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Étiqueté : Espagne

Exposition : « Ecce Homo. El Caravaggio perdido », Madrid, Museo Nacional del Prado, 28 mai 2024-23 février 2025

Gracias a la generosidad de su nuevo propietario, que ha cedido en préstamo durante nueve meses la obra, Ecce Homo de Caravaggio permanecerá expuesta en el Museo Nacional del Prado en una instalación individual especial en la sala 8 A del edificio Villanueva desde el 28 de mayo. La obra, pintada por el gran artista italiano hacia 1605-09 y que formó parte de la colección privada de Felipe IV de España, es una de las, aproximadamente, únicas...

Exposition : « Ribera. Ténèbres et lumière », Paris, Petit Palais, 5 novembre 2024-23 février 2025

Le Petit Palais présente grâce à une centaine de chefs-d’œuvre – peintures, dessins et estampes venus du monde entier – la première rétrospective française jamais consacrée à José de Ribera (1591-1652). Dans le sillage du Caravage, José de Ribera, artiste espagnol installé en Italie, s’impose comme l’un des interprètes les plus fascinants de la peinture d’après nature. Arrivé très jeune à Rome, il part définitivement pour Naples, alors possession espagnole où il fait toute sa...

Journée d’étude : « Cultural Crossroads. Artistic Encounters Between the Low Countries and Spain, 15th-17th Centuries. II-Woven Pictures », Madrid, Real Academia de Bellas Artes de San Fernando, 8 novembre 2024

Tapestries were top-tier luxury products that enjoyed tremendous success during the Early Modern period, both for their narrative and decorative possibilities. The quality of craftsmanship of these products by the workshops settled in the former Habsburg territories led to their popularity and demand growing to such an extent that leading artists were eventually enlisted to conceive the compositions that were transferred to the loom, further enhancing their interest and quality. The close relations that the...

Journées d’étude : « The Archduchess Isabella (1566-1633). Artistic Agency between Madrid and the Southern Netherlands », Bruxelles, Instituto Cervantes/Royal Institute for Cultural Heritage, 12-13 septembre 2024

The twenty-third Art History Seminar of the Royal Institute for Cultural Heritage (KIK-IRPA) is organised in collaboration with the research project AGENART at Universidad Autónoma de Madrid (UAM). It will take place on 12th-13th September 2024 at the Royal Institute for Cultural Heritage and at the Instituto Cervantes, both in Brussels, highlighting various fascinating aspects of the artistic patronage of the remarkable woman who was the Archduchess Isabella, who lived in Madrid and Brussels between...

Appel à contribution : « Woven Paintings », Madrid, Moll Institute, 8 novembre 2024, date limite le 7 juin 2024

Since 2020, the Moll Institute (Madrid) and the Périer-D’Ieteren Foundation (Brussels) have been conducting a research program aimed at identifying and studying the art that developed in Flanders and Burgundy from the 15th to the 17th centuries, which is still preserved in Spanish collections. As part of this collaboration, in 2023, a series of study sessions began to be held to share, deepen, and disseminate the work of specialists in the field. The 2023 study...

Journée d’étude : « Del regalo a la almoneda », Madrid, Facultad de Geografía e Historia, 11-12 avril 2024

En octubre de 1524, Giulio Romano fue llamado desde Roma a Mantua para convertirse en el artista de corte predilecto de la familia Gonzaga. Allí diseñó arquitecturas efímeras y permanentes, como el famoso Palazzo Te, un hito en la nueva cultura cortesana del deleite, heredera de los modelos romanos. Además, formuló nuevas propuestas para entender la pintura mural y diseñó ricas piezas de orfebrería que acompañaban banquetes y espectáculos tanto en el Palacio Ducal como...

Parution : Jean-François Corpataux, « Inner Affinity. Ovid, Titian, Philip of Spain », Louvain, Peteers, 2023

The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the...

Exposition : « The Jousting Armor of Philip I of Castile », New York, The Metropolitan Museum of Art, 11 mai 2023-1er avril 2026

Among the various mock combats fought by knights and noblemen in tournaments, the joust was one of the most spectacular. The joust of peace required highly specialized armor that was unsuited to any other use, and usually made by the greatest armorers due to the exceptional metalworking skills required. This special installation features an armor for the joust of peace of Philip I of Castile (1478–1506) on loan from the Imperial Armoury, Kunsthistorisches Museum Vienna....

Journées d’étude : « Court Culture Exchanges », Madrid et en ligne, Aranjuez, 25-27 octobre 2023

Cultural exchanges between the courts of the Iberian Peninsula and the Habsburg Netherlands (fifteenth – sixteenth Centuries). During the fifteenth century, the Dukes of Burgundy maintained numerous ties and staged frequent encounters with representatives of the Hispanic kingdoms across a range of cultural and political contexts. As a result a reciprocal cultural bond evolved between the court cultures of these two geographical areas. This initial phase of contact was enabled by the rise to power of Mary...

Appel à contribution : « Cultural Crossroads. Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries. Flemish Paintings in Spain », Bruxelles, Fondation Périer-D’Ieteren, 24 novembre 2023, date limite le 30 juillet 2023

The Instituto Moll and the Fondation Périer-D’Ieteren have organized an Study Day focused on Flemish Painting from the 15th to the 17th century, which is being preserved in Spain, and it will be held in the above mentioned foundation, in Brussels, on 24 November 2023. To participate in this study day, please send a provisional title, a short abstract of your paper (300 words) and a CV by 30 July 2023 to: Ana Diéguez Rodriguez (congreso@institutomoll.es)...