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Étiqueté : Bellini

Appel à contribution : « The Bellini of Renaissance Venice / Renaissance Society of America », Chicago, Palmer House Hilton, 21-23 mars 2024, date limite le 1er août 2023

This session will present the latest research on the Bellini family of artists (Jacopo, Giovanni, Gentile, and Leonardo). Topics may include, but are not limited to: Questions of biography, chronology, attribution, and historiography Their responses to ancient, humanist, and clerical texts Pictorial techniques; workshop practices; recent conservation and new technical studies Responses to the North, the Mediterranean, and the East Artistic receptivity to the artistic, intellectual, and social world of Venice and the terra firma...

Exposition : “Giovanni Bellini”, Paris, Musée Jacquemart-André, du 3 mars au 17 juillet 2023

Au printemps 2023, le Musée Jacquemart-André met à l’honneur l’œuvre du grand maître de la peinture Giovanni Bellini (v. 1430-1516), père de l’école vénitienne à laquelle appartiendront ses élèves Giorgione et Titien. Giovanni Bellini a ouvert la voie à un art de la couleur et du ton qui sera la marque du XVIe siècle vénitien.   À travers une cinquantaine d’œuvres issues de collections publiques et privées européennes, cette exposition retrace le parcours de Giovanni...

Exposition : Jacopo e Giovanni Bellini, capolavori a confronto, Venise, Gallerie dell’Accademia, jusqu’au 12 mars 2023

Lo scambio di opere importanti con musei italiani e stranieri ha dato alle Gallerie dell’Accademia di Venezia la possibilità di creare nuovi racconti, intrecciare nuove storie con dipinti della collezione permanente, parlare di iconografia, di provenienze, di stile. Visto il successo degli appuntamenti già realizzati, il museo presenta ora il nuovo programma Nelle Gallerie, dedicato alle occasioni di incontro e relazione tra opere e istituzioni. Dopo Il Bravo di Tiziano, dal Kunsthistorisches Museum di Vienna, il Ritratto di giovane (Il ritratto Brocardo) di...

Parution : Francesco Caglioti (ed), “Donatello: The Renaissance”, Venise, Marsilio, 2022

  A beautiful appraisal of the Renaissance sculptor’s achievements, contextualized with works by his contemporaries. The first thorough overview of the artist in many years, Donatello: The Renaissance reconstructs the outstanding career of one of the greatest sculptors in Western art. Famed for his incredibly sensual sculpture of David—the first freestanding nude male sculpture since antiquity—Donatello (c. 1386–1466) also made reliefs, but was best known for statues in the round. Accompanying a truly historic exhibition...

Parution : Daniel Wallace Maze, « Young Bellini », Yale University Press, 2021.

A revisionist history of the early life and career of Renaissance artist Giovanni Bellini Widely recognized as one of the greatest painters of the Italian Renaissance, Giovanni Bellini is revered for his mastery of color, atmosphere and light. However, his early life and career remain something of a mystery. Daniel Wallace Maze expands on groundbreaking research that argues Jacopo Bellini was not Giovanni Bellini’s father, but rather his half-brother, and that Giovanni was born between...

Parution : Caroline Campbell et Giovanni Valagussa, “Giovanni Bellini. Madonna di Alzano.”, Milan, Skira, 2020

Bellini e la Madonna di Alzano Uno studio monografico approfondito dedicato a un capolavoro del grande maestro della pittura del Rinascimento Inserito nella collana “L’Ospite illustre” (che grazie a prestiti eccezionali da importanti collezioni, offre l’opportunità di ammirare singoli capolavori dei maggiori protagonisti della storia dell’arte), il volume è dedicato alla Madonna di Alzano, opera capitale di Giovanni Bellini, appartenente alla collezioni dell’Accademia Carrara. Questo straordinario dipinto è il simbolo di quel rapporto di dare...

Exposition : “Bellini Plus, Research and Restoration”, Berlin, Gemäldegalerie, jusqu’au 21 juillet 2019

The Gemäldegalerie is devoting a studio exhibition to a group of paintings by the father and son Jacopo and Giovanni Bellini, their workshop and followers, which have hardly ever been displayed before. These forgotten treasures, some of which have languished in the museum storeroom since the Second World War, will be shown along with the results of new research and restoration. Restoration and research are inseparably linked. Information about materials, techniques and structures, object histories...

Conférence : ““Divine proportion” in Renaissance Venice: Bellini, Carpaccio and Luca Pacioli”, The Warburg Institute, 26 Oct 2017, 17.30-19.30

Speaker: Professor Paul Hills, Professor Emeritus, The Courtauld Institute of Art Venetian painting around 1500 is marked by a distinctive geometry. In this lecture I explore the synergy between the artistic and Euclidian culture of the Venetian Republic, broadly from the arrival of Giorgio Valla in 1481 through to the publication of Luca Pacioli’s Divina proportione in 1509.  Examining a number of works by Bellini and Carpaccio, I suggest how the emphasis on geometry and...

Parution: Philippe Morel, «Renaissance dionysiaque – Inspiration bachique, imaginaire du vin et de la vigne dans l’art européen (1430-1630)», sortie le 19 février 2015

.   Couverture en pdf Sortie le 19 février 2015 Le Félin, 880 p., 266 ill. coul. et n. et bl.   La figure de Bacchus ou de Dionysos incarne et résume un faisceau d’idées, d’évolutions et d’aspirations caractéristiques de la Renaissance, période au cours de laquelle on a cherché à renouer plus étroitement avec l’héritage antique et certaines de ses valeurs, à relativiser ou à redimensionner la place du christianisme pour des registres existentiels qu’il...