Étiqueté : collection

Appel à contribution : « The Collecting of Drawings in 16th and 17th Century Italy », Rome, Bibliotheca Hertziana, 10-12 mai 2023, date limite le 9 janvier 2023

Concept and organization: Tatjana Bartsch, Johannes Röll, Claire Van Cleave Invited keynote speakers: David Ekserdjian and Carel van Tuyll With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 hope to examine the full breadth of this early moment in the history of collecting works on paper. Who collected drawings on for what purpose? How were collections organized and how...

Appel à communication : « Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy », Rome, Bibliotheca Hertziana, date limite le 9 janvier 2023

With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 hope to examine the full breadth of this early moment in the history of collecting works on paper. Who collected drawings on for what purpose? How were collections organized and how were drawings arranged or displayed? What kind of public had access to the collections? What kind of sources are...

Appel à contribution : « The Mutability of Collections : Transformation, Contextualisation and Re-Interpretation », Londres, Université de Londres, 07-08 juillet 2023, date limite le 30 novembre 2022

The Mutability of Collections: Transformation, Contextualisation and Re-Interpretation. Seminar on Collecting & Display, Institute of Historical Research, University of London, 7-8 July 2023. We invite proposals for papers reflecting on the ways in which the contents of collections are not permanent but may be subject to numerous mutations. Objects in collections are added, exchanged or disposed of, translated and transformed. Items can be moved to new surroundings and different decorative settings, resulting in altered contexts...

Exposition : “El marqués de Santillana. Imágenes y letras”, Madrid, Museo Nacional del Prado, du 4 octobre 2022 au 08 janvier 2023

Comisariada por Joan Molina, Jefe de Departamento de Pintura Gótica Española en el Museo Nacional del Prado, y en colaboración con la Biblioteca Nacional de España, esta exposición propone, por primera vez, una presentación conjunta de un grupo de pinturas y manuscritos encargados por el marqués de Santillana complementada con otras obras de Jorge Inglés –su pintor predilecto– y una serie de códices propiedad de algunos personajes coetáneos que compartieron las aficiones del noble castellano....

Parution : Ana Diéguez, Angel Rodriguez Rebollo (dir.), « The Pictor Doctus, between Knowledge and Workshop Artists. Collections and Friendship in Europe, 1500-1900 », Turnhout, Brepols, 2022

Recent research on the collections treasured by artists during their lifetime, or those collections they had access to, has contributed significantly to the understanding of their own compositions. Traditional historiography has favoured the study of the royal and aristocratic collections that could have inspired artists rather than of the artists’ own collections. Only those of the ‘great’ artists, such as Rubens, Bernini, Velázquez or Mengs, have been comprehensively examined. In the eighteenth century, the notion...

Parution : Marlise Rijks, « Collections in Early Modern Antwerp. Catalysts of Innovation », Turnhout, Brepols, 2022

Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried animals, shells, corals, and scientific instruments. All these objects and more were on display in collectors’ cabinets in Early Modern Antwerp. This book tells the story of the collections of artists and artisans, who stood at the centre of and shaped the city’s cultural life. In their double roles as maker-collectors, they put a strong mark on the culture of collecting. The culture of...

Colloque : « Collections in Early Modern Era », Olomouc, Palacký University, 13-17 juin 2022

Palacký University Olomouc in cooperation with Leiden University, Humboldt-Universität zu Berlin and University of Trnava cordially invites to an international workshop held in Olomouc, 13 – 17 June 2022, Auditorium Maximum, Department of Art History, Faculty of Arts, Palacký University Olomouc, Univerzitní 3. For more information, please do not hesitate to contact the main organizer of the workshop, Eliska Zlatohlávková: eliska.zlatohlavkova@upol.cz MONDAY 13 June 9:15 Welcome speeches: Jan Stejskal (dean of the Faculty of Arts)...

Parution : Guillaume Fonkenell, “Catherine de Médicis (1519-1589) – Politique et art dans la France de la Renaissance”, Paris, Le Passage, 2022

Par-delà l’image et la légende, un portrait complet et renouvelé de Catherine de Médicis (1519-1589), femme extraordinaire et reine exceptionnelle, par les meilleurs spécialistes du sujet. Qui n’a jamais rencontré Catherine de Médicis, au détour d’un film ou d’un roman ? Dans la mémoire collective, son nom reste présent, à côté d’autres reines de France, comme Anne d’Autriche ou Marie-Antoinette. Mais l’image et la légende ont fini par effacer ce qu’a pu être cette femme...

Conférence : Monika Schmitter, « The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace », Londres, The Courtauld Institute, 24 mai 2022, 17h30-18h30

Lorenzo Lotto’s famous portrait of Andrea Odoni in the Royal Collection may be the canonical image of the Renaissance art collector. Monika Schmitter will present her recent book which investigates who Odoni was and how and why he amassed an impressive collection of antiquities, modern sculpture, paintings, and naturalia in his relatively modest Venetian palace. Odoni was a non-noble citizen and son of an immigrant, not a member of the ruling Venetian elite, but he...

Appel à contribution : « Projets encyclopédiques et circulation des savoirs, 1500-1750 », Québec, CIREM 16-18, date limite le 05 avril 2022

Argumentaire  Le mot encyclopédie, introduit par Rabelais en français et défini par Guillaume Budé comme « érudition circulaire » conformément à son étymologie grecque de « cercle des connaissances », place en son centre le savoir et autorise à penser le fondement même du projet encyclopédique de la première modernité par ce mouvement de circulation des savoirs, opérations complexes de transformation, d’adaptation, de traduction, de translation, consubstantielles au déplacement d’un « lieu de savoir »...

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