Étiqueté : peinture

Exposition : « Couleur, Gloire et Beauté », Colmar, Musée Unterlinden, 4 mai-23 septembre 2024

Le musée des Beaux-Arts et d’Archéologie de Besançon, le Musée Unterlinden de Colmar ainsi que le musée des Beaux-Arts de Dijon en partenariat avec l’Institut national d’histoire de l’art (INHA) présentent du 4 mai au 23 septembre 2024 une exposition en trois volets, consacrée à la peinture germanique de 1370 à 1550. Près de 200 œuvres des collections françaises y sont ainsi déployées pour retracer la richesse de cette production. Aux côtés de grands maîtres, tels...

Conférence : Nicolas Milovanic,”Poussin, la peinture pour la délectation”, Centre Panthéon, Conférence du mardi de l’Association des Historiens, Centre André Chastel, 21 mai 2024.

Dans le cadre des Conférences du mardi à Paris 1 Panthéon-Sorbonne, le Cycle 2023/2024, propose une 18e conférence sur Poussin, se tenant au Centre Panthéon, 12 place du panthéon, amphithéâtre 2B, entre 18h et 19h45, le mardi 21 mai. Il accueille Nicolas Milovanovic, conservateur en chef du musée du Louvre. A propos des Mardis de l’Association des Historiens : Pour les arts en Europe, le XVIIe siècle fut un siècle propice. Quels furent les principaux foyers...

Exposition : « Versos. The Hidden Side », Madrid, Museo Nacional del Prado, 7 novembre 2023-3 mars 2024

The B-side of the pictorial support, whether panel, fabric, metal or stone, is a private, intimate space. In the late Middle Ages and the Renaissance the functions of some types of paintings entailed their transport and handling, as a consequence of which they became three-dimensional and object-like, as seen in various examples in the exhibition. However, the vast majority of paintings produced at that date and particularly in subsequent periods were hung on the wall....

Journée d’étude : « ‘e caminando alla perfezzione’: Pellegrino Tibaldi Pittore e Architetto tra Roma, Pavia, Madrid », Pavie, Collegio Borromeo, 8-9 novembre 2023

Mercoledì 8 novembre 2023, Aula Goldoniana del Collegio Ghislieri, Piazza Collegio Ghislieri 5. Ore 15,00-17,00 L’esperienza di Pellegrino pittore Ore 15,00 Introduce Gianpaolo Angelini (Università di Pavia) 15,30 Giulia Daniele (Scuola Normale Superiore): La prima attività di Pellegrino pittore: Roma, Bologna, Ancona e il rapporto con Prospero Fontana 16,00 Camilla Colzani (Università degli Studi di Urbino “Carlo Bo”): Pellegrino Tibaldi attraverso i disegni. Roma, Bologna, le Marche 16,30 Valentina Balzarotti (Fondazione 1563 per l’Arte e la...

Colloque : « I Cantieri dei Carracci », Rome/en ligne, École française de Rome, 9 novembre 2023

Il convegno I Cantieri dei Carracci è il primo incontro pubblico organizzato dal comitato di pilotaggio del progetto di ricerca “Carracci ConservArt: visualizzare e comprendere la Galleria dei Carracci attraverso la sua fortuna critica, la sua conservazione e i suoi restauri. XVII-XXI secoli“. La Galleria dei Carracci a Palazzo Farnese è stata realizzata tra il 1597 e il 1608 dai fratelli Annibale e Agostino Carracci, esponenti del nuovo classicismo cinquecentesco: una magnifica volta di 20...

Exposition : « Naples pour passion. Chefs-d’œuvre de la collection De Vito », Aix-en-Provence, musée Granet, 15 juillet-29 octobre 2023

En partenariat avec la Réunion des musées nationaux – Grand Palais, le musée Magnin à Dijon, et avec la collaboration de la Fondazione De Vito, le musée Granet présente du 15 juillet au 29 octobre 2023 l’exposition Naples pour passion, chefs-d’œuvre de la collection De Vito. Cet ensemble de peintures napolitaines du XVIIe est l’un des plus prestigieux au monde tant par la richesse de son contenu que par la qualité des œuvres que Giuseppe De Vito...

Conférences : « Ordinary People: Paintings and Prints of Everyday Life from Bruegel to Hopper », Londres/en ligne, The Courtauld, 3 octobre-5 décembre 2023

This series of lectures explores the representation of everyday life in Western art from the sixteenth to the early twentieth centuries. Compared with the narrative complexities and learned references of history painting, the art of everyday life appears uncomplicated, and itself often contributed to the fiction of an unmediated representation of the ‘here and now’. Particularly in the early modern period, this art was widely characterised by an exceptional naturalism, or even illusionism that signalled...

Journées d’étude : « Hugo van der Goes », Berlin, Gemäldegalerie, 14-15 juillet 2023

Hugo van der Goes (c. 1440-1482/83) was one of the most important European painters of the early modern period. His monumental, emotionally expressive, yet also intimate depictions are among the highlights of their respective collections. Yet unlike most other great artists of his era, no mnographic exhibition has ever been dedicated to this Flemish master. The Berlin Gemäldegalerie has now brought together the majority of his surviving works for the first time. To mark the...

Appel à contribution : « Late Medieval Stencil Painting », Dresde, Saxon State Office for the Protection of Monuments, 26-28 octobre 2023, date limite le 30 juin 2023

Stencil painting was a common and widespread decorative technique in both sacred and profane interior design at the end of the Middle Ages and in the early modern period (until 1550). As far as we know today, its area of distribution extended over the entire Central European region. Of the once extensive and sometimes very elaborately decorated objects, only a few have survived in their entirety. Their design ideas, which are often room-related, can still...

Exposition : « Juan de Pareja, Afro-Hispanic Painter », New York, The Metropolitan Museum of Art, 3 avril-16 juillet 2023

This exhibition offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608–1670). Largely known today as the subject of The Met’s iconic portrait by Diego Velázquez, Pareja was enslaved in Velázquez’s studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the role of enslaved artisanal labor and a multiracial society in...

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