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Étiqueté : dessin

Exposition : “Drawing the Italian Renaissance”, The King’s Gallery, Palace of Holyroodhouse, du 17 Octobre 2025 au 1er Mars 2026

The Renaissance period saw a dramatic transformation in the way that artists worked, with a new-found appreciation for creativity pushing artistic boundaries. Drawing became central to this development, evolving from an essential tool of workshop practice to an exciting art form in its own right. This exhibition brings together a wide range of drawings from this revolutionary artistic period, including 45 drawings never exhibited in Scotland before.  Exploring the diversity and accomplishment of drawing across...

Appel à contribution : « Framing the Drawing. Drawing the Frame », Rome, Bibliotheca Hertziana, 13-15 mai 2026, date limite le 16 janvier 2026

The 2026 Gernsheim Study Days seek to explore the relationship between early modern drawings, frames, and framing. In the early modern period, the frame as a physical object was something that could and, not infrequently, did cost more than the artwork it was framing. Together with the understanding of its economic value, the frame performed a monumentalizing role. The microarchitectural structure was used to signal the importance of an image through the imposition of new...

Conférence : Éric Pagliano, “L’art du dessin. Un outil intellectuel de recherche”, Paris, Musée du Louvre – Centre Dominique-Vivant Denon, le 25 juin 2025

Conférence le mercredi 25 juin à 18h au Centre Dominique-Vivant Denon Qu’est-ce qu’un dessin ? Un art, un outil ? L’ancienne orthographe du mot dess[e]in révèle sa triple signification. Formelle, matérielle mais aussi intellectuelle, elle le rattache à la pensée, à l’idée et l’intention.Par Éric Pagliano, C2RMF, auteur de L’Art du Dessin. Les processus de création (Citadelle & Mazenod, 2025) qui présentera son analyse originale et novatrice sur la technique et le sens du dessin dans l’art occidental...

Exposition : “The Carracci Cartoons: Myths in the Making”, Londres, National Gallery, du 10 avril au 6 juillet 2025

Two artist brothers from Bologna in northern Italy, Annibale and Agostino Carracci, visit Rome in 1594. They are about to take on a huge commission – to decorate rooms in the great Farnese Palace. A private family residence, its owner, Odoardo Farnese newly elected cardinal aged just 20, had inherited great wealth. Having finished the cardinal’s study, in 1597 they start work on the palace’s vast gallery. How to prepare? Two huge charcoal drawings on...

Exposition : « Rework, Retouch, Care: Case Studies from the Hertziana Collection », Rome, Bibliotheca Hertziana, 4 mars-5 juin 2025

Research Exhibition curated by Francesca Borgo and Camilla Colzani. LOCATION: Palazzo Zuccari (Foyer, Sala Terrena), Via Gregoriana 30, 00187 Roma CONTACT: editorial-LMG@biblhertz.it Long after leaving the artist’s studio, drawings continue to transform. More fragile and responsive than canvas or panel, paper not only registers the passage of time but also readily reflects shifts in ownership, taste, and interest. This exhibition presents a selection of case studies from the Hertziana collection that draws attention to the...

Journées d’étude : « Mettere mano. Reworking Early Modern Drawings », Rome, Bibliotheca Hertziana, 4-7 mars 2025

Public event without registration BEGINN: 04.03.2025 ENDE: 07.03.2026 VORTRAGENDE(R): Gernsheim Study Days ORT: Villino Stroganoff, Via Gregoriana 22, 00187 Rome and online (Vimeo) KONTAKT: Editorial-LMG@biblhertz.it “… con questo, che Taddeo potesse correggere e mettere mano nei disegni e cartoni di Federigo a suo piacimento …” In the Vita of Taddeo Zuccari, Giorgio Vasari describes the reworking of drawings — in contrast to that of paintings — as a common and spontaneous practice. The 2025 Gernsheim...

Présentation d’ouvrage : Antonio Brucculeri, « Les Français et la Renaissance. Idées et représentations de l’architecture, 1760-1880 », Paris, Institut culturel italien, le mercredi 12 février 2025, à 18h30

L’Institut culturel italien de Paris est heureux d’accueillir la présentation du livre d’Antonio Brucculeri : Les Français et la Renaissance : idées et représentations de l’architecture, 1760-1880 (Berlin/Boston, De Gruyter, 2024). L’ouvrage analyse la contribution française à la définition du concept de Renaissance. L’enquête de l’auteur porte sur les liens entre la première historiographie de l’architecture de la Renaissance et la réélaboration des fondements de la théorie architecturale au cours du XIXe siècle, tout en soulignant le...

Exposition : « Drawn to Blue: Artists’ use of blue paper », Londres, The Courtauld, 2 octobre 2024-26 janvier 2025

2 Oct 2024 – 26 Jan 2025  The Gilbert and Ildiko Butler Drawings Gallery  This display will present a selection of drawings on blue paper from The Courtauld’s collection, ranging from works by the Venetian Renaissance artist Jacopo Tintoretto to an Indian landscape by German-born artist Johann Zoffany. Made from fibres derived from blue rags, blue paper first appeared in Northern Italy in the 14th century. It became a popular drawing support for artists, and its use...

Appel à contribution : « Mettere mano. Reworking Early Modern Drawings », Rome, Bibliotheca Hertziana, 4-7 mars 2025, date limite le 10 novembre 2024

“… con questo, che Taddeo potesse correggere e mettere mano nei disegni e cartoni di Federigo a suo piacimento …” In the Vita of Taddeo Zuccari, Giorgio Vasari describes the reworking of drawings — in contrast to that of paintings — as a common and spontaneous practice in the sixteenth century. In his Libro de’ disegni, Vasari himself reworked his own drawing collection into elaborate framing collages organized by artist and subject. Some of these...

Colloque : « Pose, Power, Practice: New Perspectives on Life Drawing », Londres, The Courtauld Institute, 20 juin 2024

From the sixteenth century to the present, drawing the human body from life has remained a mainstay of Western institutional art practice. Despite significant shifts in the aesthetics, media, and purpose of art over the last five hundred years, life drawing endures in both the studio and the classroom. Pose, Power, Practice is a one-day symposium that seeks to reassess the state of the field on life drawing and apply new critical frameworks to this...