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Étiqueté : Habsbourg

Actualité de la recherche en histoire de l’art de la Renaissance / Colloques et journées d'étude

Journées d’étude : « The Archduchess Isabella (1566-1633). Artistic Agency between Madrid and the Southern Netherlands », Bruxelles, Instituto Cervantes/Royal Institute for Cultural Heritage, 12-13 septembre 2024

The twenty-third Art History Seminar of the Royal Institute for Cultural Heritage (KIK-IRPA) is organised in collaboration with the research project AGENART at Universidad Autónoma de Madrid (UAM). It will take place on 12th-13th September 2024 at the Royal Institute for Cultural Heritage and at the Instituto Cervantes, both in Brussels, highlighting various fascinating aspects of the artistic patronage of the remarkable woman who was the Archduchess Isabella, who lived in Madrid and Brussels between...

Actualité de la recherche en histoire de l’art de la Renaissance

Journées d’étude : « Court Culture Exchanges », Madrid et en ligne, Aranjuez, 25-27 octobre 2023

Cultural exchanges between the courts of the Iberian Peninsula and the Habsburg Netherlands (fifteenth – sixteenth Centuries). During the fifteenth century, the Dukes of Burgundy maintained numerous ties and staged frequent encounters with representatives of the Hispanic kingdoms across a range of cultural and political contexts. As a result a reciprocal cultural bond evolved between the court cultures of these two geographical areas. This initial phase of contact was enabled by the rise to power of Mary...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Carmen Fracchia, “Black but Human : Slavery and Visual Art in Hapsburg Spain”, 1480-1700″, Oxford, Oxford University Press, 2023

‘Black but Human’ is the first study to focus on the visual representations of African slaves and ex-slaves in Spain during the Hapsburg dynasty. The Afro-Hispanic proverb ‘Black but Human’ is the main thread of the six chapters and serves as a lens through which to explore the ways in which a certain visual representation of slavery both embodies and reproduces hegemonic visions of enslaved and liberated Africans, and at the same time provides material for...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Fernando Checa, Miguel Ángel Zalama (eds), “Ars Habsburgica New Perspectives on Sixteenth-Century Art”, Turnhout, Brepols, 2023

Starting from a political reality, which is, at the same time, artistic and cultural, the book　Ars Hasburgica　aims to review the still so common historiographical conception of the Renaissance that conceives this period from a geographically Italocentric, artistically classicist and politically centered the idea of “national” arts and schools. But Renaissance is a more global and complex phenomenon. What this book aims to offer is an idea of the art of that period that considers the...

Actualité de la recherche en histoire de l’art de la Renaissance / Conférences

Conférence : Adriana Concin, « Florence and the Holy Roman Empire in the Sixteenth Century : Material Culture and Artistic Exchange », Londres, The Courtauld Institute, 17 janvier 2022, 17h-18h30

During the second half of the sixteenth century, Florentine artistic production and access to it became increasingly sought after across the Holy Roman Empire. An important dynastic connection between the Austrian Habsburg dynasty and the Medici family in 1565 was the marriage of Archduchess Johanna of Austria (1547–1578) to Francesco I de’ Medici (1541–1587). This was a catalytic event that brought the German-speaking dominions of Central Europe into close contact with Florence, its court and...

Actualité de la recherche en histoire de l’art de la Renaissance / Conférences

Conférence : Diane Bodart, « In the Mirror of Armor », en ligne, 7 avril 2021

In the early fifteenth century, while new treatments of steel surfaces elaborated in Northern Italy made armor as shiny and reflective as a mirror, the refinement of glazes reached by oil painting in the Low-Countries allowed the representation of such optical effects. At the encounter between these two new technologies, the pictorial detail of the reflection became the site for experimentation with its transformative potentialities. Reflections on armor, like those on mirrors, may operate a...

Exposition : Emperor Maximilian I (1459-1519) and the age of Dürer, Vienne, Musée de l’Albertina, du 14 septembre 2012 au 6 janvier 2013.

À l'étranger / Expositions

Exposition : Emperor Maximilian I (1459-1519) and the age of Dürer, Vienne, Musée de l’Albertina, du 14 septembre 2012 au 6 janvier 2013.

 Source : http://www.albertina.at   Many of the most important works created for the propaganda and in memory of Maximilian I are preserved in the Albertina. These include works of Albrecht Dürer, but also the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, which will form the core of the exhibit. Of the original 109 large-sized parchment sheets with flamboyantly colourful representations of riders, magnificent chariots and landsknechts, sheets 49 to 109 are preseved in the...