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Étiqueté : Artemisia Gentileschi

Exposition : “Artemisia’s Strong Women – Rescuing a Masterpiece”, Los Angeles, The Getty Center, du 10 juin au 14 septembre 2025

In 2020, a massive explosion in the port of Beirut devastated the city. Among the wreckage was a previously unknown painting by Artemisia Gentileschi, the most celebrated woman painter of 17th-century Italy. Depicting a scene from the Greek myth of Hercules, the severely damaged painting came to Getty for in-depth conservation treatment. In an installation focused on its repair, the restored painting is accompanied by three of Gentileschi’s other paintings, highlighting her special focus on...

Conférence : “Artemisia Gentileschi – Gloire, violence et passion d’une femme peintre”, Paris, Musée Jacquemart-André, le jeudi 5 juin 2025, à 8h30

Conférence menée par Serge Legat, historien, conférencier Artemisia Gentileschi est née à Rome en 1593 et elle meurt à Naples vers 1656. Elle est la fille du peintre Orazio Gentileschi, dont elle est l’élève, et, comme lui, elle s’apparente au courant de la peinture caravagesque et peut être considérée comme l’une des grandes figures du Baroque italien. Sous la Renaissance, l’Humanisme accorde une nouvelle importance à la vie en société mais les femmes demeurent rares dans...

Exposition : “Artemisia – Heroïne de l’art”, Paris, Musée Jacquemart-André, à partir du 19 mars 2025

Le Musée Jacquemart-André met à l’honneur en 2025 l’artiste romaine Artemisia Gentileschi (1593 – vers 1656). Personnalité au destin hors norme, cette protagoniste de la peinture caravagesque est l’une des rares artistes femmes de l’époque moderne ayant connu de son vivant une gloire internationale et qui put vivre de sa peinture. À travers une quarantaine de tableaux, réunissant aussi bien des chefs-d’œuvre reconnus de l’artiste, des toiles d’attribution récente, ou des peintures rarement montrées en...

Conférence en ligne : Mary D. Garrard, Beverley Brown et François Quiviger, Artemisia Gentileschi and Feminism in Early Modern Europe, Warburg Institute, 20 juin 2023

Artemisia Gentileschi and Feminism in Early Modern Europe – Mary D. Garrard (Professor Emerita, American University Washington DC) in conversation with Beverley Brown (Warburg Institute) and François Quiviger (Warburg Institute) Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women’s problematic access to political power. Her forceful paintings with their vigorous female protagonists have excited modern audiences. This book breaks...

Parution : E. Straussman-Pflanzer, O. Tostmann, « By Her Hand. Artemisia Gentileschi and Women Artists in Italy, 1500-1800 », Yale University Press, 2021

A brand new look at the extraordinary accomplishments of early modern Italian women artists. This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here—ranging from historical subjects to portraits and still lifes—offer new insight into the ways these women worked and...

Appel à communication : « Strong Women in Early Modern Iberian Art », RSA 2021, Dublin, date limite le 1er août 2020

Session du Congrès de la Renaissance Society of America – Dublin, 7-10 avril 2021 Thanks to recent exhibitions, publications, and museum acquisitions, women have come roaring back into view in the history of early modern art. This panel seeks to focus this renewed attention onto women from across the Iberian world—that is, the areas under the control of the Spanish Hapsburgs, stretching beyond the Iberian Peninsula to include viceregal regions like the Kingdom of Naples, New...

Exposition : “Artemisia”, Londres, National Gallery, du 4 avril au 26 juillet 2020

Come face-to-face with Artemisia and her paintings in the first major exhibition of her work in the UK. At a time when women artists were not easily accepted, Artemisia Gentileschi was exceptional. She enjoyed a long and successful career as a painter, spanning more than 40 years, and she was the first woman to gain membership to the artists’ academy – the Accademia delle Arti del Disegno – in Florence. Around 35 works from public and private...

Exposition : « Flesh and Blood : Italian Masterpieces from the Capodimonte Museum », Seattle Art Museum, du 17 octobre 2019 au 26 janvier 2020

Flesh and Blood offers a rare opportunity to view unforgettable works from the Capodimonte Museum in Naples. Renowned artists of the High Renaissance such as Titian and Raphael join Neapolitan masters including Artemisia Gentileschi, Jusepe de Ribera, and Bernardo Cavallino. The show reveals the many ways the human body can express love and devotion, physical labor, and tragic suffering. The exhibition is organized by the Museo e Real Bosco di Capodimonte, Naples, the Seattle Art...

Journée d’étude: « Artemisia Gentileschi International Conference », The Harold Acton Library – The British Institute et  Galleria Palatina – Palazzo Pitti, Florence, les 6 et 7 mai 2015

Journée d’étude: « Artemisia Gentileschi International Conference », The Harold Acton Library – The British Institute et Galleria Palatina – Palazzo Pitti, Florence, les 6 et 7 mai 2015

  « Artemisia Gentileschi International Conference »     Program for the 3rd Annual Jane Fortune Conference Organized by the Jane Fortune Research Program at the Medici Archive   Project Hosted by the Galleria Palatina and the British Institute in Florence Programme en pdf   Artemisia Gentileschi: Interpreting New Evidence, Assessing New Attributions Wednesday, May 6 Sala Bianca, Galleria Palatina, Palazzo Pitti 17:00 Inauguration: Matteo Ceriana, Anna Bisceglia, Alessio Assonitis, and Jane Fortune. 17:30 Keynote Address: Mary...