Étiqueté : Art des Pays Bas

Présentation : Tania De Nile, « Fantasmagorie. Streghe, demoni e tentazioni nell’arte fiamminga e olandese del Seicento », Rome, Accademia Nazionale di San Luca, 14 mai, 17h30

Il volume Fantasmagorie propone un suggestivo percorso attraverso centinaia di opere visionarie che raccontano genesi, evoluzione e ragioni di un universo magico che da oltre cinque secoli non smette di sedurci. È l’universo che d’istinto associamo al solo Jheronimus Bosch, ignorandone la ben più complessa geografia punteggiata di nomi meno noti, talvolta in grado di rivaleggiare con l’ingombrante precursore e qui protagonisti di una inedita veduta d’insieme. Nelle fonti neerlandesi del Seicento erano definite spoockerijen (da spoock, “fantasma”)...

Exposition : “Collectors’ Dreams – Glorious Moments in Netherlandish Baroque Art”, Cologne, Wallraf-Richartz-Museum & Fondation Corboud, jusqu’au 21 avril 2024

“Collectors are happy people” is the last line of the short story The Invisible Collection (1925) by Austrian writer Stefan Zweig. This exhibition illustrates the happiness of collectors. For the first time ever, Collectors’ Dreams shows a marvelous German private collection brimming with star painters of the seventeenth-century Netherlandish art world. Starting in 1970, the collection was assembled over three decades through shrewd purchases on the international art market. The collection was recently entrusted on permanent loan to the...

Appel à contribution : « Artists from the Low Countries in the Iberian World », Special issue, date limite le 15 février 2023

Artists, agents and patrons from the Low Countries in the Iberian World (1400-1714). Call for Papers for a Special Journal Issue. Traditionally, it is argued that from the 15th century onwards, Iberian art was transformed by the arrival of artists and art objects from the Low Countries. Numerous studies demonstrate the influence of great Flemish artists such as Jan Van Eyck, Michiel Coxcie, Peter Paul Rubens and Jacob Jordaens. However, the contribution of lesser-known artists,...

Parution : Emily J. Peters, Laura Ritter, “Tales of the City Drawing in the Netherlands from Bosch to Bruegel”, New Haven, Yale University Press, 2022

  An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists...

Exposition : “Hieronymus Bosch e l’Europa meridionale”, Milan, Palazzo Reale, 9 novembre-12 mars 2023

Il progetto, frutto di una lunga e approfondita ricerca accademica, intende illustrare il successo di Bosch quale creatore di visioni fantastiche in relazione alle tendenze del collezionismo del tempo e della ricezione artistica da parte del Rinascimento spagnolo e italiano. Legami importanti con l’arte di Bosch si possono infatti cogliere in opere di primissimo piano, tra gli altri, di Tiziano, El Greco, Savoldo. La mostra offrirà dunque per la prima volta al pubblico italiano ed...

Parution : Léonie Marquaille (dir.), « New Perspectives on Abraham Bloemaert and his Workshop », Turnhout, Brepols, 2022

The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonné of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic...

Parution : Margaret D. Carroll, “Hieronymus Bosch Time and Transformation in The Garden of Earthly Delights”, New Haven, Yale University Press, 2022

A new and exciting interpretation of Bosch’s masterpiece, repositioning the triptych as a history of humanity and the natural world Hieronymus Bosch’s (c. 1450–1516) Garden of Earthly Delights has elicited a sense of wonder for centuries. Over ten feet long and seven feet tall, it demands that we step back to take it in, while its surface, intricately covered with fantastical creatures in dazzling detail, draws us closer. In this highly original reassessment, Margaret D. Carroll reads...

Parution : Abigail D. Newman, “Painting Flanders Abroad : Flemish Art and Artists in Seventeenth-Century Madrid”, Brill, Leyde, 2022

  In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish “Golden Age” paintings, this book portrays Spanish society grappling with a long...

Parution : Barbara A. Kaminska, “Images of Miraculous Healing in the Early Modern Netherlands”, Leyde, Brill, 2021

Series :  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 58 Author : Barbara A. Kaminska Images of Miraculous Healing in the Early Modern Netherlands explores the ways in which paintings and prints of biblical miracles shaped viewers’ approaches to physical and sensory impairments and bolstered their belief in supernatural healing and charitable behavior. Drawing upon a vast range of sources, Barbara Kaminska demonstrates that visual imagery held a central place in premodern...

Parution : André Scala, “Pieter de Hooch. Un peintre à l’infinitif – Un peintre à l’infinitif”, Strasbourg, ATELIER CONT, 2022

Pieter de Hooch (1629-1684(? )), un parmi tant d’autres peintres du siècle d’or néerlandais, qui ont surgi, avec leur manière d’apparence tranquille, d’un peuple se libérant des Espagnols, menant guerre sur guerre ? : événement calme au milieu des turbulences. Les arts ont une existence fragile. Il dépend des caprices d’une époque qu’elle transforme les oeuvres dont elle hérite en objets de culture, en reportages sur les moeurs du passé, en manifestes d’une morale, en...

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