Étiqueté : Dante

Conférence : « Dante 1481. The Comedia, illustrated by Botticelli », en ligne, 4 mai 2021

The 1481 edition of Dante’s La Comedia was printed in Florence by Nicolaus Laurentii, Alamanus. Produced in the first decades of new printing technology in Europe, this was also the first edition to emerge from the city of Dante’s birth. With engravings attributed to Baccio Baldini from designs by Sandro Botticelli, this ambitious book could potentially have been the first fully illustrated edition of the poem. Yet no more than the first 19 cantos have...

Parution : Matthew D. Shoaf, Monumental Sounds Art and Listening before Dante, Leyde, Brill, 2021

In Monumental Sounds, Matthew G. Shoaf examines interactions between sight and hearing in spectacular church decoration in Italy between 1260-1320. In this « age of vision, » authorities’ concerns about whether and how worshipers listened to sacred speech spurred Giotto and other artists to reconfigure sacred stories to activate listening and ultimately bypass phenomenal experience for attitudes of inner receptivity. New naturalistic styles served that work, prompting viewers to give voice to depicted speech and guiding them toward...

Appel à contribution : Cities in Dante’s Time, date limite le 28 février 2021

Cities in Dante’s time. Urban and territorial transformations between the 13th and 14th centuries Editorial Series: Studies on the Middle Ages. architecture, art, archaeology, urban transformations, historiography Curator: Damiano Iacobone The celebrations for the 700th anniversary of the death of Dante Alighieri constitute an opportunity to evaluate the urban and territorial transformations that took place between the second half of the 13th and the first half of the 14th century. The contributions can refer both to...

Conférence en ligne : From Devilry to Divinity: Readings in Dante’s « Divina Commedia », Londres, The Warburg Institute, le 22 février à 18h

Presented by Alessandro Scafi (Warburg) and John Took (UCL) in partnership with University College London. This series aims to introduce the beauty, complexity and continuing significance of Dante’s ‘Divina Commedia’ through readings of the text, in the original and in translation, and through commentary on it. The readings are accompanied by a rich visual display of medieval illuminations whilst the commentary explores and invites discussion of some of the leading ideas of the poem. FREE...

Exposition : « Con altra voce ritornerò poeta. Il ritratto di Dante del Bronzino », Florence, Certosa del Galluzzo, jusqu’au 31 décembre 2020

Ideata da Antonio Natali (già Direttore della Galleria degli Uffizi), con Alessandro Andreini, e organizzata sotto l’egida dell’Arcidiocesi di Firenze dalla Comunità di San Leolino, dall’Opera di Santa Maria del Fiore e dall’Opera di Santa Croce, la mostra propone in esclusiva l’esposizione del Ritratto allegorico di Dante Alighieri, dipinto nel 1532-1533 dal Bronzino e proveniente da una collezione privata fiorentina. Il Ritratto allegorico di Dante campeggerà sul fondo della Pinacoteca della Certosa che sul lato sinistro ospita anche...

Parution : Katherine Ludwig Jansen, Peace and Penance in Late Medieval Italy, Princeton University Press, 2020

Medieval Italian communes are known for their violence, feuds, and vendettas, yet beneath this tumult was a society preoccupied with peace. Peace and Penance in Late Medieval Italy is the first book to examine how civic peacemaking in the age of Dante was forged in the crucible of penitential religious practice. Focusing on Florence in the thirteenth and fourteenth centuries, an era known for violence and civil discord, Katherine Ludwig Jansen brilliantly illuminates how religious and political...

Parution : Holly Flora et Sarah Wilkins (dir.), Art and Experience in Trecento Italy, Turnhout, Brepols, 2019

The age of Giotto, Dante, and Boccaccio, the fourteenth century in Italy, known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, materiality, politics, patronage, and devotion, contributing to a new understanding of how...

Appel à communication : « ‘Aere perennius’. The dialogue with Antiquity between the Middle Ages and the early Modernity » – Date limite 30 Juin 2019

Appel à communication : « ‘Aere perennius’. The dialogue with Antiquity between the Middle Ages and the early Modernity » ( 8-9 novembre 2019, Pisa, Italy) Date Limite: 30 JUIN 2019 A group of doctoral students of the first and second year of the PhD course in Literature, Art and History in Medieval and Modern Europe proposes the organisation of the third International Graduate Conference, which is reserved for PhD students and young researchers and...

Appel à communication : « Métamorphoses et mutations dans la littérature, les arts et l’histoire des idées en Espagne, France, Italie (XVe-XVIIIe s.) », Sorbonne Nouvelle Paris 3, date limite le 15 avril 2018

Appel à communication : « Métamorphoses et mutations dans la littérature, les arts et l’histoire des idées en Espagne, France, Italie (XVe-XVIIIe s.) » (Colloque International, co-organisé par le LECEMO de la Sorbonne Nouvelle et l’Università degli studi de Naples, 8 et 9 novembre 2018) Plusieurs travaux récents sur la production littéraire et artistique des XVe-XVIIIe siècles ont souligné une commune « fascination pour le transitoire et le protéiforme », affirmation qui contredit quelque peu...

Colloque : « Art et Science, regards croisés », Liège, Université, Salle académique et salle des professeurs, 25, 26 et 27 octobre 2017

La question des relations entre art et science gagne aujourd’hui l’intérêt de nombreux chercheurs qui, à l’appui de cas exemplaires, démontrent avec toujours plus de pertinence le rôle joué par les avancées scientifiques et technologiques dans le domaine des arts, depuis la Renaissance jusqu’à nos jours. L’objectif du colloque « Art et science, regards croisés » est de comprendre les raisons d’une telle fascination des artistes pour la science, mais pas seulement. En croisant les regards –...

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