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Étiqueté : Pays-Bas

Exposition : “Inoubliables. Femmes artistes d’Anvers à Amsterdam entre 1600 et 1750”, Gand, Musée des Beaux-Arts de Gand, du 7 mars au 31 mai 2026

Les femmes ont joué un rôle crucial dans la vie artistique des anciens Pays-Bas entre 1600 et 1750. L’histoire de l’art classique a pourtant ignoré en grande partie leur contribution essentielle à l’économie créative. Avec l’exposition Inoubliables, le MSK contribue à l’écriture d’un récit plus complet de l’histoire de l’art des anciens Pays-Bas. La liste impressionnante des œuvres sélectionnées, réalisées par plus de quarante femmes, prouve que les artistes féminines étaient loin d’être rares ou inconnues....

Journée d’étude : “Scènes de marché et de cuisine dans la peinture entre Pays-Bas et Italie au XVIe et au début du XVIIe siècle”, Liège, Université de Liège, le 6 mai

Journée d’étude internationale / International workshop Université de Liège – Mercredi 6 mai 2026 University of Liège, Belgium  – Wednesday May 6, 2026 PRÉSENTATION / OVERVIEW FR Dans la seconde moitié du XVIe siècle se diffusèrent des tableaux singuliers, représentant des personnages absorbés dans leurs activités quotidiennes, au marché ou à la cuisine, entourés d’impressionnants amas de victuailles envahissant l’espace pictural. Cette veine picturale, inaugurée dans les anciens Pays-Bas par Pieter Aertsen et Joachim Bueckelaer,...

Journées d’étude : « The Archduchess Isabella (1566-1633). Artistic Agency between Madrid and the Southern Netherlands », Bruxelles, Instituto Cervantes/Royal Institute for Cultural Heritage, 12-13 septembre 2024

The twenty-third Art History Seminar of the Royal Institute for Cultural Heritage (KIK-IRPA) is organised in collaboration with the research project AGENART at Universidad Autónoma de Madrid (UAM). It will take place on 12th-13th September 2024 at the Royal Institute for Cultural Heritage and at the Instituto Cervantes, both in Brussels, highlighting various fascinating aspects of the artistic patronage of the remarkable woman who was the Archduchess Isabella, who lived in Madrid and Brussels between...

Parution : Julie Beckers, Hannah De Moor, Ethan Matt Kavaler (dir.), “Taking Shape Sculpture of the Low Countries, c. 1400–1600”, Turnhout, Brepols, 2024

  This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: ‘Why did Sculpture from the Low countries matter’ and ‘Why will Sculpture from the Low Countries matter for future research’. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse.   Preface Julie Beckers...

Journées d’étude : « Court Culture Exchanges », Madrid et en ligne, Aranjuez, 25-27 octobre 2023

Cultural exchanges between the courts of the Iberian Peninsula and the Habsburg Netherlands (fifteenth – sixteenth Centuries). During the fifteenth century, the Dukes of Burgundy maintained numerous ties and staged frequent encounters with representatives of the Hispanic kingdoms across a range of cultural and political contexts. As a result a reciprocal cultural bond evolved between the court cultures of these two geographical areas. This initial phase of contact was enabled by the rise to power of Mary...

Appel à contribution : « Artists from the Low Countries in the Iberian World », Special issue, date limite le 15 février 2023

Artists, agents and patrons from the Low Countries in the Iberian World (1400-1714). Call for Papers for a Special Journal Issue. Traditionally, it is argued that from the 15th century onwards, Iberian art was transformed by the arrival of artists and art objects from the Low Countries. Numerous studies demonstrate the influence of great Flemish artists such as Jan Van Eyck, Michiel Coxcie, Peter Paul Rubens and Jacob Jordaens. However, the contribution of lesser-known artists,...

Parution : Emily J. Peters, Laura Ritter, “Tales of the City Drawing in the Netherlands from Bosch to Bruegel”, New Haven, Yale University Press, 2022

  An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists...

Exposition : “Hieronymus Bosch e l’Europa meridionale”, Milan, Palazzo Reale, 9 novembre-12 mars 2023

Il progetto, frutto di una lunga e approfondita ricerca accademica, intende illustrare il successo di Bosch quale creatore di visioni fantastiche in relazione alle tendenze del collezionismo del tempo e della ricezione artistica da parte del Rinascimento spagnolo e italiano. Legami importanti con l’arte di Bosch si possono infatti cogliere in opere di primissimo piano, tra gli altri, di Tiziano, El Greco, Savoldo. La mostra offrirà dunque per la prima volta al pubblico italiano ed...

Parution : Michael W. Kwakkelstein, « Anatomical Studies », Turnhout, Brepols, 2022

The central theme of Rubens’s paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history painter, Rubens’s acclaimed skill in rendering the human body whether male or female, lean or fleshy, mature in years or young, animated or lifeless, vigorous or diseased, heroic or cowering, sensuous or decrepit, idealised or blemished and imperfect enabled him to vie with the greatest artists ever known, while creating increasing...

Parution : Barbara A. Kaminska, “Images of Miraculous Healing in the Early Modern Netherlands”, Leyde, Brill, 2021

Series :  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 58 Author : Barbara A. Kaminska Images of Miraculous Healing in the Early Modern Netherlands explores the ways in which paintings and prints of biblical miracles shaped viewers’ approaches to physical and sensory impairments and bolstered their belief in supernatural healing and charitable behavior. Drawing upon a vast range of sources, Barbara Kaminska demonstrates that visual imagery held a central place in premodern...