Étiqueté : genre

Parution : Tanja Jones (dir.), « Women Artists in the Early Modern Courts of Europe. c. 1450-1700 », Amsterdam, Amsterdam University Press, 2021

This volume presents the first collection of essays dedicated to women as producers of visual and material culture in the Early Modern European courts, offering fresh insights into the careers of, among others, Caterina van Hemessen, Sofonisba Anguissola, Luisa Roldán, and Diana Mantuana. Also considered are groups of female makers, such as ladies-in-waiting at the seventeenth-century Medici court. Chapters address works by women who occupied a range of social and economic positions within and around...

Appel à communications : « Femmes-oiseaux et encagements genrés. Genre, sexualité et désir autour des cages et des volières », Lyon, date limite le 5 juillet 2021

Cette journée d’études, organisée dans le cadre du programme de recherche « Nature(s) en cage(s) : une approche interdisciplinaire des volières » (PuNaCa – Putting nature in a cage: an interdisciplinary research program on aviaries), est consacrée au motif de l’encagement féminin. Elle vise à étudier, dans une perspective pluridisciplinaire, sur des plans aussi bien symboliques que matériels, pratiques, iconographiques ou linguistiques, les relations qui se sont tissées entre le goût pour l’ornithologie, les rapports...

Appel à contribution : Frontière·s, « Aux frontières des genres », date limite le 20 juin 2021

Au croisement de plusieurs champs disciplinaires comme la sociologie, l’histoire et l’anthropologie, les études de genre interrogent les limites identitaires de chacun·e. Construction sociale propre à chaque culture et chaque groupe humain, la notion de genre est au cœur des normes sociales qu’elle contribue à définir et redéfinir. À travers les cultures et les époques, les genres et les sexes ont rarement été limités à la seule dualité masculin-féminin. Dans ce numéro, les auteur·rice·s sont...

Conférence : Urte Krass, « The Big Empty. A New Interpretation of Velazquez’s So-Called La Mulata », en ligne, 29 janvier 2021

Velázquez’s painting featuring a black kitchen maid standing among pots, plates, and pitchers is famously infused with ambiguity. The figure and her surroundings, which include an image-in-the-image of the Supper at Emmaus, visually and thematically interweave with one another in multiple ways that set up a series of subtle and elusive pictorial dialogues. The bodegón curiously appears to turn the Emmaus scene inside-out, emptying the biblical table in a contemporary setting. This paper interrogates these...

Parution : Thomas Troy, « Poussin’s Women : Sex and Gender in the Artist’s Works », Amsterdam, Amsterdam University Press, 2020

Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s thematic chapters investigate Poussin’s women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin’s paintings reflect issues of gender within his social...

Appel à contribution : « The Space Between Non-Arts and Fine Arts: Confronting Gender and the Decorative Arts, 1500–1800 », Birmingham, 14-17 avril 2021, date limite le 19 octobre 2020

The decorative arts are not easily defined and have long occupied the shifting space between the non-arts and the fine arts. During the early modern period, prominent women, such as Catherine de’ Medici and Amalia van Solms-Braunfels, were at the forefront of amassing impressive collections of decorative objects. Limoges enamel pieces created by Susanne de Court and embroideries fabricated by Katharina Rozee were highly sought after by collectors throughout Europe. Recent exhibitions and publications highlight...

Appel à communication : « The Virgin as Auctoritas : The Authority of the Virgin Mary and female moral–doctrinal authority in the Middle Ages », Association for Art History Annual Conference, Birmingham, date limite le 19 octobre 2020

Annual Association for Art History Conference, Birmingham 14 – 17 April 2021 Deadline 19 October 2020 This session aims at exploring a fundamental issue: female authority through the lens of visual/material culture. It involves prominently the Virgin Mary – as well as figures of female authority in the medieval world – because in the late decades of the 20th century, feminist thinkers pointed at the ‘negative model’ offered by the Virgin Mary since for centuries...

Appel à contribution : « Femme et folie sous l’Ancien Régime », Paris, 26-27 mars 2021, date limite le 1er septembre 2020

Dans son Histoire de la folie à l’âge classique (1961) Michel Foucault ne fait nulle part mention d’une différence entre les sexes, tant dans la classification que dans le traitement de la folie. Faut-il en conclure que le lien privilégié construit par la culture occidentale entre femme et folie ne prendrait son véritable essor qu’au XIXe siècle, le célèbre tableau Une leçon clinique à la Salpétrière (1887) jouant le rôle d’image archétypale ? C’est peu probable....

Appel à communication : « Seduction and Courtship Rituals in Renaissance Italy », RSA 2021, Dublin, date limite le 10 août 2020

Session du Congrès de la Renaissance Society of America – Dublin, 2021 Temptation and seduction are somewhat gendered words. In the context of the premodern courtship ritual, the more passive temptation part, allowing oneself to be looked at, is mostly played by women, whereas the seduction part, actively doing something to seduce the other, such as following them around or serenading them, is mostly played by men.This is, however, not exclusively the case. Sometimes women use...

Appel à contribution : « Gendering and Degendering Death in the Late Medieval and Early Modern Period », Dublin, avril 2021, date limite le 1er août 2020

Gender and Death in the Late Middle Ages and Early Modernity Submissions welcome for panel at the April 2021 Renaissance Society of America conference in Dublin Call for proposals on how the category of gender survived, disappeared or was transformed in contact with death in the late medieval and early modern period. Proposal of how the differentiation based on the categories male/female was maintained, effaced or subsumed within other contemporary categories when dealing with dead...

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