Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Étiqueté : Espagne

Conférence : Adam Jasienski, « Critics from Hell. Evaluating the Truth of True Portraits in Early Modern Spain », Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, 20 février 2023

This talk analyzes the roles of portraiture in three sixteenth- and seventeenth-century religious cults: of the recently-deceased Ignatius of Loyola and Teresa of Ávila, whose appearance was known from portraits and descriptions, and long-deceased Saint Benedict. Institutional patrons insisted on producing increasingly portrait-like images of saints for whom there survived few or no reliable portrait likenesses, like the medieval saint Benedict. I analyze a case in which a group of nuns claimed that they had...

Appel à contribution : « Spanish Royalty in Naples. Between Art and Architecture (1598-1713) », date limite le 28 février 2023

The series Temi e frontiere della conoscenza e del progetto (Themes and Frontiers of Knowledge and Design), published by ‘La scuola di Pitagora’ and edited by prof. Ornella Zerlenga of the University of Campania ‘Luigi Vanvitelli’ in Italy, is launching a call for papers for a forthcoming open access volume entitled Reali spagnoli a Napoli: fra arte e architettura (1598-1713) (Spanish Royalty in Naples: between art and architecture (1598-1713)) edited by Prof. Laura García Sánchez,...

Appel à contribution : « Artists from the Low Countries in the Iberian World », Special issue, date limite le 15 février 2023

Artists, agents and patrons from the Low Countries in the Iberian World (1400-1714). Call for Papers for a Special Journal Issue. Traditionally, it is argued that from the 15th century onwards, Iberian art was transformed by the arrival of artists and art objects from the Low Countries. Numerous studies demonstrate the influence of great Flemish artists such as Jan Van Eyck, Michiel Coxcie, Peter Paul Rubens and Jacob Jordaens. However, the contribution of lesser-known artists,...

Parution : Manuel Ramírez-Sánchez (dir.), “Escritura expuesta y poder en España y Portugal durante el Renacimiento”, Madrid, Sílex ediciones, 2022

El libro aborda el estudio de las inscripciones humanísticas en la península ibérica y su evolución a través de los principales programas epigráficos que se desarrollan en España y Portugal durante los siglos XVI y XVII, en el contexto de los diferentes usos políticos de las escrituras de aparato en el Renacimiento, que impulsaron las monarquías que reinaron en ambos países, así como la nobleza y el clero. Además, la obra aborda, desde una perspectiva...

Parution : Abigail D. Newman, “Painting Flanders Abroad : Flemish Art and Artists in Seventeenth-Century Madrid”, Brill, Leyde, 2022

  In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish “Golden Age” paintings, this book portrays Spanish society grappling with a long...

Parution : Mercedes Pérez Vidal, « Arte y liturgia en los monasterios de dominicas en Castilla. Desde los orígenes hasta la reforma observante (1218-1506) », Gijón, Trea, 2021

En 1218 santo Domingo fundó en Madrid el segundo monasterio femenino, tras Prouilhe, vinculado a la Orden de Predicadores, y el primero en la Península Ibérica. Coincidiendo con el 800 aniversario de la muerte del fundador, acaecida en 1221, ve finalmente la luz la primera monografía dedicada al estudio de las dominicas en Castilla. Así como los dominicos situaron el oficio divino en el centro de la vida religiosa de las monjas desde los orígenes,...

Séminaire : « Los jesuitas y las artes : coadjutores, padres, artífices », Madrid, Université autonome de Madrid et en ligne, 02-03 juin 2022

Seminario Internacional “Los jesuitas y las artes: coadjutores, padres, artífices” Universidad Autónoma de Madrid (UAM) / Universidad a Distancia de Madrid (UDIMA) Proyecto Nacional I+D CoMArtis “Coadjutores: artistas e ideas migrantes en la globalización ibérica” (PID2020-117094GB-I00) Investigadores Principales: Juan Luis González García (UAM) / Sara Fuentes Lázaro (UDIMA) “Coadjutores: artistas e ideas migrantes en la globalización ibérica” estudia las redes de circulación de los artistas de la Compañía de Jesús durante la Edad Moderna, incluyendo...

Parution : Ilona Katzew, “Archive of the World: Art and Imagination in Spanish America, 1500–1800”, Delmonico Books, Los Angeles County Museum of art, 2022

Including textiles, paintings and decorative arts, Archive of the World offers a lucid alternative to traditional interpretations of art from the so-called New World. Edited with text by Ilona Katzew. Conversation by Edward J. Sullivan and Ilona Katzew Designed by Lorraine Wild and Xiaoqing Wang, Green Dragon Office Exquisitely illustrated with new photography, this stunning book represents the first comprehensive study of LACMA’s notable holdings of Spanish American art. Following the arrival of the Spaniards...

Journées d’études : « Le lexique de la couleur France – Italie (XIIIe-XVIIe siècles) », École Française de Rome, les 4 et 5 février 2022

Dans le cadre du projet interdisciplinaire sur le Lexique de la peinture du XIVe au XVIIe sièclesen France, Italie et Espagne, au croisement entre histoire de l’art, la restauration et l’histoire de la langue, cette première journée d’études consacrée du Lexique de la couleur permettra de se focaliser sur les techniques picturales de l’époque moderne au sens large, depuis le Moyen Âge tardif italien jusqu’à l’Âge classique en France. Il s’agira d’aborder le thème de...

Appel à communication : « Art Across the Iberian World », University of Zurich, 6-8 octobre 2022, date limite le 20 février 2022

Art Across the Iberian World. Connecting Spanish Italy and Latin America. University of Zurich, Oct 6–08, 2022. Deadline: Feb 20, 2022. Organized by Joris van Gastel and Nora Guggenbühler. For a long stretch of time, both Southern Italy—the Kingdoms of Naples and Sicily—and Latin America were entangled in the same colonial system. Still, art historians have discussed these entanglements largely independently. This conference seeks to bring together these two fields of study : on the...