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Étiqueté : dévotion

Appel à publication : « Image and Devotion », Revista CEM/Cultura, Espaço e Memória, date limite le 30 avril 2021

Revista CEM/Cultura, Espaço e Memória, vol. 14 Abstracts due April 30, 2021. Edited by Ana Cristina Sousa (CITCEM/FLUP), Lúcia Rosas (CITCEM/FLUP)   The Transdisciplinary Research Centre for Culture, Space and Memory (CITCEM) invites the submission of article proposals for its journal Cultura, Espaço e Memória(CEM), vol. 14 (2021). The fourteenth volume of CEM is dedicated to the theme of image and devotion and thus is framed within the scope of CITCEM’s Tangible and Intangible Heritage...

Conférence : Tom Nickson, « (Im)material Devotions. Light and lighting devices in devotional practice », en ligne, 9 février 2021

Dr Tom Nickson (Courtauld Institute) examines the role of candles, lamps and natural light in shaping devotional spaces and experiences. Drawing on written, visual and archaeological evidence, he will consider the role of different lighting devices in a range of spaces, from mosques to royal chapels and parish churches, showing how light and lighting were central to experiences of material and devotional cultures at all levels of society. This event is part of the A Material...

Exposition : « Le Renouveau de la Passion. Sculpture religieuse entre Chartres et Paris autour de 1540 », Écouen, Musée national de la Renaissance, 25 novembre 2020-12 avril 2021

Cet automne, le musée national de la Renaissance propose une exposition inédite sur la sculpture. Sujet ambitieux par le caractère monumental des œuvres qui seront présentées, « Le Renouveau de la Passion » est consacré à la sculpture religieuse de la Renaissance française, autour de deux centres de production, Paris et Chartres. Elle présente un moment fondamental de l’histoire de l’art français du XVI e siècle : les années 1540-1550 pendant lesquelles apparaît un nouveau langage formel qualifié...

Exposition : « Flesh and Blood : Italian Masterpieces from the Capodimonte Museum », Seattle Art Museum, du 17 octobre 2019 au 26 janvier 2020

Flesh and Blood offers a rare opportunity to view unforgettable works from the Capodimonte Museum in Naples. Renowned artists of the High Renaissance such as Titian and Raphael join Neapolitan masters including Artemisia Gentileschi, Jusepe de Ribera, and Bernardo Cavallino. The show reveals the many ways the human body can express love and devotion, physical labor, and tragic suffering. The exhibition is organized by the Museo e Real Bosco di Capodimonte, Naples, the Seattle Art...

Exposition : « Drama and Devotion in Baroque Rome », Athens – Georgia Museum of Art, du 27 juillet 2019 au 21 mai 2020

Rome has long been a key destination for artists. At the beginning of the 17th century, painters from across Europe flocked to the Eternal City to see the revolution caused by painter Michelangelo Merisi da Caravaggio (1571 – 1610). Everyone copied his stark contrast of light and dark, powerful realism and dramatic sense of staging. The works presented in this exhibition, all from the Museum and Gallery at Bob Jones University, celebrate how Caravaggio shaped...

Appel à contribution : “Between Heaven and Earth: Ecclesiastical Patronage in Europe, 1400-1600”, date limite : 2 février 2015

Appel à contribution : “Between Heaven and Earth: Ecclesiastical Patronage in Europe, 1400-1600”, date limite : 2 février 2015

Call for papers “Beetween Heaven and Hell : Ecclesiastical patronage in Europe, 1400-1600” Londres, Courtauld Institute of Art,  Somerset House, Strand, London WC2R 0RN   Deadline for CFP : 2 February 2015 Third Annual Renaissance Symposium at the Courtauld Institute of Art : 9 May 2015 In recent years, the artistic commissions of ecclesiastic and lay patrons – both individual and collective – have been a fruitful area of scholarship. Research addressing issues of sacred space, devotional...

Parution : Fredrika H. JACOBS, Votive Panels and Popular Piety in Early Modern Italy, Cambridge University Press, 2013

Parution : Fredrika H. JACOBS, Votive Panels and Popular Piety in Early Modern Italy, Cambridge University Press, 2013

FREDRIKA H. JACOBS Virginia Commonwealth University, Richmond In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy.Although often dismissed as popular art of little aesthetic consequence, more than fifteen hundred panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants...