Étiqueté : Michel-Ange

Parution : Bad Reception: Expressing Disapproval of Art in Early Modern Italy, Mitteilungen des Kunsthistorischen Institutes in Florenz, LXIII. (2021)

Mitteilungen des Kunsthistorischen Institutes in Florenz LXIII. Band (2021), Heft 1 (current issue) Bad Reception: Expressing Disapproval of Art in Early Modern Italy edited by Diletta Gamberini, Jonathan K. Nelson, Alessandro Nova Diletta Gamberini – Jonathan K. Nelson  Preface (pp. 3–5) Alessandro Nova Bad Reception in Early Modern Italy: An Introduction (pp. 6–13) Jonathan K. Nelson – Richard J. Zeckhauser Italian Renaissance Portraits that Disappoint: Isabella d’Este, Francesco del Giocondo and Other Displeased Patrons (pp....

Appel à contribution : Michelangelo and Artistic Media: Multiplicity or Unity?, RSA, Dublin, date limite le 2 août 2021

Session organized by Angeliki Pollali (Deree-The American College of Greece) and Berthold Hub (University of Vienna) In Vasari’s Vite, Michelangelo is the only artist credited with the attributes of all three arti: Michelagnolo Buonarotti, pittore, scultore, et architetto. While Vasari presents the different artistic media as distinct, they were closely interrelated in the sixteenth century. Modern scholarship has treated the different media in Michelangelo’s work extensively, albeit separately, focusing initially on painting and sculpture, and...

Journée d’étude en ligne : Ora Pro Nobis: Marian Devotion in the Middle Ages and Renaissance, British Archeaological Association, le 3 juillet 2021

An online day in honour of Dr Cathy Oakes SATURDAY 3 JULY 2021 Cathy Oakes was Director of Studies in the History of Art at Oxford University’s Department of Continuing Education and a Fellow of Kellogg College, Oxford, co-founder of the Centre for Marian Studies, and a lecturer for the Learning Department of the V&A, The Arts Society (formerly NADFAS), Art Pursuits Abroad, ACE, and many other organisations, Dr Oakes inspired countless students by her...

Colloque : (Im)material Michelangelo: Toward a Visual Historiography of Sculpture – Between Reproduction and Art-Historical Enquiry, Rome, Bibliotheca Hertziana, 25 mai 2021

Reproducing, representing, copying, or recording an artwork is the inevitable result of an interpretation, which can reveal some neglected aspects of the original model, as well as disguise or change many others. This is due both to the intentions of those involved in making or in requesting the copy or the reproduction and to the intrinsic difficulties of the ‘translation’ process from one medium to another. These problems are shared by ‘artistic’ copies as much...

Exposition : Michelangelo, divino artista, Gênes, Palazzo ducale, jusqu’au 2 mai 2021

Scultore, pittore, architetto e poeta, Michelangelo Buonarroti fu artefice di opere incomparabili per tensione morale, energia della forma, complessità dei concetti espressi. Alla figura di Michelangelo, che può dirsi unica nella storia della civiltà occidentale, e alla sua unicità che ancora oggi appare intramontabile, Palazzo Ducale dedica la mostra Michelangelo. Divino artista, prodotta e organizzata in collaborazione con l’Associazione Culturale MetaMorfosi e curata da Cristina Acidini con Elena Capretti e Alessandro Cecchi. La vita, gli incontri...

Parution : Marieke J.E. van den Doel, Ficino and Fantasy, Leyde, Brill, 2021

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of...

Parution : William E. Wallace, Michelangelo, God’s Architect: The Story of His Final Years and Greatest Masterpiece, Princeton University Press, 2020

As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. Michelangelo, God’s Architect is the first book to...

Ressource : « Le Corps et l’Âme, de Donatello à Michel-Ange », entretien avec Marc Bormand et Philippe Morel

L’exposition “Le Corps et l’Âme, de Donatello à Michel-Ange” au musée du Louvre avait ouvert ses portes le 22 octobre dernier. Retour sur cette exposition avec Marc Bormand, conservateur en chef au département des sculptures au Louvre, et Philippe Morel, professeur d’histoire de l’art à la Sorbonne. Nous sommes en Europe, au coeur du XVème siècle, alors que l’Italie brillante et créatrice excelle dans tous les arts et se délecte de diverses voluptés. L’Italie en...

Exposition : « Highlights of Italian drawing at the Rijksmuseum », Amsterdam, Rijksmuseum, jusqu’au 23 novembre 2020

Works by great Italian masters such as Raphael, Michelangelo, Carracci, Barocci, Canaletto, Tiepolo and Piranesi are now being exhibited at the Rijksmuseum in a display of drawings from the museum’s Print Room collection. The most exceptional drawing is perhaps one by Raphael that dates from 1519-20. In 2020 it will be 500 years since the death of this master of the Italian Renaissance. The Raphael drawing, with its use of just a few lines to...

Exposition : Le Corps et l’Âme De Donatello à Michel-Ange. Sculptures italiennes de la Renaissance, Paris, Musée du Louvre, du 22 Octobre 2020 au 18 Janvier 2021

Grâce à plus de 150 oeuvres, cette exposition, organisée avec le musée du Castello Sforzesco de Milan, dégage les principales lignes de force qui cheminent dans toute l’Italie durant la seconde moitié du Quattrocento pour aboutir, au début du 16e siècle, à un moment d’apogée de la sculpture de la Renaissance. La représentation de la figure humaine dans la diversité de ses mouvements prend alors des formes extrêmement novatrices. Ces recherches sur l’expression et les sentiments sont...

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