Étiqueté : religion

Séminaire : « Los jesuitas y las artes : coadjutores, padres, artífices », Madrid, Université autonome de Madrid et en ligne, 02-03 juin 2022

Seminario Internacional “Los jesuitas y las artes: coadjutores, padres, artífices” Universidad Autónoma de Madrid (UAM) / Universidad a Distancia de Madrid (UDIMA) Proyecto Nacional I+D CoMArtis “Coadjutores: artistas e ideas migrantes en la globalización ibérica” (PID2020-117094GB-I00) Investigadores Principales: Juan Luis González García (UAM) / Sara Fuentes Lázaro (UDIMA) “Coadjutores: artistas e ideas migrantes en la globalización ibérica” estudia las redes de circulación de los artistas de la Compañía de Jesús durante la Edad Moderna, incluyendo...

Parution : Margaret Pont, “An Evocation of the Basilica of St Francis of Assisi”, Lausanne, Skira, 2022

  A beautiful homage to the influence of St Francis and the masterworks by Giotto, Cimabue and others in the Basilica of Assisi This richly illustrated hardcover volume focuses on the exquisitely detailed beauty of the artworks by Cimabue, Giotto, Simone Martini and Pietro Lorenzetti that adorn the Basilica of St. Francis of Assisi and the town of Assisi in the heart of Italy’s Umbria region, animating the profound humanism and affirmative energy that St...

Exposition : “Michelangelo: i bronzi della Passione”, Mantoue, Palazzo Ducale, du 18 mars au 15 juin 2022.

Michelangelo Buonarroti è semplicemente il “divino” Michelangelo, l’archetipo degli artisti di tutti i tempi. Grande fu la sua fama, anche in vita: nonostante la sua attività si sia concentrata su Roma e Firenze, anche la Mantova dei Gonzaga dovette fare i conti con l’ineludibile influenza di quel gigante. Il 22 febbraio del 1527 Federico II scriveva di essere da “molt’anni (…) amatore dello excellentissimo messer Michele Angelo” e – in un significativo ribaltamento di ruoli...

Appel à contribution : « The Itinerant Shrine: Art, History, and the Multiple Geographies of the Holy House of Loreto », Londres, The Courtauld Institute of Art, du 30 juin au 01 juillet 2022, date limite le 15 mars 2022

The Santa Casa, or Holy House of the Virgin Mary, is a relic in constant motion. Legend holds that at the end of the thirteenth century, a company of angels flew Mary’s small brick house—the site of the Annunciation and Jesus’s childhood home—out of Nazareth before eventually depositing it in Loreto, a remote hill town in the Marches region of Central Italy. Over the ensuing centuries, the House prompted the movement of people to the...

Exposition : « Sacred/Supernatural. Religion, Myth, and Magic in European Prints, 1450-1900 », Urbana Champaign, Krannert Art Museum, 27 janvier-15 mai 2022

Sacred/Supernatural explores some of the methods European printmakers—including Rembrandt van Rijn and Albrecht Dürer—used to convey extraordinary events and individuals in intaglio and relief prints from 1450 to 1900. The exhibition includes works by Dutch, English, Flemish, French, German, Italian, and Scottish printmakers. Many of the prints in the exhibition relate to Judeo-Christian theology: such as how and whether to portray God, Christ, the Passion, saints, prophets, the devil, witches, and demons. The exhibition also...

Parution : S. Ryan, S.L. Smith, L.K. Skinnebach, « Material Cultures of Devotion in the Age of Reformations », Leuven-Walpole, Peeters Publishers, 2021

The sixteenth and seventeenth centuries in Northern Europe were characterized by enormous religious change. During this period new religious ideas and ideals gradually took shape and materialized in all aspect of religious life, both on a private level as well as in public and liturgical space. The fundamental question of how God could be experienced as present in the world, became – again – the center of lively debate. Lutheran, Calvinist, Roman Catholic and Anglican reformations – to mention...

Parution : P. Howard, N. Terpstra, R. Saccenti (dir.), Renaissance Religions : Modes and Meanings in History, Turnhout, Brepols, 2021

Renaissance Religions is a wide-ranging, comprehensive, multi-disciplinary volume, with contributions organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. Several decades of cultural and inter-disciplinary scholarship have yielded, and continue to yield, new insights into the diversity of religious experience in Europe from the fifteenth through the seventeenth centuries. Revisionist approaches to humanism and humanists have led to a re-evaluation of the framing of belief;  the boundaries between...

Parution : Frédéric Cousinié et al. (dir.), « Connecteurs divins. Objets de dévotion dans l’Europe moderne (XVIe-XVIIe siècle) », Paris, Ars, 2020

TABLE DES MATIÈRES : Introduction (F. Cousinié) / Porter l’Agnus Dei. Usages et images des bijoux sacrés entre Renaissance et Contre-Réforme (Anne Lepoittevin, Sorbonne Université) / Le chapelet entre dénonciations et défenses. La critique du rosaire dans la littérature religieuse et la culture visuelle réformées du XVIe siècle (Daniela Solfaroli Camillocci, Université de Genève) / Légitimation et inscription fictionnelle – Ceinture, Cordon, Scapulaire dans la France du XVIIe siècle (Frédéric Cousinié, Université de Rouen-Normandie) /...

Journée d’étude en ligne : Ora Pro Nobis: Marian Devotion in the Middle Ages and Renaissance, British Archeaological Association, le 3 juillet 2021

An online day in honour of Dr Cathy Oakes SATURDAY 3 JULY 2021 Cathy Oakes was Director of Studies in the History of Art at Oxford University’s Department of Continuing Education and a Fellow of Kellogg College, Oxford, co-founder of the Centre for Marian Studies, and a lecturer for the Learning Department of the V&A, The Arts Society (formerly NADFAS), Art Pursuits Abroad, ACE, and many other organisations, Dr Oakes inspired countless students by her...

Appel à communication : « Représentations et usages de la Saint-Barthélemy en Europe et dans le Monde (1572-2022) », date limite le 1er juillet 2021

« Cet horrible massacre si renommé par toute l’Europe ». Représentations et usages de la Saint–Barthélemy en Europe et dans le Monde (1572–2022), Paris, 19-21 mai 2022.   Ce colloque sera l’occasion d’un dialogue entre spécialistes issus de différents champs disciplinaires. Il se tiendra dans les locaux de l’Université Sorbonne Nouvelle et Sorbonne Université, avec le soutien de l’Institut Universitaire de France. Organisé en partenariat avec le « Marlowe Festival / Festival Marlowe » (Université Sorbonne Nouvelle, Université de Reims Champagne–Ardenne, et University of Kent), il sera couplé à...

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