Étiqueté : art flamand

Exposition : “Traces: Renaissance Drawings for Flemish Prints”, Londres, The Courtauld, jusqu’au 25 septembre 2022

Showcasing a selection from The Courtauld’s rich collection of works on paper, this display will explore the world of 16th century Flemish print production. It features print designs by some of the greatest Netherlandish artists of the era, including Pieter Bruegel the Elder (ca. 1525–1569) and Maerten van Heemskerck (1498–1574). This display offers a rare opportunity to see this lesser-known aspect of The Courtauld’s collection, and to delve deeper into the traces left by artists and...

Parution : Abigail D. Newman, “Painting Flanders Abroad : Flemish Art and Artists in Seventeenth-Century Madrid”, Brill, Leyde, 2022

  In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish “Golden Age” paintings, this book portrays Spanish society grappling with a long...

Colloque : « Prints as Agents of Artistic Exchanges », Rome, Academia Belgica, 07–08 avril 2022

Attraverso le stampe: scambi artistici tra Fiamminghi e Italiani nel XVI secolo/ Prints as Agents of Artistic Exchanges between Fiamminghi and Italiani in the 16th Century Program :  Thursday, April 7 2022 14.00 Sabine van Sprang (Academia Belgica): Welcome Dominique Allart & Antonio Geremicca (Université de Liège): Introduction Moderator: Sabine van Sprang 14.20 Joris Van Grieken (KBR, Royal Library of Belgium): Between Rome and Antwerp. Rome and the Rise of Professional Printmaking in the Low...

Parution : Noa Turel, “Living Pictures, Jan Van Eyck and Painting’s First Century”, Londres, Yale University Press, 2020

Living Pictures – Jan Van Eyck and Painting’s First Century A significant new interpretation of the emergence of Western pictorial realism. When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van...

Exposition : “Facing Van Eyck, The Miracle of the Detail”, Bruxelles, BOZAR, du 24 septembre 2020 au 10 janvier 2021

“Facing Van Eyck, The Miracle of the Detail” Au Moyen-Âge, pèlerins et croisés partis d’Occident traversaient les territoires byzantins pour rejoindre la Terre Sainte. Ils y ont découvert la culture byzantine et l’ont diffusée à leur retour. Ce n’est toutefois qu’à la fin du XIVe et pendant le XVe siècle que les modèles byzantins ont commencé à devenir une source d’inspiration aux Pays-Bas. Des primitifs flamands comme Van Eyck, Van der Weyden, Memling et Schongauer...

Publication : Bart Fransen et Cyriel Stroo, “The Ghent Altarpiece. Research and Conservation of the Exterior”, Bruxelles, Institut du Patrimoine artistique, 2020

The Ghent Altarpiece. Research and Conservation of the Exterior Sous la direction de Bart Fransen and Cyriel Stroo Avec les contributions de A.-S. Augustyniak, Chr. Ceulemans, A. Coudray, D. Deneffe, L. Depuydt, B. Devolder, H. Dubois, B. Fransen, A. Genbrugge, J.-A. Glatigny, K. Janssens, S. Jones, J. Ketels, L. Mortiaux, N. Laquière, M. Martens, Cl. Mehagnoul, M. Postec, J. Reyniers, Fr. Rosier, J. Sanyova, M. H. Smith, R. Spronk, Gr. Steyaert, C. Stroo, P. Vandenabeele,...

Parution : Samantha Heringuez, “Entre gothique et antique, l’architecture dans la peinture flamande du XVIe siècle”, 2020, Classiques Garnier « Arts de la Renaissance européenne », n°7

Samantha Heringuez, “Entre gothique et antique, l’architecture dans la peinture flamande du XVIe siècle” (2020) Ce livre sur les décors fictifs de trois figures majeures du premier romanisme, Jean Gossart, Bernard van Orley et Pieter Coecke van Aelst, permet de prendre acte de leur culture architecturale et d’apporter un nouvel éclairage sur le développement de la Renaissance dans les anciens Pays-Bas. Samantha Heringuez est chercheur associée au CESR (Centre d’études supérieures de la Renaissance –...

Exposition : “Da Tiziano a Rubens, Capolavori da Anversa e da altre collezioni fiamminghe”, Venise, Palazzo Ducale jusqu’au 1er mars 2020

Alla scoperta dell’arte fiamminga con gli esclusivi capolavori dai principali musei fiamminghi in mostra al Palazzo Ducale di Venezia. Dal 5 settembre fino al 1 marzo 2020 la Fondazione Musei Civici di Venezia, assieme alla città di Anversa, VisitFlanders e la Flemish Community, presenta Da Tiziano a Rubens. Capolavori da Anversa ed altre collezioni fiamminghe, una mostra curata da Ben Van Beneden, direttore della Rubenshuis di Anversa. Gli spettacolari appartamenti del doge verranno trasformati in...

Parution: Elizabeth Sutton “Women Artists and Patrons in the Netherlands, 1500-1700” Amsterdam University Press

Parution: “Women Artists and Patrons in the Netherlands, 1500-1700”,  écrit par Elizabeth Sutton, publication faite par Amsterdam University Press le 22 – 07 – 2019 This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today....

Parution: Marije Osnabrugge “The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655)” Amsterdam University Press

Parution: “The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655)”,  écrit par Marije Osnabrugge, publication faite par Amsterdam University Press le 29 – 04 – 2019 The seventeenth century was a time of exceptional mobility for Netherlandish artists. This mobility had a profound impact on artistic developments, stimulating innovation and creativity in the Netherlands as well as abroad. Whereas most artists undertook a relatively short study trip, others decided to settle down and shape...

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