Libraria, 2020

Questa monografia presenta, per la prima volta nella sua interezza, la lunga e diversificata attività di Francesco da Sangallo (1494-1576), ultimo erede di una famiglia di artisti protagonisti del Rinascimento italiano. Lui stesso fu presenza duratura nella Firenze del Cinquecento e testimone privilegiato dell’ambiente intellettuale cittadino, coltivando frequentazioni che includevano, tra gli altri, Michelangelo Buonarroti, Benedetto Varchi, Giorgio Vasari, Vincenzio Borghini. Dalla sua poliedrica produzione – di scultore, già nota agli studi, ma anche architetto...

Parution : Alessandro Nova et Giancarla Periti, « The Network of Cassinese Arts in Renaissance Italy  », Milan, Officina Libraria, 2020

Dalla fine del Quattrocento alla metà del Cinquecento viene realizzato un incredibile corpus di opere di architettura, scultura e pittura per ornare i monasteri della Congregazione cassinese dell’Ordine di san Benedetto in Italia. La congregazione era stata fondata dall’abate Ludovico Barbo, dell’abbazia di Santa Giustina a Padova, e ad essa aderirono altri giovani umanisti di nobili famiglie veneziane come Antonio Correr e Gabriele Condulmer.I Cassinesi commissionarono opere ai maggiori artisi del momento, supportando la creazione...

Appel à communication : « Les concepts relatifs aux espaces sacrés dans l’architecture et sa description dans la littérature », Zürich, Université de Zürich, 17 et 18 novembre 2020, date limite le 30 avril

La conférence internationale biennale « Un dialogue des arts » poursuit une vision à long terme qui s’étend du début de l’époque moderne à nos jours avec une vision globale. Elle explore les possibilités d’élargissement et d’enrichissement méthodologiques en histoire de l’art. Les cinq conférences qui ont eu lieu de 2010 à 2018 portaient sur les « Descriptions de l’architecture dans la littérature du début de l’âge moderne à aujourd’hui », tout d’abord de façon...

Parution : Samantha Heringuez, « Entre gothique et antique, l’architecture dans la peinture flamande du XVIe siècle », 2020, Classiques Garnier « Arts de la Renaissance européenne », n°7

Samantha Heringuez, « Entre gothique et antique, l’architecture dans la peinture flamande du XVIe siècle » (2020) Ce livre sur les décors fictifs de trois figures majeures du premier romanisme, Jean Gossart, Bernard van Orley et Pieter Coecke van Aelst, permet de prendre acte de leur culture architecturale et d’apporter un nouvel éclairage sur le développement de la Renaissance dans les anciens Pays-Bas. Samantha Heringuez est chercheur associée au CESR (Centre d’études supérieures de la Renaissance –...

Parution : Christian K. Kleinbub, « Michelangelo’s Inner Anatomies », Penn State University Press, 2020.

This book challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with “superficial” anatomy—that is, the parts of the body that can be seen from the outside. Christian K. Kleinbub provides a fresh perspective on Michelangelo’s art of the human figure by investigating what he calls the artist’s “inner anatomical poetics,” revealing these beautiful bodies as objects of profound intellectual and spiritual significance. Michelangelo’s Inner Anatomies illuminates...

Colloque international : « Grotte artificiali di giardino. Genova nel panorama europeo », Gênes, 9-10 décembre 2019

PROGRAMMA Lunedì 9 dicembre Aula Magna della Scuola di Scienze Umanistiche, Palazzo Balbi Cattaneo, Via Balbi 2 10.00 : Saluti istituzionali PRIMA SESSIONE 10.15-10.45 : Lauro Magnani – Introduzione alle grotte genovesi 10.45-11.15 : Sabine Frommel – Grotte e ninfei in Europa: processi di migrazione 11.20 -11.40 : Juliette Ferdinand – Le grotte rustiche tra Italia e Francia: il caso di Bernard Palissy 11.45-12.05 : Sigrid Gensichen – Decoration and architecture in the northern grotto 12.10-12.30 : Giulia Cicali...

Parution : J.-M. Guillouët, « Flamboyant Architecture and Medieval Technicality: The Rise of Artistic Consciousness at the End of Middle Ages (c. 1400 – c. 1530) », Turnhout, Brepols, 2019

This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to microhistory. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon’s Temple in Jerusalem from the fifteenth-century codex of Les Antiquités judaïques as a starting point, this study deals with architecture and technical knowledge...

Workshop international : « Union from Division. (S)partimento and Renaissance Decoration », Villa Finaly et Kunsthistorisches Institut, Florence, 12-13 décembre 2019

PROGRAMME : Thursday 12 December Villa Finaly   14:00 Welcoming word : Brigitte Cédolin, Villa Finaly director 14:15 Introduction : Nicolas Cordon, Université Paris 1 Panthéon-Sorbonne, Émilie Passignat, Università degli Studi di Firenze 14:45 Part 1 : Inquiring sources Maia Wellington Gahtan, Kent State University, Florence Partitio and Ornamentum and their Equivalents in Renaissance Theories of Art Antonio Pinelli, Università degli Studi di Firenze Il cimento dell’armonia e dell’invenzione : conflitti di competenza tra artisti...