Étiqueté : nature morte

Parution: Ornat Lev-er “Still-Life as Portrait in Early Modern Italy- Baschenis, Bettera and the Painting of Cultural Identity”

Parution: “Still-Life as Portrait in Early Modern Italy – Baschenis, Bettera and the Painting of Cultural Identity”,  écrit par Ornat Lev-er, publié par Amsterdam University Press, date de publication 01 – 05 – 2019   Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form...

Colloque : “Science, Nature and Art in the Time of the Baroque”, Séville, 9-11 novembre 2015

With the birth of the “new science” in the wake of Bacon, the theories on the world and nature ceased being essentially poetic –as they were considered in the long inherited mediaeval tradition– and began to be felt as essentially scientific. Modern science and the development of the artistic culture of the Baroque came hand in hand and became the cornerstones of the history of European culture. In this modern science, the discovery of the...