Étiqueté : genre

Appel à communication : « Gender, Work and Service in Late Medieval Europe (1300–1600) », University of Cologne, date limite le 31 janvier 2022

International Conference at University of Cologne, 29th–30th September 2022 Work has long been recognised as crucial in both articulating and shaping gendered norms about one’s role and place within a given society. Medievalists have gained important insights by attention to gender, reassessing the very nature of work and blurring the lines between home and workplace, productive and reproductive labour, remunerated and unpaid work. Focussing on women’s work in particular, they have broadened the scope beyond...

Appel à communication : « Figures de musiciennes : images, représentations, scénographies », Paris, date limite le 10 janvier 2022

Colloque interdisciplinaire : « Figures de musiciennes : images, représentations, scénographies » Université Paris et Nanterre Université Paris I Panthéon-Sorbonne (9-10 juin 2022) On aura noté le nombre croissant de travaux qui visent à réhabiliter la place des artistes femmes dans l’histoire de la création artistique, qu’il s’agisse de peintres, de danseuses et de musiciennes, compositrices ou interprètes actives à différentes périodes de l’histoire et jusqu’à aujourd’hui. Parmi ces artistes femmes, la figure souvent ambivalente et subversive de...

Appel à contribution : « Depicting emotions in Eastern and Central Europe (1400-1900) », Pise, Astarte Edizioni, date limite le 15 décembre 2021

Edited Volume “Depicting emotions in Eastern and Central Europe (1400-1900)”. Edited by Silvia Marin Barutcieff, Pisa, Astarte Edizioni, 2022. The language of the volume is English. In the last two decades a number of scholars have published writings concerned with the history of emotions. These contributions examining the ʻemotional regimesʼ (William M. Reddy, 2001), ʻemotional communities’ (Barbara H. Rosenwein, 2006, 2016), ʻvocabulary of feelingʼ (Ute Frevert et al., 2014), ʻemotional bodiesʼ (Dolores Martin-Moruno, Beatriz Pichel,...

Parution : Tanja Jones (dir.), « Women Artists in the Early Modern Courts of Europe. c. 1450-1700 », Amsterdam, Amsterdam University Press, 2021

This volume presents the first collection of essays dedicated to women as producers of visual and material culture in the Early Modern European courts, offering fresh insights into the careers of, among others, Caterina van Hemessen, Sofonisba Anguissola, Luisa Roldán, and Diana Mantuana. Also considered are groups of female makers, such as ladies-in-waiting at the seventeenth-century Medici court. Chapters address works by women who occupied a range of social and economic positions within and around...

Appel à communications : « Femmes-oiseaux et encagements genrés. Genre, sexualité et désir autour des cages et des volières », Lyon, date limite le 5 juillet 2021

Cette journée d’études, organisée dans le cadre du programme de recherche « Nature(s) en cage(s) : une approche interdisciplinaire des volières » (PuNaCa – Putting nature in a cage: an interdisciplinary research program on aviaries), est consacrée au motif de l’encagement féminin. Elle vise à étudier, dans une perspective pluridisciplinaire, sur des plans aussi bien symboliques que matériels, pratiques, iconographiques ou linguistiques, les relations qui se sont tissées entre le goût pour l’ornithologie, les rapports...

Appel à contribution : Frontière·s, « Aux frontières des genres », date limite le 20 juin 2021

Au croisement de plusieurs champs disciplinaires comme la sociologie, l’histoire et l’anthropologie, les études de genre interrogent les limites identitaires de chacun·e. Construction sociale propre à chaque culture et chaque groupe humain, la notion de genre est au cœur des normes sociales qu’elle contribue à définir et redéfinir. À travers les cultures et les époques, les genres et les sexes ont rarement été limités à la seule dualité masculin-féminin. Dans ce numéro, les auteur·rice·s sont...

Conférence : Urte Krass, « The Big Empty. A New Interpretation of Velazquez’s So-Called La Mulata », en ligne, 29 janvier 2021

Velázquez’s painting featuring a black kitchen maid standing among pots, plates, and pitchers is famously infused with ambiguity. The figure and her surroundings, which include an image-in-the-image of the Supper at Emmaus, visually and thematically interweave with one another in multiple ways that set up a series of subtle and elusive pictorial dialogues. The bodegón curiously appears to turn the Emmaus scene inside-out, emptying the biblical table in a contemporary setting. This paper interrogates these...

Parution : Thomas Troy, « Poussin’s Women : Sex and Gender in the Artist’s Works », Amsterdam, Amsterdam University Press, 2020

Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s thematic chapters investigate Poussin’s women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin’s paintings reflect issues of gender within his social...

Appel à contribution : « The Space Between Non-Arts and Fine Arts: Confronting Gender and the Decorative Arts, 1500–1800 », Birmingham, 14-17 avril 2021, date limite le 19 octobre 2020

The decorative arts are not easily defined and have long occupied the shifting space between the non-arts and the fine arts. During the early modern period, prominent women, such as Catherine de’ Medici and Amalia van Solms-Braunfels, were at the forefront of amassing impressive collections of decorative objects. Limoges enamel pieces created by Susanne de Court and embroideries fabricated by Katharina Rozee were highly sought after by collectors throughout Europe. Recent exhibitions and publications highlight...

Appel à communication : « The Virgin as Auctoritas : The Authority of the Virgin Mary and female moral–doctrinal authority in the Middle Ages », Association for Art History Annual Conference, Birmingham, date limite le 19 octobre 2020

Annual Association for Art History Conference, Birmingham 14 – 17 April 2021 Deadline 19 October 2020 This session aims at exploring a fundamental issue: female authority through the lens of visual/material culture. It involves prominently the Virgin Mary – as well as figures of female authority in the medieval world – because in the late decades of the 20th century, feminist thinkers pointed at the ‘negative model’ offered by the Virgin Mary since for centuries...

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