Étiqueté : gravure

Conférences : « Ordinary People: Paintings and Prints of Everyday Life from Bruegel to Hopper », Londres/en ligne, The Courtauld, 3 octobre-5 décembre 2023

This series of lectures explores the representation of everyday life in Western art from the sixteenth to the early twentieth centuries. Compared with the narrative complexities and learned references of history painting, the art of everyday life appears uncomplicated, and itself often contributed to the fiction of an unmediated representation of the ‘here and now’. Particularly in the early modern period, this art was widely characterised by an exceptional naturalism, or even illusionism that signalled...

Exposition : « Rembrandt and Love », Amsterdam, Museum Rembrandthuis, 1er juillet-16 septembre 2023

Rembrandt is known as a passionate man. But do you see that reflected in his etchings? In the summer exhibition Rembrandt and Love you’ll look at love through Rembrandt’s eyes: from dramatic love to parental love, from charity to love for animals. Of course, Rembrandt’s own love life will also be featured: the artist immortalized his first great love, Saskia Uylenburgh, on the etching plate more than once. Rembrandt and Love will show more than...

Appel à contribution : « Printing surfaces / Surfaces d’impression », Lyon, CIHA, 23-28 juin 2024, date limite le 15 septembre 2023

In all art history fields based on printed material, research conventionally focuses on the images, and other information that was printed. The objects used to produce that information (including cut woodblocks, engraved metal plates, and lithographic stones) have been neglected. Many hundreds of thousands of these historical printing surfaces survive today in the East as in the West. As relics of historical crafts and industry, they fall outside the modern disciplines, and the vast majority...

Exposition : « Light and Tone: Selections from the Department of Drawings and Prints », New York, The Met Fifth Avenue, 18 mai-5 septembre 2023

The Department of Drawings and Prints boasts more than one million drawings, prints, and illustrated books made in Europe and the Americas from around 1400 to the present day. Because of their number and sensitivity to light, the works can only be exhibited for a limited period and are usually housed in on-site storage facilities. To highlight the vast range of works on paper, the department organizes four rotations a year in the Robert Wood...

Exposition : « Muse or Maestra ? Women in the Italian Art World, 1400–1800 », Berlin, Kupferstichkabinett, 8 mars-4 juin 2023

Featuring some 90 works, the special exhibition organised by Berlin’s Kupferstichkabinett elucidates the lives and impact of women such as Rosalba Carriera, Artemisia Gentileschi, Elisabetta Sirani, Diana Scultori, Isabella d’Este, Christina, Queen of Sweden, and others. Their works, fates and enormous influence on the art world of their times have in part been forgotten today. During the Renaissance and Baroque periods, the art of these women outshone that of their fathers, brothers and husbands. They...

Exposition : « Dürer for Berlin. Looking for Traces of the Master in the Kupferstichkabinett », Berlin, Kulturforum, 12 mai-27 août 2023

The Kupferstichkabinett is home to one of the most important collections of drawings and printed works by Albrecht Dürer anywhere in the world. The masterpieces gathered together here give a striking demonstration of the breadth of his artistic production. With this exhibition, the Kupferstichkabinett is opening one of its greatest treasure chests. Alongside Dürer’s Meisterstich engravings and woodcut series (such as Apocalypseand Life of the Virgin), key drawings will be on display, such as Dürer’s...

Exposition : Venice 1500 Jacopo de’ Barbari and the rise of printmaking, Londres, British Museum, jusqu’au 21 mai 2023

Focusing on Jacopo de’ Barbari and his celebrated ‘View of Venice’, this display showcases the innovation and variety of printmaking on the lagoon during the High Renaissance. In 1500, a huge woodcut View of Venice was printed in the city. Undertaken by the mysterious Jacopo de’ Barbari, the project was unprecedented in its ambition. It required extensive research to reproduce the lagoon in painstaking detail, and, at nearly three metres wide, considerable skill to make such a...

Appel à contribution : « The Episteme of Early Modern Drawings and Prints », Berlin, Berlin-Brandenburg Academy of Sciences and Humanities, 28-29 septembre 2023, date limite le 30 avril 2023

The academy project “Antiquitatum Thesaurus: Antiquities in European Visual Sources from the Seventeenth and Eighteenth Centuries”, hosted at the Berlin-Brandenburg Academy of Sciences and Humanities (https://thesaurus.bbaw.de/en), and the Zentralinstitut für Kunstgeschichte Munich (https://www.zikg.eu/) are organizing a series of colloquia in 2023-2024 on the topic “Visualizing Antiquity. On the Episteme of Drawings and Prints in the Early Modern Period.” The significance of drawings and prints for ideas, research, and the circulation of knowledge about ancient artifacts,...

Conférence : Dominique Allart et Antonio Geremicca, “Examiner des gravures anciennes, méthodes et enjeux”, 16 février 2023, Liège, Université de Liège, Auditorium du Grand Curtius, à 18h30

«Examiner des gravures anciennes, méthodes et enjeux» Conférence inaugurale du cycle de conférences «Gravures anciennes Enquêtes de sens» Conférenciers : Prof. Dominique ALLART (ULiège) et Prof. Antonio GEREMICCA (Université de Calabre) Qu’est-ce qu’une gravure ? Comment aborder la question de son authenticité, de sa datation ? Comment identifier son auteur ? Enquête, loupe en main, en compagnie de jeunes historiens de l’art, sur une sélection de gravures anciennes du Musée Wittert de l’Université de Liège....

Parution : Anne-Sophie Pellé, « Aemulatio Italorum. La réception culturelle des gravures de Mantegna dans l’art germanique au temps d’Albrecht Dürer », Turnhout, Brepols, 2022

À la Renaissance, si le medium de la gravure permet désormais aux artistes de rivaliser entre eux à distance, dès la fin du xve siècle, la diffusion des modèles gravés par l’atelier du prestigieux peintre de cour des marquis de Mantoue, Andrea Mantegna, a suscité sur le territoire germanique une véritable émulation d’ordre culturelle, dans laquelle la question du rapport à l’identité occupe une place fondamentale. Dès lors, dans les images, deux paradigmes se dessinent :...

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