Étiqueté : peinture

Colloque : « Ligorio Digitale. Idee e prospettive per un’edizione digitale dei manoscritti di Pirro Ligorio », Rome, Biblioteca Hertziana, 26-27 octobre 2020

Ligorio Digitale. Idee e prospettive per un’edizione digitale dei manoscritti di Pirro Ligorio Date : 26-27 octobre 2020 Horaire : 09h30-17h00 Lieu : Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte | Via Gregoriana, 28 | Roma Il colloquio, che vedrà la partecipazione di studiosi e giovani ricercatori provenienti da varie Università e Centri di Ricerca europei, sarà articolato in due giornate: la prima sarà aperta al pubblico – da remoto tramite streaming – e dedicata agli...

Conférence en ligne : Nicholas Penny, From Antiquity to Modernity: from Sculpture to Painting, Londres, The Warburg Institute, 15-22-29 juin 2020, 17h30

These three lectures, extracted and adapted from the eight Slade Lectures given at the University of Cambridge earlier this year, explore some of the different ways in which the art of ancient Greece and Rome was interpreted, misinterpreted, revived and re-imagined between the fifteenth and the twentieth centuries. Sir Nicholas Penny is Visiting Professor at the China Academy of Art in Hangzhou. He was Director of the National Gallery from 2008 to 2015, and previously held...

Appel à communication : Newberry Seminar in European Art, date limite le 15 juin 2020

The Center for Renaissance Studies is pleased to welcome proposals for the 2020-2021 Newberry Seminar in European Art. Focused on the history of European art, from its origins through the nineteenth century, this seminar provides a forum for presenting current research, as well as a venue to bring together a diverse community of art historians for intellectual exchange, collegial conversation, and debate. We construe art history in broad terms, embracing painting, sculpture, graphic art, architecture,...

Parution : R. Brennan, « Painting as a Modern Art in Early Renaissance Italy », Brepols, 2020

What did it mean for art to be « modern » before the period we regard as Modernity today?Concepts of modernity have played a constitutive role in the canon of European art history at least since Giorgio Vasari, who looked back upon Giotto as the founder of “modern art” (arte moderna). The aim of this book is to establish a prehistory of Vasari’s view. Was Vasari merely projecting a sixteenth-century concept of artistic modernity onto the fourteenth...

Parution : Christian K. Kleinbub, « Michelangelo’s Inner Anatomies », Penn State University Press, 2020.

This book challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with “superficial” anatomy—that is, the parts of the body that can be seen from the outside. Christian K. Kleinbub provides a fresh perspective on Michelangelo’s art of the human figure by investigating what he calls the artist’s “inner anatomical poetics,” revealing these beautiful bodies as objects of profound intellectual and spiritual significance. Michelangelo’s Inner Anatomies illuminates...

Parution : Linda Pisani, Francesco Traini e la pittura a Pisa nella prima metà del Trecento, Milan, Silvana Editoriale, 2020

La stagione della pittura pisana raccontata in questo volume rappresenta uno straordinario crogiolo di esperienze e di linguaggi, alla cui costituzione hanno contribuito Cimabue, Giotto e Simone Martini. In questo clima prende le mosse e si afferma Francesco Traini, massimo pittore cittadino, la cui figura dalla biografia sfuggente è finalmente qui restituita nella sua statura artistica e inquadrata nel contesto culturale e storico di cui, assieme al senese Lippo Memmi e al fiorentino Buffalmacco, ma...

Exposition : « Raphael in Berlin: The Madonnas of the Gemäldegalerie », Berlin, Gemäldegalerie, jusqu’au 26 avril 2020

As part of the Raphael anniversary celebrations in 2020, the Gemäldegalerie will be putting on a one-room show that brings together five Madonnas from their collection, which will be accompanied by loans from the National Gallery in London and the Kupferstichkabinett Berlin. The Meeting of the Madonnas in Berlin: 500 Years Since the Death of Raphael Monday 6 April 2020 will mark 500 years since the death of Raffaello Sanzio da Urbino (born 6 April...

Exposition : « Van Eyck, Une révolution optique », Gand, Musée des Beaux-Arts (MSK), du 1er février au 30 avril 2020

« Van Eyck, Une révolution optique » Seule une vingtaine d’œuvres du Maître flamand Van Eyck sont conservées de par le monde. Tout à fait exceptionnellement, au moins la moitié d’entre elles feront le voyage jusqu’à Gand en 2020, pour l’exposition « Van Eyck. Une Révolution optique » au Musée des Beaux-Arts de Gand (MSK Gent). Un évènement incontournable, véritable tour de force qui rendra l’univers de Van Eyck et son regard révolutionnaire plus tangibles que jamais. L’exposition s’articule autour...

Colloque international : « La béance du néant », CESR, Tours, 20-22 novembre 2019

Colloque international : « La béance du néant », CHU Clocheville Amphithéâtre George Sand, CESR, Tours, 20-22 novembre 2019 Le colloque rassemblera des chercheurs internationaux et actifs dans des domaines très divers (histoire de l’art, philosophie, mathématiques, physique, neurosciences, linguistique, sciences de la religion, études littéraires, musicologie et sciences du spectacle) autour d’une réflexion sur les conceptions et les expressions du Néant. La discussion s’appuiera sur des observations préliminaires concernant l’emploi de mots appartenant au...

Parution : Lorenzo Pericolo et Elisabeth Oy-Marra (dir.), Perfection, the Essence of Art and Architecture in Early Modern Europe, Turnout, Brepols, 2019

Whether a painting, a sculpture, or a building, works of art in early modern Europe must achieve the highest degree of perfection. If in the Middle Ages perfection is mostly perceived as a technical quality inherent in craftsmanship–a quality that can be judged according to often unspoken criteria agreed upon by the members of a guild–from the fifteenth century onwards perfection comes to incorporate a set of rhetorical and literary qualities originally extraneous to art...

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