Conférence : Chriscinda Henry, « Pastoral Fellowship and the Performance of Virtuosity in Titian’s Concert Champêtre », en ligne, 3 février 2022, 17h30-18h30
This talk places Titian’s Concert Champêtre (ca. 1509–11) within the context of elite domestic leisure in early sixteenth-century Venice. In particular, it explores the combined role of sociable gathering, theatrical performance, music making, and art collection in the establishment of a new mode of self-fashioning and generational distinction on the part of young Venetian patricians and the virtuosi they patronized. In his book on the young Titian, Paul Joannides sensibly hypothesized that Titian’s painting registers the allusive portrait likenesses...
