Étiqueté : collection

Journée d’étude : « Faire l’œuvre d’art. L’œuvre d’art et ses réseaux, de la création à la collection », Paris, INHA, 25 mai 2024

L’objectif de cette journée est de développer une réflexion transnationale et transchronologique sur l’étude des réseaux dans la conception, l’acquisition et l’appréciation des œuvres d’art. À l’appui de méthodologies variées de l’analyse de l’œuvre d’art et ses réseaux, nous espérons ouvrir le débat sur des périodes de l’histoire de l’art allant de la Renaissance jusqu’au XXe siècle, et dans plusieurs pays en Occident, en particulier la France, l’Italie, les pays nordiques et les États-Unis. Plusieurs...

Journées d’étude : “La somme des parties ? (Dé)faire et (re)penser collections et compilations entre Moyen Âge et Première Modernité”, Université de Liège, 6-7 mai 2021

Les 6 et 7 mai 2024 se tient, à l’université de Liège, la septième édition des journées doctorales internationales de l’unité de recherches Transitions. Organisé en partenariat avec le Centre for Medieval and Renaissance Studies (CeMaRS, Ruhr-Universität Bochum) et l’Institut d’histoire de la Réformation (IHR, Université de Genève), ce colloque a pour thème les pratiques de collection et de compilation. PROGRAMME Lundi 6 mai 2024 – Salle Wittert 9h00 Accueil des participants 9h30 Mot d’accueil, Christophe...

Appel à contribution : « Collecting, Growing, and Exploring in Early Modernity », Paris, EPHE, 11 juin 2024, date limite le 15 janvier 2024

The last few decades have produced a number of studies devoted to the relationship between collecting and science, highlighting the relationship between a growing interest in botany and the fascination with the collection of naturalia, especially from the mid-sixteenth century onwards. These objects of natural origins aroused the admiration of enthusiasts and scientists alike. This passion for collecting reached various corners of society: the academic garden at Leiden University included an ambulacrum that housed dried...

Exposition : Mnemosyne. Il teatro della memoria, Pavie, Museo Civico, jusqu’au 26 mars 2023

Nella Sala del collezionista del Castello Visconteo, a Pavia, apre al pubblico la mostra Mnemosyne. Il teatro della memoria, curata da Paolo Linetti. «Considero la realizzazione di questa mostra un tassello importante del progetto più ampio dedicato ai nostri Musei Civici – dichiara l’Assessore alla Cultura, Mariangela Singali Calisti – dopo il lungo periodo di chiusura forzata. Un periodo di cupezza che ci ha però permesso di riflettere sull’idea di museo che volevamo e vogliamo promuovere:...

Appel à contribution : « The Collecting of Drawings in 16th and 17th Century Italy », Rome, Bibliotheca Hertziana, 10-12 mai 2023, date limite le 9 janvier 2023

Concept and organization: Tatjana Bartsch, Johannes Röll, Claire Van Cleave Invited keynote speakers: David Ekserdjian and Carel van Tuyll With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 hope to examine the full breadth of this early moment in the history of collecting works on paper. Who collected drawings on for what purpose? How were collections organized and how...

Appel à communication : « Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy », Rome, Bibliotheca Hertziana, date limite le 9 janvier 2023

With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 hope to examine the full breadth of this early moment in the history of collecting works on paper. Who collected drawings on for what purpose? How were collections organized and how were drawings arranged or displayed? What kind of public had access to the collections? What kind of sources are...

Appel à contribution : « The Mutability of Collections : Transformation, Contextualisation and Re-Interpretation », Londres, Université de Londres, 07-08 juillet 2023, date limite le 30 novembre 2022

The Mutability of Collections: Transformation, Contextualisation and Re-Interpretation. Seminar on Collecting & Display, Institute of Historical Research, University of London, 7-8 July 2023. We invite proposals for papers reflecting on the ways in which the contents of collections are not permanent but may be subject to numerous mutations. Objects in collections are added, exchanged or disposed of, translated and transformed. Items can be moved to new surroundings and different decorative settings, resulting in altered contexts...

Exposition : “El marqués de Santillana. Imágenes y letras”, Madrid, Museo Nacional del Prado, du 4 octobre 2022 au 08 janvier 2023

Comisariada por Joan Molina, Jefe de Departamento de Pintura Gótica Española en el Museo Nacional del Prado, y en colaboración con la Biblioteca Nacional de España, esta exposición propone, por primera vez, una presentación conjunta de un grupo de pinturas y manuscritos encargados por el marqués de Santillana complementada con otras obras de Jorge Inglés –su pintor predilecto– y una serie de códices propiedad de algunos personajes coetáneos que compartieron las aficiones del noble castellano....

Parution : Ana Diéguez, Angel Rodriguez Rebollo (dir.), « The Pictor Doctus, between Knowledge and Workshop Artists. Collections and Friendship in Europe, 1500-1900 », Turnhout, Brepols, 2022

Recent research on the collections treasured by artists during their lifetime, or those collections they had access to, has contributed significantly to the understanding of their own compositions. Traditional historiography has favoured the study of the royal and aristocratic collections that could have inspired artists rather than of the artists’ own collections. Only those of the ‘great’ artists, such as Rubens, Bernini, Velázquez or Mengs, have been comprehensively examined. In the eighteenth century, the notion...

Parution : Marlise Rijks, « Collections in Early Modern Antwerp. Catalysts of Innovation », Turnhout, Brepols, 2022

Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried animals, shells, corals, and scientific instruments. All these objects and more were on display in collectors’ cabinets in Early Modern Antwerp. This book tells the story of the collections of artists and artisans, who stood at the centre of and shaped the city’s cultural life. In their double roles as maker-collectors, they put a strong mark on the culture of collecting. The culture of...

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