Étiqueté : paysage

Parution : Emily J. Peters, Laura Ritter, “Tales of the City Drawing in the Netherlands from Bosch to Bruegel”, New Haven, Yale University Press, 2022

  An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists...

Parution : « L’Attention au monde. Paysages gravés du XVIIe siècle », cat. exp. (Rouen, Maison de l’Université, 29 septembre-4 novembre 2022), Paris, Éditions 1:1, 2022

L’ouvrage accompagne l’exposition accueillie à la Maison de l’Université de Rouen (Place Emile Blondel, Mont-Saint-Aignan) du 29 septembre au 4 novembre 2022. Celle-ci regroupe une trentaine d’œuvres gravées consacrées au paysage et dues à des artistes actifs entre France, Flandres et Italie au XVIIe siècle : Claude Le Lorrain, Sébastien Bourdon, Henri Mauperché, Israël Silvestre, Francisque Millet, mais aussi les graveurs d’origine flamande Albert Flamen, Herman van Swanevelt, Mathieu Montaigne, Abraham Genoels ou, également actif à Paris,...

Appel à communications : Tintoretto and Landscape, Venise, 4-6 octobre 2023, date limite le 15 octobre 2022

TINTORETTO AND LANDSCAPE: THEMES AND CONTEXTS International Study Conference, Venice – October 4-6, 2023 (Italian version below) The Venetian Institute of Sciences, Arts and Letters and the Scuola Grande di San Rocco are promoting an interdisciplinary conference on Jacopo Tintoretto and the theme of landscape. The latest of a series of calls aimed at reassessing the painter’s work, this project starts from the acknowledgment that the role of landscape in Tintoretto’s painting, as well as...

Parution : Margaret D. Carroll, “Hieronymus Bosch Time and Transformation in The Garden of Earthly Delights”, New Haven, Yale University Press, 2022

A new and exciting interpretation of Bosch’s masterpiece, repositioning the triptych as a history of humanity and the natural world Hieronymus Bosch’s (c. 1450–1516) Garden of Earthly Delights has elicited a sense of wonder for centuries. Over ten feet long and seven feet tall, it demands that we step back to take it in, while its surface, intricately covered with fantastical creatures in dazzling detail, draws us closer. In this highly original reassessment, Margaret D. Carroll reads...

Parution : Katrina Grant, « Landscape and the Arts in Early Modern Italy. Theatre, Gardens and Visual Culture », Amsterdam, Amsterdam University Press, 2022

This book argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in Italian courts around the turn of the seventeenth century. During this period landscape painting emerged as a genre and the aesthetic of designed landscapes and...

Séminaire : David Young Kim, « The Desert and the Lagoon », Londres, The Courtauld Institute, 31 mai 2022, 18h-20h

This seminar will examine formats that develop art historical arguments outside the conventional methods of printed publications and conference talk. David Young Kim will screen his new film “The Desert and the Lagoon” (co-directed with Amelia Saul) which offers a close reading of Giovanni Bellini’s Saint Francis in the Desert. This experimental film essay uncovers the painting’s background and setting, putting them in relation with the abandoned and deserted islands in the Venetian Lagoon. Shooting locations include...

Exposition : « Clouds, Ice, and Bounty. The Lee and Juliet Folger Fund Collection of Seventeenth-Century Dutch and Flemish Paintings », Washington, National Gallery, 17 octobre 2021-27 février 2022

Depicting a rich cross section of 17th-century Dutch and Flemish life and culture, this exhibition brings together 25 paintings acquired through the generosity of the Lee and Juliet Folger Fund over the past two decades, supplemented by one painting from Lee and Juliet Folger’s personal collection. Assembled with care and passion, the collection includes landscapes by Jacob van Ruisdael and Salomon van Ruysdael, winter scenes by Jan van Goyen and Adam van Breen, genre paintings...

Colloque international : « Imaginaires des lieux, réalité des territoires. La construction des identités néerlandaises par l’image (1579-1702) », Galerie Colbert et en ligne, 7-8 octobre 2021

En 1548, Charles Quint fait des Dix-Sept Provinces une entité politique unique avec la création du cercle de Bourgogne ; trente ans plus tard, la révolte des Pays-Bas contre la tutelle espagnole fait voler cette unité avec la signature de l’Union d’Utrecht en 1579. Dès lors, pour les Provinces-Unies auto-proclamées indépendantes, s’amorce un processus de légitimation et de construction nationale au sein duquel le rapport au territoire constitue un enjeu d’autant plus crucial que les...

Appel à contribution : Aerial Perspective in Early Modern Europe, RSA, Dublin, du 30 mars au 2 avril 2022, date limite le 20 juillet 2021

The term aerial perspective is widely used but rarely studied outside the work of a few artists, such as Jan van Eyck, Leonardo da Vinci, and Poussin. Though most often associated with the representation of great distances, aerial perspective can also be said to involve strategies for differentiating shorter distances such as foreground and middle ground. Such strategies might include techniques such as schiacciato relief, engraving and etching, the study of optical treatises to better...

Soutenance de thèse : Marie Piccoli-Wentzo, « Le désert italien. Formes, fonctions et réceptions d’un motif à la Renaissance (fin XIVe-milieu XVIe siècle) », Paris, Galerie Colbert, 15 mai 2021

Marie Piccoli-Wentzo a le plaisir de vous inviter à la soutenance de sa thèse de doctorat en histoire de l’art préparée à l’université Paris 1 Panthéon-Sorbonne sous la direction de Monsieur le Professeur Philippe Morel.   Le désert italien. Formes, fonctions et réceptions d’un motif à la Renaissance (fin XIVe-milieu XVIe siècle)   Le samedi 15 mai à partir de 14h dans la Galerie Colbert en salle Jullian (1er étage, 2 rue Vivienne 75002 Paris). Le...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search