Étiqueté : époque moderne

Conférences : « Ordinary People: Paintings and Prints of Everyday Life from Bruegel to Hopper », Londres/en ligne, The Courtauld, 3 octobre-5 décembre 2023

This series of lectures explores the representation of everyday life in Western art from the sixteenth to the early twentieth centuries. Compared with the narrative complexities and learned references of history painting, the art of everyday life appears uncomplicated, and itself often contributed to the fiction of an unmediated representation of the ‘here and now’. Particularly in the early modern period, this art was widely characterised by an exceptional naturalism, or even illusionism that signalled...

Appel à contributions : « Paysages-catastrophes (XVIe-XXIe s.) : ce que les changements climatiques font au paysage », Genève, villa Boninchi, date limite le 15 octobre 2023

Organisée à Genève le 16 février 2024, cette journée d’étude est le deuxième volet d’une série de colloques qui examinent la relation entre catastrophe et paysage à travers les siècles. Ce projet interdisciplinaire et transhistorique, financé par le fonds d’impulsion G3, est dirigé par Jan Blanc (Université de Genève), Richard Bégin et Denis Ribouillault (Université de Montréal) et Christophe Loir (Université libre de Bruxelles). Il se focalise sur les mécanismes par lesquels catastrophes, tant naturelles...

Workshop : « Past and Present Representations of Historical Urban Spaces (Middle Ages – Early Modern Times) », Dubrovnik, 21-23 septembre 2023

Historic cities are reconstructed and represented in numerous different projects around the world, whereby the hermeneutics of the procedure are not addressed enough. This workshop aims to discuss historical representations of urban spaces (in the late Middle Ages and Early Modern times) in comparison with the representations of these spaces in digital art history, focusing on the relationships between precision and interpretation. All historical representations, comprising maps, drawings, vedute, narrative texts and archival documents, were...

Colloque : « Métamorphoses et usages d’un même passé et formation des identités en Europe du XIVᵉ siècle jusqu’aux années 1980 : partages, concurrences ou conflits des mémoires », Lille, Palais des Beaux-Arts, 14-15 septembre 2023

JEUDI 14 SEPTEMBRE -9h Accueil   -9h15 Ouverture du colloque, Fiona McIntosh-Varjabédian (Université de Lille, Directrice adjointe du laboratoire ALITHILA)   -9h30 Introduction, Catherine Gaullier-Bougassas (Université de Lille, ERC AGRELITA)  Conférence d’ouverture :  -9h45-10h25 Alain Schnapp (Paris 1 – Panthéon Sorbonne), « Du réveil des morts au culte des ruines en Occident. XIVe-XVIIIe siècles »  Session 1 :   -10h25-10h50 Pim den Boer (Université d’Amsterdam), « Hérodote politique »   -10h50-11h15 Blaise Wilfert (École normale supérieure – Paris Sciences et lettres), « Une identité européenne ? Les...

Appel à contribution : « Painting the Materials, Imitating the Techniques. A Dialogue between Mediums in Early Modern Art », Lyon, CIHA, 23-28 juin 2024, date limite le 15 septembre 2023

How can we comprehend the trend for simulating materials in European painting between the 15th and 17th centuries? Was it simply a demonstration of technical virtuosity underscoring the superiority of pictorial practice over the other arts? These issues are worth revisiting in light of anthropological approaches and materiality studies regarding the communicative potential of early modern images. Since Leonardo, debates on the paragone have essentially focused on the confrontation between painting and sculpture. However, Renaissance...

Appel à contribution : «  Early Modern Rome », Rome, 14-15 novembre 2024, date limite le 30 septembre 2023

Early modern Rome was contradictory and complex; its vernacular and high culture animated and rich. From Petrarch’s crowning as Poet Laureate on the Capitoline in 1341 to the foundation of the “new” Arcadia by Livio Odescalchi in 1711, this conference aims to bring together scholars from a range of disciplines to investigate the city of Rome proper as well as the campagna romana through a variety of different approaches and methods. The resounding response to...

Appel à contribution : « What did women see? Gender and viewing experience in Early Modern Italy? », Chicago, CAA, 14-17 février 2024, date limite le 31 août 2023

In their homes, churches and neighborhoods women in early modern Italy were surrounded with a rich and diverse visual and material culture. Yet, apart from studies of women as collectors and patrons of the visual arts, until recently relatively little scholarly attention has been paid to their experience as viewers. How did women encounter, interpret and engage with the objects around them, whether altarpieces, portraits, public sculpture, devotional objects or decorative household goods? How were...

Appel à contribution : « La peinture en miniature et ses recettes à l’époque moderne (1500-1800) », Lyon, CIHA, 23-28 juin 2024, date limite le 15 septembre 2023

En histoire de l’art, la pratique de la miniature pose des problèmes de définition. Cela s’explique en partie par son hybridité matérielle, à la fois en termes de supports, de couche picturale (pigments, liants), de taille et de types d’objets. La miniature est en effet susceptible de désigner une grande variété de techniques allant de la peinture sur vélin ou ivoire à l’émail en passant par l’enluminure. En occident comme en orient, l’époque moderne constitue...

Appel à contribution : « Challenging Normativity in Pre-Modern Visual Culture », Bochum, Ruhr-Universität Bochum, 23-25 novembre 2023, date limite le 1er octobre 2023

Unstable Norms – Mutable Forms. Challenging Normativity in Pre-Modern Visual Culture. International Research-Conference: November 23rd-25th, 2023, Ruhr-Universität Bochum, Kunstgeschichtliches Institut organized by Carolin Behrmann and Georgios Binos. According to common sense knowledge, visuality and pictoriality seem inherently ambiguous. Pictures and artifacts depend on the beholder’s viewpoint and perspective, which are, however, mobile, and modifiable. Contrary to the mutability of forms, norms and normativity represent standards, facts, or a stable basis for evaluative judgements. The relationship between...

Appel à contribution : « Landscape drawing in the making. Materiality–practice–experience, 1500–1800 », Venise, Università IUAV di Venezia, 14-15 mars 2024, date limite le 31 juillet 2023

Traditionally, landscape drawing has been relegated to amateur pastime or preparatory exercise, particularly in relation to painting. Recent studies have begun to address questions of artistic practice or materiality and explore landscape drawings as independent works of art or as the illustration of the experience of nature. Artists from Leonardo to Dürer and Rembrandt, Cozens and Fragonard created important landscape drawings and prints which have fascinated viewers for centuries. For these artists, who drew themselves...

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