Étiqueté : manuscrits enluminés

Parution : L. Freeman Sandler, « Penned & Painted: The Art and Meaning of Books in Medieval and Renaissance Manuscripts », British Library, 2022

Penned & Painted is a beautifully produced, large format book in which one of the most celebrated historians of medieval art surveys one of the world’s great collections and asks ‘what is a medieval book?’. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for ‘book’— sefer in Hebrew, biblia in Greek, and liberin Latin — was identified with...

Colloque : « Fragmented Illuminations », en ligne, 7-8 juillet 2022

Following from the display Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the V&A (ending 26 June 2022), the V&A will be holding an online symposium over two afternoons on 7 and 8 July. This symposium will seek to make sense of these detached leaves, cut-out initials and other ornamented snippets. On Day 1, we will examine the practice of collecting pieces and leaves cut from illuminated manuscripts, with a particular focus on the 19th century. On...

Appel à communication : « Book Ornament and Luxury Critique », Université de Zurich, date limite le 15 avril 2022

The research group “Textures of Sacred Scripture. Materials and Semantics of Sacred Book Ornament” (https://textures-of-scripture.ch) invites paper proposals for a three-day international conference on “Book Ornament and Luxury Critique”. The conference, funded by the Swiss National Science Foundation, is scheduled to take place at the Institute of Art History at the University of Zurich from 15 to 17 September 2022. In his famous preface to Job, Jerome severely criticizes sumptuous luxury in the ornamentation of...

Appel à contribution : « Fragmented Illuminations », Victoria and Albert Museum, juillet 2022, date limite le 6 mars 2022

With over 2,000 manuscript cuttings, the Victoria and Albert Museum in London holds one of the largest collections of this kind in the world. Cut out of Italian, Germanic, Netherlandish, French, Spanish, and English manuscripts, they range from the 12th to the 18th century, with a wealth of 15th- and 16th-century examples. They vary in size, from small border snippets and initials to full leaves and, though they have come largely from choirbooks, other types...

Conférence : Catherine Yvard, « Fragmented Illuminations: Medieval and Renaissance Manuscript Cuttings at the Victoria and Albert Museum », Londres, The Courtauld Institute, 10 novembre 2021, 17h-18h30

With over 2000 cuttings from medieval and Renaissance manuscripts, the V&A holds one of the largest collections of this kind in the world. On the occasion of the Fragmented Illuminations exhibition at the V&A (8 September 2021-8 May 2022), curator Catherine Yvard will explore the history of this collection, and highlight some of the exciting discoveries made while researching for the exhibition.    Catherine Yvard is Collections Curator at the National Art Library within the Victoria and Albert Museum in London,...

Colloque en ligne : “Storia della miniatura: lavori in corso”, Società Internazionale di Storia della Miniatura, 17 et 18 septembre 2021

Venerdì 17 settembre 9.00 – 9.10. Saluti I sessione Dal Tardoantico al Gotico Chair: Alessandra Perriccioli, Università della Campania L. Vanvitelli – Università Suor Orsola Benincasa 9.15 – 9.30. Prolet Decheva, University College Dublin The date of the Vienna dioscurides: a question to be reopened 9.35 – 9.50. Massimo Bernabò, Università di Pavia Da Bisanzio alla Georgia, all’Egitto, alla Siria medievale 9.55 – 10.10. Edina Eszenyi, Pegaso University Naples – HEI Pegaso International Malta Hrabanus...

Appel à contribution : « Theatrum Libri. The Press, Reading and Dissemination in Early Modern Europe », Vilnius, Martynas Mažvydas National Library of Lithuania, 1-2 décembre 2021, date limite le 30 juin 2021

The conference is dedicated to 15-19th century printed books and manuscripts. We invite scholars from various disciplines to reflect on and share their new research, methods and applications, including the application of digital humanities and open data in research of the book: the 15-19th century book as an archival phenomenon (accumulation of knowledge and books) in Lithuania and Europe; the role of knowledge accumulators and book collectors, systematizers and sorters in forming a personal or institutional archive; the...

Appel à contribution : History of illuminated manuscripts, en ligne, 17-18 septembre 2021, date limite le 15 juin 2021

Società Italiana di Storia della Miniatura (SISM) Storia della miniatura: ricerche in corso La Società internazionale di storia della miniatura invita gli studiosi della disciplina a comunicare le ricerche in corso in un webinar che si svolgerà nelle date indicate. Per la partecipazione è necessario inviare, entro il 15 giugno 2021, titolo e abstract (max 300 caratteri) dell’intervento all’indirizzo <storiadellaminiatura@gmail.com>. Le comunicazioni non dovranno superare i 15 minuti. Esse saranno pubblicate, in forma sintetica (max...

Parution : Martine Clouzot, La musique en images Instruments, voix et corps sonores dans les manuscrits enluminés (XIIIe-XVe siècles), Turnhout, Brepols, 2021

Par l’image, la musique est figurée de façon inventive et étonnante dans les manuscrits enluminés entre le XIIIe et le XVe siècle. Par les images, la musique est figurée de façon inventive et étonnante dans les manuscrits enluminés entre le XIIIe et le XVe siècle, principalement en France et en Angleterre. C’est cette capacité d’invention des enlumineurs à rendre visible ce qui est invisible, à savoir les sons des instruments et les voix des chanteurs,...

Parution : Stella Panayotova (dir.), « The Art & Science of Illuminated Manuscripts. A Handbook », Turnhout, Brepols, 2021

This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts. The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition “COLOUR: The Art and Science of Illuminated Manuscripts.” This was followed by an international Conference,...

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