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Étiqueté : échanges culturels

Conférence : Kristina Richardson, « Between Two Worlds: The Roma and Early Global Print Cultures », Los Angeles, UCLA, 3 février 2025

Monday, Feb 3, 2025 @ 5:00 PM – 7:00 PM Royce 314, 10745 Dickson Ct Los Angeles, CA 90095 United States Richardson will show that Roma and other traveling people not only blocked printing between 800 and 1450 in North Africa and West Asia, but as they migrated into central Europe in the 1410s, they introduced print technology in their new homes. Traveling people were the links bridging the early print cultures of North Africa, West...

Appel à contribution : « The Medici and the Courts of Central and Eastern Europe: Art, Diplomacy, and Material Culture », Florence, The Medici Archive Project, 7 février 2025, date limite le 15 octobre 2024

Organized by the Medici Archive Project, Connected Central European Worlds, 1500-1700 and Collecting Central Europe. Communication between courts and cities could be achieved by several means, including the exchange of objects, artists, diplomats and news. Exchange was rarely a linear back-and-forth but could follow all sorts of patterns. In early modern Europe, it included the nascent courts in Italy, as well as central and eastern European courts among others. Our workshop will focus on courtly...

Exposition : “Le Goût de la Renaissance. Un dialogue entre collections”, Paris, Musée de la marine, 6 mars 2024 – 30 juin 2024

6 mars 2024 – 30 juin 2024 Musée de la marine PRÉSENTATION Dans le cadre de sa programmation, au rythme de deux expositions temporaires par an, la Collection Al Thani à l’Hôtel de la Marine présente l’exposition « Le Goût de la Renaissance. Un dialogue entre collections ». Deuxième exposition d’une série de trois organisées en collaboration avec le Victoria and Albert Museum, elle rend hommage à l’exceptionnelle inventivité ainsi qu’à la virtuosité de l’art de...

Exposition : « Albrecht Dürer ‒ Influencer His Followers and Sphere of Influence in Italy », Berlin, Gemäldegalerie, 20 juin-24 septembre 2023

Influencers today use social networks ‒ such as TikTok, Instagram and YouTube ‒ to circulate creative content in the form of photos, short videos and texts. Influencers are very successful with these media and have broad impact and quite a large number of followers. Their chosen contents “influence” and inspire others. Artist Albrecht Dürer (1471–1528), from Nuremberg, used the print medium of his day very similarly to how today’s influencers distribute digital images. The (completely...

Appel à contribution : « Artists from the Low Countries in the Iberian World », Special issue, date limite le 15 février 2023

Artists, agents and patrons from the Low Countries in the Iberian World (1400-1714). Call for Papers for a Special Journal Issue. Traditionally, it is argued that from the 15th century onwards, Iberian art was transformed by the arrival of artists and art objects from the Low Countries. Numerous studies demonstrate the influence of great Flemish artists such as Jan Van Eyck, Michiel Coxcie, Peter Paul Rubens and Jacob Jordaens. However, the contribution of lesser-known artists,...

Parution : Maria Berbara, « Sacrifice and Conversion in the Early Modern Atlantic World », Harvard University Press, 2022

When Europeans came to the American continent in the fifteenth and sixteenth centuries, they were confronted with what they perceived as sacrificial practices. Representations of Tupinamba cannibals, Aztecs slicing human hearts out, and idolatrous Incas flooded the early modern European imagination. But there was no less horror within European borders; during the early modern period no region was left untouched by the disasters of war. Sacrifice and Conversion in the Early Modern Atlantic World illuminates a...

Colloque : « Italian Art in the Iberian World: Circulation and Appropriation in the Modern Era », Florence, Palazzo Grifoni Budini Gattai, 2-3 novembre 2022

Despite being set in a profoundly Eurocentric centre-periphery framework, Fernand Braudel’s Le modèle italien had the merit of challenging positivist paradigms, bringing into play the importance of a comparative analysis of historical facts over long periods. The book also expressed a desire for a new way of considering temporality, in its own way. The potential of the work of art is not defined by the moment in which it was created. Its reception and transformation...

Colloque : « Mobilités artistiques à l’époque moderne : XVIIᵉ et XVIIIᵉ siècles », Paris, DFK, 27-28 octobre 2022

Colloque centre allemand d’histoire de l’art : 27-28 octobre 2022 Comment l’étude des mobilités artistiques à l’époque moderne nous permet-elle de façonner la cartographie de l’art autrement ? Etudier la mobilité des artistes met en question nos critères de classement et d’attribution d’une identité géographique et culturelle aux acteurs et objets artistiques. Les déplacements des artistes, leurs parcours entre différents pays et centres culturels, nécessitent de penser en de nouveaux termes : au lieu de...

Appel à contribution : « Art and Memory in Early Modern Europe », Brno, 16-17 mars 2023, date limite le 01 octobre 2022

Studies of memory have recently become one of the largest fields in the humanities. Its current state which was aptly described as ‘swag bag interdisciplinarity’ reflects the vastness of the subject itself and the methodological pluralism inherent to it. This conference proposes to explore the culture of commemoration in early modern period as a testimony to the tectonic changes in the social, religious and political life of the period. Memorials and tomb sculptures, as well...

Colloque : « Prints as Agents of Artistic Exchanges », Rome, Academia Belgica, 07–08 avril 2022

Attraverso le stampe: scambi artistici tra Fiamminghi e Italiani nel XVI secolo/ Prints as Agents of Artistic Exchanges between Fiamminghi and Italiani in the 16th Century Program :  Thursday, April 7 2022 14.00 Sabine van Sprang (Academia Belgica): Welcome Dominique Allart & Antonio Geremicca (Université de Liège): Introduction Moderator: Sabine van Sprang 14.20 Joris Van Grieken (KBR, Royal Library of Belgium): Between Rome and Antwerp. Rome and the Rise of Professional Printmaking in the Low...