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Étiqueté : Carpaccio

Colloque : « Vittore Carpaccio: contesto, iconografia, fortuna », Venise, Fondazione Giorgio Cini, 14-15 juin 2023

L’Istituto di Storia dell’Arte della Fondazione Giorgio Cini si fa promotore di un confronto tra i maggiori specialisti del grande pittore veneziano Vittore Carpaccio (1465-1525 ca.) attraverso le due giornate del convegno internazionale di studi, programmate per il 14 e il 15 giugno 2023, in concomitanza con l’importante mostra sull’artista rinascimentale a Palazzo Ducale a Venezia, organizzata dalla Fondazione Musei Civici di Venezia in collaborazione con la National Gallery of Art di Washington e che...

Exposition : « Vittore Carpaccio. Master Storyteller of Renaissance Venice », Washington, National Gallery of Art, 20 novembre 2022-12 février 2023

A leading figure in the art of Renaissance Venice, Vittore Carpaccio (c. 1460/1466–1525/1526) is best known for his large, spectacular narrative paintings that brought sacred history to life. Although for centuries he has been loved and celebrated in his native city for his observant eye, fertile imagination, and storytelling prowess, this exhibition marks the first retrospective of the artist ever held outside Italy. In a focused selection of some 45 paintings and 30 drawings, large-scale canvases painted...

Parution : Peter Humfrey, “Vittore Carpaccio Master Storyteller of Renaissance Venice”, New Haven, Yale University Press, 2022

An authoritative and comprehensive celebration of the life and work of one of the most prominent artists of the Venetian Renaissance Meticulously researched and luxuriously illustrated, this volume offers a comprehensive view of Vittore Carpaccio (c. 1460/1466–1525/1526), whose work has been admired for centuries for its fantastical settings enriched with contemporary incident and detail. Capturing the sanctity and splendor of Venice at the turn of the sixteenth century, when the city controlled a vast maritime...

Conférence : Stefan Neuner, « The Boatman and the Possessed. Passages in a Double History by Vittore Carpaccio », Florence, Kunsthistorisches Institut, 27 octobre 2022

27. Oktober 2022, 15:00 Uhr Vittore Carpaccio’s Miracle of the Relic of the True Cross (ca. 1494–96) from the Scuola Grande di S. Giovanni Evangelista is commonly known as a “veduta” of the Grand Canal with a view of the ancient, wooden Rialto Bridge, which interests researchers primarily for its potential to generate cultural-historical “data.” The talk, however, turns to the narrative structure of the painting, and argues that Carpaccio actually juxtaposed two disparate events....

Appel à contribution : Convegno Internazionale “Vittore Carpaccio”, Venezia, Fondazione Giorgio Cini, 11 – 12 novembre 2020, date limite le 13 mars 2020

Convegno internazionale di studi  “Vittore Carpaccio” Venezia, Fondazione Giorgio Cini, 11 – 12 novembre 2020 In occasione della mostra dedicata al grande pittore veneziano che aprirà nel prossimo autunno a Palazzo Ducale,  l’Istituto di Storia dell’Arte della Fondazione Giorgio Cini organizza un convegno internazionale di studi su Vittore Carpaccio (1465-1525 ca.), che si terrà sull’isola di San Giorgio Maggiore l’11 e 12 novembre 2020. Comitato scientifico: Luca Massimo Barbero, Patricia Fortini Brown, Giorgio Fossaluzza, Deborah Howard, Peter Humfrey, Giulio...

Conférence : ““Divine proportion” in Renaissance Venice: Bellini, Carpaccio and Luca Pacioli”, The Warburg Institute, 26 Oct 2017, 17.30-19.30

Speaker: Professor Paul Hills, Professor Emeritus, The Courtauld Institute of Art Venetian painting around 1500 is marked by a distinctive geometry. In this lecture I explore the synergy between the artistic and Euclidian culture of the Venetian Republic, broadly from the arrival of Giorgio Valla in 1481 through to the publication of Luca Pacioli’s Divina proportione in 1509.  Examining a number of works by Bellini and Carpaccio, I suggest how the emphasis on geometry and...