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Étiqueté : Early Modern Art

Parution : J. P. Park, “The Forger’s Creed. Reinventing Art History in Early Modern China”, Turnhout, Brepols, 2025

In 1634, scholar-official Zhang Taijie (b. ca. 1588) published a book titled A Record of Treasured Paintings (C. Baohui lu), presenting an extensive catalogue of a purportedly vast painting collection he claimed to have built. However, the entire book is Zhang’s meticulously crafted forgery; he even forged paintings to match the documentation, and profited from trading them. Furthermore, the book intriguingly mirrors unfounded art-historical claims of its time. Prominent figures like Dong Qichang (1555–1636) made entirely fabricated...

Conférence : « The Language of Ambiguity in Early Modern Art », Université de Cambridge, 12 octobre 2022

“The Language of Ambiguity in Early Modern Art”, 12th October 2022, Trinity Hall, University of Cambridge. Those wishing to register should email Anneke de Bont, ad961@cam.ac.uk 09:30-10:00: Introduction (Alexander Marr, University of Cambridge) 10:00-11:00: Session I Kathryn Murphy (University of Oxford): Quaint Raphael Garrod (University of Oxford): Daedal 11:00-11:30: Coffee 11:30-13:00: Session II James Clifton (Museum of Fine Arts, Houston): Confusione Lorenzo Pericolo (Florida State University): Obscurity Alexander Marr (University of Cambridge): Macchia 13:00-14:00: Lunch...

Appel à communications : Climate, Color, and Early Modern Art, RSA, date limite le 7 août 2022

We invite submissions for a panel that will investigate the myriad ways in which visual and material culture of the early modern world was impacted, both in theory and in practice, by changing conceptions of climate and color and increasingly sophisticated speculation about the relationship between the two. Through the framework of climate/color, we hope to provide a platform for scholars interested in color, facture, and materiality to begin to think about climate, ecology, and...