Étiqueté : Cycle décoratif

Parution : Émilie Chedeville (dir.), et al., « Le fond de l’œuvre. Arts visuels et sécularisation à l’époque moderne », Paris, Éditions de la Sorbonne, 2020

Nous vous signalons la sortie du 12e volume de la collection Histo.art. Cet ouvrage, intitulé Le fond de l’œuvre. Arts visuels et sécularisation à l’époque moderne est publié aux Éditions de la Sorbonne sous la Direction d’Émilie Chedeville, Étienne Jollet et Claire Sourdin. Présentation Selon certaines habitudes visuelles occidentales fixes, le fond s’opposerait à la forme ou à la figure, l’avant au fond. Pour un tableau, une sculpture ou même pour une architecture, le rapport entre le fond et la forme qui s’y...

Parution : Elizabeth Pilliod, Pontormo at San Lorenzo, Turnhout, Brepols, 2020

This book completely revises and corrects the standard interpretations and understanding of Jacopo da Pontomo’s lost masterpiece, the frescoes in the choir of the church of San Lorenzo at Florence, Italy. Pontormo’s frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo’s Sistine frescoes.  They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on...

Parution : Anne Derbes, Ritual, Gender, and Narrative in Late Medieval Italy, Turnhout, Brepols, 2020

This volume is the first English-language study of the baptistery of Padua and its extraordinarily rich fresco program, commissioned by a woman, Fina Buzzacarini, in the 1370s.  She had the sacred space reshaped into a family mausoleum, though it continued to function as the town’s baptistery.  This study uses close visual analysis to argue that the frescoes, painted by Giusto de’ Menabuoi, dovetail with the interests of Fina Buzzacarini and at the same time participate...

Appel à contribution : « The Church of San Rocco: Confraternal Religious Space and Sanctuary », Venise, 2-4 décembre 2021, date limite le 21 juin 2020

The project Churches of Venice: New Research Perspectives (Chiese di Venezia: Nuove prospettive di ricerca)—begun in 2010 and from 2017 supported by the Department of Philosophy and Cultural Heritage at Ca’ Foscari University, Venice and currently sponsored by Save Venice Inc.—consists of a multi-year program of interdisciplinary conferences each focused on a specific Venetian church. The project is designed to engage different disciplines for a deeper understanding of the complex social and religious phenomena embodied...

Workshop international : « Union from Division. (S)partimento and Renaissance Decoration », Villa Finaly et Kunsthistorisches Institut, Florence, 12-13 décembre 2019

PROGRAMME : Thursday 12 December Villa Finaly   14:00 Welcoming word : Brigitte Cédolin, Villa Finaly director 14:15 Introduction : Nicolas Cordon, Université Paris 1 Panthéon-Sorbonne, Émilie Passignat, Università degli Studi di Firenze 14:45 Part 1 : Inquiring sources Maia Wellington Gahtan, Kent State University, Florence Partitio and Ornamentum and their Equivalents in Renaissance Theories of Art Antonio Pinelli, Università degli Studi di Firenze Il cimento dell’armonia e dell’invenzione : conflitti di competenza tra artisti...

Présentation d’ouvrage : Francesco Fratta de Tomas, Soffitti lignei in Friuli fra Medioevo e Rinascimento, Cividale del Friuli, le 3 juillet, 18h

In occasione della Mostra Sia to chasa spechio del spirito. Abitare in Friuli nel Quattrocento (Cividale del Friuli, Palazzo de Nordis, 15 giugno-7 luglio 2019) e nell’ambito delle attività legate al Convegno internazionale Cieli dipinti. Soffitti lignei nell’Europa meridionale fra Medioevo e Rinascimento (Udine e Cividale del Friuli, 8-10 novembre 2019), promossi dal Dipartimento di Studi umanistici e del patrimonio culturale dell’Università degli studi di Udine, verra presentato il volume di Francesco Fratta de Tomas,...

Appel à communication : « (S)partimento and Renaissance Decoration », Florence, Villa Finaly et Kunsthistorisches Institut, 12-13 décembre 19, date limite le 5 septembre 2019

In the past two decades art historical research on the genesis and interpretation of Renaissance decorations has undergone a decisive renewal. For Renaissance artists, patrons and advisers, decoration was tackled with great diligence so much so that it represents by now a fertile field of study, conducive to methodological advances and interdisciplinary exchanges. Any theoretical approach of the decoration implies in particular the notion of partimento which still deserves some in-depth analysis. The term itself...

Colloque : Above and Beyond: Ceiling Painting in the History of Art, New York, The Frick Collection, le 27 juin

ABOVE AND BEYOND: CEILING PAINTING IN THE HISTORY OF ART Emerging Scholars Symposium Program 2:00 p.m. Welcome Xavier F. Salomon, Peter Jay Sharp Chief Curator, The Frick Collection Caitlin Henningsen, Associate Museum Educator for College and University Programs, The Frick Collection 2:10 p.m. « The Metamorphosis of Mythology: Parmigianino’s Ceiling Fresco for Rocca Sanvitale » Elizabeth A. Eisenberg, PhD candidate, Institute of Fine Arts, New York University 2:35 p.m. « Ceiling Paintings in the Amsterdam Trippenhuis: Iconography, Design,...

Colloque international : « Corps/cadre » Bruxelles, Saint Louis University, du 19 au 21 juin 2019

Les limites imposées par les bords de l’image semblent désormais se métamorphoser et même sur le point de se dissoudre. Les environnements immersifs nous projettent au-delà des limites de l’écran, la réalité augmentée nous met en contact avec différentes couches d’expérience visuelle, et les gestes de nos mains ou de nos doigts font désormais l’objet de brevets pour des interfaces à reconnaissance gestuelle. Et pourtant, le dispositif du cadre n’a jamais été aussi présent. Il...

Appel à contribution : « Above and Beyond, Ceiling Painting in the History of Art », New York, The Frick Collection, le 27 juin 2019, date limite le 2 mai 2019

ABOVE AND BEYOND: CEILING PAINTING IN THE HISTORY OF ART The Frick Collection is pleased to invite submissions for “Above and Beyond: Ceiling Painting in the History of Art,” a public symposium organized in conjunction with the special exhibition « Tiepolo in Milan: The Lost Frescoes of Palazzo Archinto » (April 16 to July 14, 2019). Tragically destroyed during World War II, Giambattista Tiepolo’s ceiling paintings for Palazzo Archinto (1730–31) represented allegorical and mythological scenes in magnificent,...

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