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Étiqueté : conservation-restauration

Actualité de la recherche en histoire de l’art de la Renaissance / Expositions

Exposition : “The Painted Tower: Conservation in Context at Longthorpe”, Londres, Courtauld Gallery The Project Space, du 26 février au 27 mai 2026

This display offers an insight into the Courtauld’s current collaboration with English Heritage to conserve the remarkable fourteenth-century wall paintings in Longthorpe Tower in Peterborough. Drawing on material from our National Wall Paintings Survey archive, the display will showcase the pioneering role of the Courtauld’s Conservation Department in safeguarding Britain’s wall paintings and the peculiar challenges of caring for paintings attached to historic buildings.   Exploring the creation of Longthorpe’s exceptionally complete scheme of medieval decoration, the display will...

Actualité de la recherche en histoire de l’art de la Renaissance / Expositions

Exposition : “Il trittico di Spinello Aretino restaurato”, Florence, Galleria dell’Accademia di Firenze, du 24 février au 11 mai 2026

Galleria dell’Accademia di Firenze e Musei del Bargello presentano il restauro del trittico di Spinello Aretino Madonna con Bambino in trono e quattro angeli fra i santi Paolino vescovo, Giovanni Battista, Andrea, Matteo, e i Profeti Geremia e Mosè. L’opera torna a splendere alla Galleria dell’Accademia di Firenze dopo un importante intervento avviato nel 2024 ed è oggi al centro di un’esposizione dedicata, visitabile dal 24 febbraio all’10 maggio 2026. L’allestimento creato per il ritorno nelle sale...

Actualité de la recherche en histoire de l’art de la Renaissance / Conférences

Conférence : “Curating Baroque Art in the 21st Century”, University of York, 9 juillet 2025

Philip Rahtz Lecture Theatre, Kings Manor, University of York, UK, Jul 09, 2025, 4–6pm. All welcome, no ticket required. The period of Western art history known as “the Baroque” has traditionally been interpreted as a stylistic phenomenon, the result of shifts in elite taste between classical decorum and rococo exuberance. Yet artistic production in Europe c. 1600–1750 was enabled by a proto-industrial world system dominated by Spain and Portugal, the Netherlands and later Britain, entangling...

Actualité de la recherche en histoire de l’art de la Renaissance / Appels à contribution

Appel à contribution : « Fragility and Recalcitrance », Sculpture Journal, date limite le 1er décembre 2024

In light of so much global destruction, our increasing awareness of the finiteness of resources, and the continuing legacy of colonialism, Sculpture Journal invites authors to explore how these issues have impacted artistic and cultural production through the lens of materiality specifically. Centring on the theme of reuse and its attendant terms — recycling and appropriation, looting and spolia — we invite reflection on the fragility, but also the recalcitrance, of artworks and their materials....

Actualité de la recherche en histoire de l’art de la Renaissance / Colloques et journées d'étude

Journée d’étude : « Expert Meeting: Rembrandt Reunited », Nivå, The Nivaagaard Collection, 2 septembre 2024, date limite le 15 août 2024

This event marks the first time in over two centuries that Rembrandt’s ‘Portrait of a 39-year-old Woman’ from The Nivaagaard Collection and its speculated counterpart, the ‘Portrait of a 40-year-old Man’ from the Metropolitan Museum of Art in New York, will be displayed together. Research by an international team of art historians and technical experts has focused on the question whether these masterpieces are pendant portraits. Now, we invite the academic community to review the...

Actualité de la recherche en histoire de l’art de la Renaissance / Appels à contribution

Appel à contribution : « Textile Ecologies », en ligne, 5-7 février 2025, date limite le 15 juillet 2024

Among the artifacts crafted by humankind, textiles have always held a uniquely interdependent relationship with the environment. Textiles derive from vegetal (hemp, raffia, ramie, cotton, or bark cloth), animal (wool, silk) and even mineral origins (as in the case of asbestos fibers). The production of textiles has depended upon access to and the processing of raw materials, while cloth manufacturing has reshaped entire landscapes from the transplantation of mulberry trees for sericulture to the mounds...

Actualité de la recherche en histoire de l’art de la Renaissance / Appels à contribution

Appel à contribution : Studiolo, n° 19, 2023, date limite le 6 mars 2023

Publiée par l’Académie de France à Rome – Villa Médicis, Studiolo est une revue annuelle d’histoire de l’art dédiée à la production artistique et la circulation des images entre l’Italie, l’Europe et le Monde, de la Renaissance à nos jours. Elle constitue un espace ouvert aux recherches les plus actuelles qui occupent toutes les disciplines de l’histoire de l’art, dans ses objectifs comme dans ses méthodes. Chaque numéro comporte un dossier thématique et des rubriques...

Actualité de la recherche en histoire de l’art de la Renaissance / Expositions

Exposition : « Facelifts & make-overs », La Haye, Mauritshuis, 7 octobre 2021-9 janvier 2022

Very few people know that there is a conservation studio in the Mauritshuis attic. A team of in-house conservators works there, dedicating their time to conservation, restoration and research and ensuring that the collection remains in top condition. In 2021 it will be some 25 years since the studio was installed in the attic. In Facelifts and Makeovers the most intriguing restorations of the past twenty years will be unveiled, including paintings by Rembrandt, Vermeer,...

Actualité de la recherche en histoire de l’art de la Renaissance / Expositions

Exposition : El Caballero de Carpaccio : Restauración y estudio técnico, Madrid, Museo Thyssen-Bornemisza, jusqu’au 1er novembre 2021

Tras finalizar la restauración de Joven caballero en un paisaje de Vittore Carpaccio (c.1505), una de las obras más emblemáticas del museo, se muestran los resultados del trabajo realizado en una instalación especial, en la misma sala 11 de la colección permanente donde se han llevado a cabo esos trabajos, de cara al público, a lo largo del año 2020 y parte de 2021. El cuadro restaurado se presenta junto a un vídeo que explica e ilustra...

Actualité de la recherche en histoire de l’art de la Renaissance / Expositions

Exposition : « Around Mantegna and Bellini. Technical Studies and Conservation », Berlin, Gemäldegalerie, jusqu’au 29 novembre 2020

As an echo to the recent exhibition „Mantegna und Bellini. Masters of the Renaissance”, held at the Gemäldegalerie from March through June 2019, this presentation gives insight into the technical research and restoration treatments the museum’s conservators executed in preparation for the exhibition. On display are works by two major painters of the Italian Renaissance, Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), together with creations by their immediate circle. From the creation of...