Étiqueté : Art des Pays Bas

Colloque : « The Performativity of Liturgical Art », HNA conference, La Haye, 3 juin 2022

This session seeks to investigate the performativity of the late medieval and early modern liturgical heritage from the Southern Netherlands. As liturgical objects are endowed with a ritually instituted efficacy, they lead indeed to a reflection on performativity. The performative turn in the Humanities is in line with the renewed interest in rituals and their relationships to objects, artistic or not. This approach has opened new avenues of research in art history. In this respect,...

Colloque : « Indeterminacy in Netherlandish Visual Arts and Culture (1400-1800) », HNA conference, Amsterdam, 2 juin 2022

The art of the Netherlands in the early modern period is full of works whose meaning is not revealed at first glance, or whose interpretations by art historians have revealed all the ambiguity. Just think of Jan van Eyck’s Arnolfini Portrait, Quinten Massys’ Money Changer and his Wife or Johannes Vermeer’s Art of Painting to name only a few famous examples which have been deciphered by scholars in turn from a moralizing, allegorical, spiritual or...

Parution : Charrier Claire, « Du sublime dans l’œuvre gravé de Rembrandt », Presses Universitaires de Rennes, 2022

Excellant à représenter les passions nobles, Rembrandt est qualifié d’artiste du sublime par ses contemporains. Or, depuis que la Renaissance a redécouvert le traité de Longin, le sublime – ou l’art qui dépasse l’art – est l’objet de débats dans les cercles artistiques et religieux. Embrassant l’ensemble de l’œuvre gravé de l’artiste, ce livre fait dialoguer philosophie et histoire de l’art. Il soutient l’idée selon laquelle, même s’il n’est pas théoricien, Rembrandt contribue à renouveler...

Exposition : « Between Hell and Paradise: The Enigmatic World of Hieronymus Bosch », Budapest, Museum of Fine Arts, du 9 avril au 17 juillet 2022

The exhibition of the Museum of Fine Arts, Budapest, opening on 9 April showcases the art of the Netherlandish master, Hieronymus Bosch (ca. 1450 – 1516), who produced one of the most influential and emblematic artistic achievements in European painting. The Budapest show, with close to ninety works on view, is not only anticipated to become the most comprehensive exhibition of Bosch’s works in Central Europe ever, but also one of the most significant Bosch...

Conférence : Daantje Meuwissen, « Stratégies artistiques : les quatre portraits de Jan Gerritsz van Egmond », Paris, Auditorium du Louvre, 18 novembre 2021

En lien avec l’accrochage de la salle d’actualité du département des Objets d’art « Le Jugement dernier dans une noix de prière », où est actuellement présenté le portrait de Jan Gerritsz du musée du Louvre (jusqu’au 10 janvier 2022, aile Richelieu, 1er étage, salle 535). Du portrait de Jan Gerritsz van Egmond (? – 1523), quatre versions pratiquement identiques nous sont parvenues. Jan Gerritsz était une figure importante du comté de Hollande, en tant...

Parution : Karin Leonhard, « The Fertile Ground of Painting. 17th-Century Still Lives and Nature Pieces », Turnhout, Brepols, 2020

Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. 17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting...

Appel à publication : « Art and Death in the Netherlands », Netherlands Yearbook for History of Art, vol 72, 2021, date limite le 15 avril

In premodern times, death was a more visible phenomenon than now, due to high mortality rates, but also to the fact that dying and death and the subsequent phases of deposition, bereavement and remembrance – more so than today – were collectively experienced, publicly performed, and commemorated in enduring monuments. Remembrance was held to extend into perpetuity, on personal grounds of love and affection, and for political and religious reasons, the latter normatively being related...

Exposition : « Alone with Vermeer », La Haye, Mauritshuis, jusqu’au 3 janvier 2021

There is one painting in the Mauritshuis’s rich collection, which includes such visitor favourites as Girl with a Pearl Earring, The Bull and The Anatomy Lesson of Dr Nicolaes Tulp , that many visitors to the Mauritshuis have built up a particular bond with: View of Delft . Buy your tickets for Alone with Vermeer now. The renowned French novelist Marcel Proust visited the Mauritshuis in 1902 and was deeply impressed by Vermeer’s masterpiece. Many...

Appel à contribution : « L’enfant à la Renaissance dans les anciens Pays-Bas (fin XVe-début XVIIe siècle) », Arras, Université d’Artois, 19-20 novembre 2020, date limite le 1er juin 2020

Le CREHS (université d’Artois) organise le 5e colloque de son cycle de recherche pluridisciplinaire sur La Renaissance dans les Provinces du Nord. Le thème retenu est celui de l’enfant fin XVe-début XVIIe siècle. Le colloque aura lieu les 19 et 20 novembre 2020 à Arras, université d’Artois. Le colloque interrogera la place de l’enfant et sa perception dans la société dans une période de forte mutation, portée par le mouvement humaniste et marquée par les...

Parution: Elizabeth Sutton “Women Artists and Patrons in the Netherlands, 1500-1700” Amsterdam University Press

Parution: “Women Artists and Patrons in the Netherlands, 1500-1700”,  écrit par Elizabeth Sutton, publication faite par Amsterdam University Press le 22 – 07 – 2019 This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today....

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