Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Étiqueté : parution

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : K. Butler Wingfield, T. Cosgriff, « Revisiting Raphael’s Vatican Stanze », Turnhout, Brepols, 2022

This volume revisits Raphael’s famous Vatican ‘Rooms’ on the occasion of the quincentennial of the artist’s death. It introduces new scholarship that addresses questions of meaning and invention, artistic process and design, patronage and ritual, and workshop collaborations. With all rooms and details published in color, including ceilings and basamenti, it constitutes an essential resource for further study of these important Renaissance artworks. Painted between 1508 and 1524, Raphael’s Vatican Stanze are counted among the...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Stephen Perkinson et Noa Turel (dir.), Picturing Death 1200–1600, Leyde, Brill, 2020

Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books,...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Ita Mac Carthy, “The Grace of the Italian Renaissance”, Princeton, Princeton University Press, janvier 2020

Parution : “The Grace of the Italian Renaissance” écrit par Ita Mac Carthy, Princeton, Princeton University Press, publié en janvier 2020 Présentation: “Grace” emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Antonia Fondaras, “Augustinian Art and Meditation in Renaissance Florence – The Choir Altarpieces of Santo Spirito 1480-1510”, Leyde, Brill, 2020

Parution: “Augustinian Art and Meditation in Renaissance Florence – The Choir Altarpieces of Santo Spirito 1480-1510” écrit par Antonia Fondaras, Brill, parution le 23 janvier 2020 Présentation: In The Choir Altarpieces of Santo Spirito, 1480-1510, Antonia Fondaras reunites the fifteenth-century altarpieces painted by Botticelli, Piero di Cosimo, Filippino Lippi, and other masters for the choir of the Augustinian church of Santo Spirito in Florence. Departing from a conventional focus on artist and patron, the author illuminates...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Joanna Smalcerz, “Smuggling the Renaissance The Illicit Export of Artworks Out of Italy, 1861-1909”, Leyde, Brill, 2020

Parution :  “Smuggling the Renaissance The Illicit Export of Artworks Out of Italy, 1861-1909” écrit par Joanna Smalcerz, édité chez Brill le 19 février 2020 Présentation: Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed. Making use of rich...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Dennis Geronimus et Michael W. Kwakkelstein (dir.), Piero di Cosimo, Painter of Faith and Fable, Leyde, Brill, 2019

The study of Piero di Cosimo belongs no less to the history of the imagination than to the history of art. As was true for Giorgio Vasari five centuries ago, Piero’s intensely personal visual language remains a moving target for modern scholars. Yet, as surprising and strange as his pictorial solutions appear, we have never known as much about Piero as we do today. Freed from the powerful spell of Vasari’s biography-cum-cautionary tale, the Piero...