Étiqueté : Europe du nord

Colloque : « Netherlandish Carved Altarpieces: An International Conference », en ligne, 12-14 mai 2022

Netherlandish Carved Altarpieces: An International Conference Center for Renaissance and Reformation Studies, University of Toronto Illuminare – Center for Medieval and Renaissance Art, KU Leuven   Programme   Organizers : Ethan Matt Kavaler (University of Toronto), Julie Beckers (KU Leuven), Hannah De Moor (Illuminare, KU Leuven). Speakers : Ragnhild Bø (National Museum of Art, Architecture, and Design, Oslo), Katherine Boivin (Bard College), Hannah De Moor (Illuminare, KU Leuven), Anna Dlabačová (Leiden University), Lynn Jacobs (University of Arkansas), Nicola Jennings (Courtauld Institute), Jacqueline Jung (Yale University), Elizabeth Rice Mattison (Hood Museum, Dartmouth College), Kathryn Rudy (University...

Exposition : « Between Hell and Paradise: The Enigmatic World of Hieronymus Bosch », Budapest, Museum of Fine Arts, du 9 avril au 17 juillet 2022

The exhibition of the Museum of Fine Arts, Budapest, opening on 9 April showcases the art of the Netherlandish master, Hieronymus Bosch (ca. 1450 – 1516), who produced one of the most influential and emblematic artistic achievements in European painting. The Budapest show, with close to ninety works on view, is not only anticipated to become the most comprehensive exhibition of Bosch’s works in Central Europe ever, but also one of the most significant Bosch...

Séminaire du Collectif d’historiens de l’art de la Renaissance : Reindert Falkenburg, « Painting Bad : Rhyparography in Early 17th Century Dutch Art », Paris, Galerie Colbert/INHA, le 11 avril 2022, 18h00

Le Collectif d’historiens de l’art de la Renaissance a le plaisir de vous inviter à la septième séance de son séminaire de l’année universitaire 2021-2022 :   Lundi 11 avril 2022 – 18h-20h – Galerie Colbert/INHA, Paris Reindert Falkenburg (New York University Abu Dhabi) Painting Bad : Rhyparography in Early 17th Century Dutch Art Séance modérée par Michel Weemans (ENSA Bourges) La séance aura lieu en salle Vasari, Galerie Colbert/INHA, 2 rue Vivienne 75002 Paris et sera...

Parution : Marije Osnabrugge (dir.), « Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society », Turnhout, Brepols, 2021

This volume embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art, by examining how they were defined by artists, theorists, audiences and art historians, how they were part of artistic practices and developed within a specific societal and economic context. Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres...

Appel à contribution : « Close Encounters. Cross-Cultural Exchange between the Low Countries and Britain, 1500–1800 », La Haye, RKD – Netherlands Institute for Art History, 22 septembre 2022, date limite le 1er mars 2022

The risks and challenges of migration are of compelling interest today. Over the last thirty years, research on early modern artists’ migration and on cultural exchange between the Low Countries and Britain has advanced rapidly, and has addressed many themes. The Dutch and Flemish artists’ communities in London, and the careers of individual artists at the English/British and Scottish courts, in particular, have received attention, as has the history of the collecting of Netherlandish art...

Parution : S. Ryan, S.L. Smith, L.K. Skinnebach, « Material Cultures of Devotion in the Age of Reformations », Leuven-Walpole, Peeters Publishers, 2021

The sixteenth and seventeenth centuries in Northern Europe were characterized by enormous religious change. During this period new religious ideas and ideals gradually took shape and materialized in all aspect of religious life, both on a private level as well as in public and liturgical space. The fundamental question of how God could be experienced as present in the world, became – again – the center of lively debate. Lutheran, Calvinist, Roman Catholic and Anglican reformations – to mention...

Exposition : « Clouds, Ice, and Bounty. The Lee and Juliet Folger Fund Collection of Seventeenth-Century Dutch and Flemish Paintings », Washington, National Gallery, 17 octobre 2021-27 février 2022

Depicting a rich cross section of 17th-century Dutch and Flemish life and culture, this exhibition brings together 25 paintings acquired through the generosity of the Lee and Juliet Folger Fund over the past two decades, supplemented by one painting from Lee and Juliet Folger’s personal collection. Assembled with care and passion, the collection includes landscapes by Jacob van Ruisdael and Salomon van Ruysdael, winter scenes by Jan van Goyen and Adam van Breen, genre paintings...

Parution : Christina Currie (dir.), « The Bruegel Success Story. Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting », Louvain, Peeters Publishers, 2021

The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c. 1526/7–69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for...

Colloque international : « Imaginaires des lieux, réalité des territoires. La construction des identités néerlandaises par l’image (1579-1702) », Galerie Colbert et en ligne, 7-8 octobre 2021

En 1548, Charles Quint fait des Dix-Sept Provinces une entité politique unique avec la création du cercle de Bourgogne ; trente ans plus tard, la révolte des Pays-Bas contre la tutelle espagnole fait voler cette unité avec la signature de l’Union d’Utrecht en 1579. Dès lors, pour les Provinces-Unies auto-proclamées indépendantes, s’amorce un processus de légitimation et de construction nationale au sein duquel le rapport au territoire constitue un enjeu d’autant plus crucial que les...

Parution : Michael Zell, « Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art », Amsterdam, Amsterdam University Press, 2021

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift’s symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function...

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