Étiqueté : Michel-Ange

Journée d’étude : « Michelangelo and His Politics / The Medici Archive Project », Florence, Palazzo Alberti, 26 mai 2023

OPENING REMARKS: 9.30 Alessio Assonitis (The Medici Archive Project) Session One: 9:45 – 10:40 Andrea Donati (Universidad de Barcelona) «Michelangelo non fu mai soldato che vincessi nessuno, sebene egli con la virtù vinse l’arte, superò l’invidia…» Tracce politiche e ideologiche a partire dalla biografia di Giorgio Vasari Marcello Simonetta (The Medici Archive Project) Spigolature d’archivio su Michelangelo politico Coffee Break: 10:40 – 11:00 Session Two: 11:00 – 12:30 Vincenzo Sorrentino (Fondazione 1563) L’uso politico della...

Parution : Giovanna Mori, Domenico Piraina, Claudio Salsi (dir.), Le Pietà di Michelangelo, Cinisello Balsamo, Silvana Editoriale, 2022

Michelangelo scolpisce nella sua lunga esistenza tre sculture a tema pietistico; la prima giovanile opera, venerato capolavoro della basilica di San Pietro, è l’unica portata a compimento. Le altre due, realizzate in vecchiaia e senza committenza alcuna, sono rimaste incompiute alla morte dell’artista: la Pietà detta Bandini, dell’Opera di Santa Maria del Fiore a Firenze, e la Rondanini del Castello Sforzesco di Milano. Tre calchi storici rappresentano ora le celebri sculture nella cornice straordinaria della Sala delle...

Conférence : Raymond Carlson, « Michelangelo and the Salvageability of Desire », Oxford, University of Oxford, 25 octobre 2022

Tuesday 25 October, 4:30 pm St Edmund Hall, Old Dining Hall Among the hundreds of poems written by Michelangelo Buonarroti (1475-1564), a substantial proportion are given to amorous topics. To whom Michelangelo addressed his love and his verses, however, has resisted definitive consensus despite attracting commentary for nearly five centuries. This talk redirects the question of identifying the object of Michelangelo’s love to how his creative output makes this knowable to history. By analyzing an...

Parution : Inge Reist, “When Michelangelo Was Modern”, Brill, Leyde, 2022

Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of...

Séminaire : Marc Bormand, « Autour des Esclaves de Michel-Ange : étude, restauration, présentation », Université de Genève, en présence et en ligne, le 11 mai 2022, 12h15-13h45

Dans le cadre du séminaire Actualité de la recherche, organisé conjointement par le Département d’histoire de l’art et de musicologie de l’Université de Genève et la HEAD – Genève, aura lieu la conférence : « Autour des Esclaves de Michel-Ange : étude, restauration, présentation » par Marc Bormand (Musée du Louvre, Paris). Le mercredi 11 mai 2022 de 12h15 à 13h45, en présence et visioconférence. Adresse : Uni Bastions, salle B 214 (rue de Candolle, 5, 1205 Genève) Lien Zoom : https://unige.zoom.us/j/68718123469 L’accès est libre et toute personne intéressée est la bienvenue.

Exposition : “Michelangelo: l’effigie in bronzo di Daniele da Volterra”, Florence, Galleria dell’Accademia di Firenze, du 15 février au 19 juin 2022

Michelangelo: l’effigie in bronzo di Daniele da Volterra, a cura di Cecilie Hollberg, è una mostra studio unica e inconsueta che parte da un discorso fatto di quesiti ancora aperti per arrivare a soluzioni nuove con metodi innovativi. È la prima volta che vengono riuniti questi nove busti simili, alcuni apparentemente quasi uguali, che riportano i tratti di Michelangelo Buonarroti (1475 – 1564). Proprio quell’effigie che tutti noi siamo abituati a collegare con l’incomparabile artista...

Parution : Marsha Libina, “Sebastiano del Piombo and the Sacred Image”, Turnhout, Brepols, 2022

On account of the artists’ collaborative practice, Sebastiano del Piombo’s oeuvre is often misconstrued as a coloristic supplement to Michelangelo’s disegno or as a mere extension of the older master’s drawings and ideas. Marsha Libina’s book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485–1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating...

Exposition : “Michelangelo: i bronzi della Passione”, Mantoue, Palazzo Ducale, du 18 mars au 15 juin 2022.

Michelangelo Buonarroti è semplicemente il “divino” Michelangelo, l’archetipo degli artisti di tutti i tempi. Grande fu la sua fama, anche in vita: nonostante la sua attività si sia concentrata su Roma e Firenze, anche la Mantova dei Gonzaga dovette fare i conti con l’ineludibile influenza di quel gigante. Il 22 febbraio del 1527 Federico II scriveva di essere da “molt’anni (…) amatore dello excellentissimo messer Michele Angelo” e – in un significativo ribaltamento di ruoli...

Parution : Matthias Wivel, « Sebastiano del Piombo and Michelangelo: The Compass and the Mirror », Turnhout, Brepols, 2022

The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence...

Parution : Bad Reception: Expressing Disapproval of Art in Early Modern Italy, Mitteilungen des Kunsthistorischen Institutes in Florenz, LXIII. (2021)

Mitteilungen des Kunsthistorischen Institutes in Florenz LXIII. Band (2021), Heft 1 (current issue) Bad Reception: Expressing Disapproval of Art in Early Modern Italy edited by Diletta Gamberini, Jonathan K. Nelson, Alessandro Nova Diletta Gamberini – Jonathan K. Nelson  Preface (pp. 3–5) Alessandro Nova Bad Reception in Early Modern Italy: An Introduction (pp. 6–13) Jonathan K. Nelson – Richard J. Zeckhauser Italian Renaissance Portraits that Disappoint: Isabella d’Este, Francesco del Giocondo and Other Displeased Patrons (pp....

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