Étiqueté : collectionnisme

Parution : Malcolm Baker et Inge Reist (dir.), Sculpture Collections in Europe and the United States 1500-1930, Leyde, Brill, 2021

Exploring the variety of forms taken by collections of sculpture, this volume presents new research by twelve internationally recognized scholars. The essays delve into the motivations of different collectors, the modes of display, and the aesthetics of viewing sculpture, bringing to light much new archival material. The book underscores the ambiguous nature of sculpture collections, variously understood as decorative components of interiors or gardens, as objects of desire in cabinets of curiosity, or as autonomous...

Conférence : Daniela Bleichmar, « The Cabinet and the World. Non-European Objects in Early Modern European Wunderkammern », en ligne, 4 février 2021

Early modern European collectors proclaimed their curiosity cabinets contained « the world. » What do collections from the sixteenth and seventeenth centuries reveal about the ways in which those who assembled, owned, and visited them understood objects from other regions and cultures? Inventories, catalogues, and descriptions of European collections from the period reveal that the reception of non-European objects was characterized above all by practices of geographical and cultural indeterminacy, most notably (1) empty attribution, (2) misattribution,...

Appel à communication : Displaying Art in the Early Modern Period (1450 1750): Exhibiting practices and exhibition spaces, University of Birmingham, date limite le 19 octobre 2020

We invite paper proposals for our session at the Association for Art History’s 2021 Annual Conference: « Displaying Art in the Early Modern Period (1450 1750): Exhibiting practices and exhibition spaces » Over the years, despite the increased interest in spatial issues and some iconic studies (Luckhurst, Haskell, Koch), little attention has been paid to the long-term history of the exhibition space and exhibition-making practices. Before the appearance of the first painting exhibitions and the spaces specially...

Conférence en ligne : Inge Reist, « Shaping the Splendor of Italian Renaissance Art through Collecting and Patronage », 23 juillet à 18h30 (BST)

For most of us, art patronage and collecting during the Renaissance and Baroque periods is thought to have been the almost exclusive province of princes, popes, and prelates. But in reality the personalities who shaped the art collecting landscape of the late 15th 16th and 17th centuries were remarkably varied, representing a broad range of interests and professions that included connoisseurs and middlemen from all walks of life and social strata. This lecture will introduce some of the...

Appel à communication : « Collecting and Display of Small, Portable Objects (15th–17th century) », RSA 2021, date limite le 30 juillet 2020

Session du Congrès de la Renaissance Society of America – Dublin, 7-10 avril 2021 The taste for small objects, such as gems, jewels, coins, small antiquities, statuettes and miniature works of art is evident in leading collections from the fifteenth through the seventeenth centuries. The materiality of small precious objects and their portability raise questions about the dynamics and the reasons behind the taste for small things, addressing concepts of intimacy, privacy and public access in...

Conférence : Pamela Bianchi, « Dressing up buildings. Les espaces du collectionnisme et l’exemple des Gonzaga de Mantoue », Paris, Galerie Colbert, 18 février 2020, 18h30

Séance du séminaire Collection La Galerieta verso la Mostra (la galerie des Marbres ou des Mois) ; la Galeria Grande (la galerie de l’exposition construite vers 1592 pour rassembler des peintures modernes) ; le Coridore che guarda verso la Santa Barbara (couloir reliant deux sections du bâtiment, s’ouvrant au centre vers la basilique palatine, servant de lieu de stockage pour peintures et sculptures) ; le Logion Serato (galerie de miroirs, point d’appui de la structure d’exposition) ; le Passetto davanti al Camarino della...

Colloque international : « Les Granvelle au coeur de la Renaissance », MSHE, Besançon, 16-18 novembre 2017

Organisé par l’Institut des Sciences et Techniques de l’Antiquité (ISTA) et le Centre Lucien Febvre (CLF) de l’Université de Franche-Comté UFR SLHS. Ce colloque international est co-organisé par l’Institut des sciences et techniques de l’Antiquité (ISTA) et par le Centre Lucien Febvre (CLF) de l’université de Franche-Comté en partenariat avec la ville de Besançon à l’occasion du 500e anniversaire de la naissance d’Antoine Perrenot de Granvelle (1517-1586). Il a pour objet de célébrer la culture classique...

Appel à communication : « Libri di Disegni e Album di Disegni », Roma, Accademia di Belle Arti, date limite le 9 décembre 2017

Libri di Disegni e Album di Disegni nell’Età Moderna, 1550-1800. Nuove prospettive metodologiche e di esegesi storico-critica Accademia di Belle Arti di Roma, May 31 – June 1, 2018 Deadline: Dec 9, 2017 Workshop Internazionale.   La netta distinzione tipologica e terminologica tra libri di disegni e album di disegni è stata dimostrata dalla storiografia artistica contemporanea sulla base di evidenze documentarie e letterarie italiane, cinque e seicentesche. Nell’Età moderna sono gli artisti stessi o i conoscitori...

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