Étiqueté : Rembrandt

Appel à contribution : « Rembrandt and Genre », Herstmonceux Castle, Bader College of Queen’s University, 6-9 juillet 2023, date limite le 1er octobre 2022

International Colloquium at Bader College of Queen’s University, Herstmonceux Castle, East Sussex, UK, 6–9 July 2023. Sponsored by Queen’s University, Kingston, Canada, and Museum het Rembrandthuis, Amsterdam, NL Organizing Committee: Stephanie Dickey, Professor and Bader Chair in Northern Baroque Art, Queen’s University ; Wayne Franits, Distinguished Professor of Art History, Syracuse University ; Elmer Kolfin, Assistant Professor of Art History, University of Amsterdam ; David de Witt, Senior Curator, Museum het Rembrandthuis Rembrandt’s diverse achievements as painter, draftsman, printmaker,...

Parution : Charrier Claire, « Du sublime dans l’œuvre gravé de Rembrandt », Presses Universitaires de Rennes, 2022

Excellant à représenter les passions nobles, Rembrandt est qualifié d’artiste du sublime par ses contemporains. Or, depuis que la Renaissance a redécouvert le traité de Longin, le sublime – ou l’art qui dépasse l’art – est l’objet de débats dans les cercles artistiques et religieux. Embrassant l’ensemble de l’œuvre gravé de l’artiste, ce livre fait dialoguer philosophie et histoire de l’art. Il soutient l’idée selon laquelle, même s’il n’est pas théoricien, Rembrandt contribue à renouveler...

Parution : Michael Zell, « Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art », Amsterdam, Amsterdam University Press, 2021

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift’s symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function...

Parution : G. Knox, « Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt », Amsterdam university press, 2019.

Giles Knox examines how El Greco, Velazquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how...

Exposition : « Rembrandt au musée Condé », Chantilly – Musée Condé, du 27 janvier au 3 juin 2018.

Une collection exceptionnelle Le musée Condé présente du 27 janvier au 3 juin 2018, dans son cabinet d’arts graphiques, une exposition des œuvres de Rembrandt et de son entourage provenant des collections de Chantilly. L’exposition permet de découvrir vingt-et-une eaux-fortes originales de Rembrandt, quelques-unes de ses élèves et des dessins attribués à Rembrandt ou à son entourage. Les gravures de Rembrandt, appartenant à l’importante collection de gravures néerlandaises constituée par le duc d’Aumale, n’avaient encore...

Colloque : « Dutch Drawings on the Horizon: A Day of Talks in Honor of George S. Abrams », Harvard Art Museums, Cambridge, 4 novembre 2017

This symposium brings together international experts on 17th-century Dutch drawings in honor of George S. Abrams (Harvard College ’54, Harvard Law ’57). Mr. Abrams and his late wife, Maida, pioneered the collecting of Dutch drawings in the United States and have been a unifying force for study and scholarship in the field. Their generous gift of 110 works in 1999 transformed the Harvard Art Museums’ Dutch drawings collection into one of the most comprehensive in...

Parution : « The Primacy of the Image in Northern European Art, 1400-1700. Essays in Honor of Larry Silver », Berlin, De Gruyter, septembre 2017.

Edited by Debra Taylor Cashion, Henry Luttikhuizen and Ashley D. West The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the...

Exposition: « Leonardo e i Tesori del Re », Turin, Biblioteca Reale, du 30 octobre 2014 au 15 janvier 2015

Exposition: « Leonardo e i Tesori del Re », Turin, Biblioteca Reale, du 30 octobre 2014 au 15 janvier 2015

. . . « Leonardo e i Tesori del Re » . . La mostra “Leonardo e i Tesori del Re” che aprirà il prossimo 30 ottobre fino al 15 gennaio 2015 presso la Biblioteca Reale di Torino – offre un importante esposizione di un centinaio capolavori assoluti tra le opere di Leonardo da Vinci, disegni Raffaello, Carracci, Perugino, Van Dyck e Rembrandt, codici miniati, carte nautiche ed altre opere grafiche dalle preziose collezioni della...

Colloque: « The intelligent hand, 1500-1800 », Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Londres, le 8 novembre 2014, 10.00-17.45

Colloque: « The intelligent hand, 1500-1800 », Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Londres, le 8 novembre 2014, 10.00-17.45

. « The intelligent hand, 1500-1800 » . Saturday, 8 November 2014 10.00 – 17.45 (with registration from 09.30) Kenneth Clark Lecture Theatre, The Courtauld Institute of Art . . programme en pdf  . The hand – the “instrument of instruments” – has fascinated artists, scientists and philosophers from Aristotle onwards. Its remarkable dexterity, anatomical complexity, and the ability to manipulate were seen as defining features distinguishing humanity from animality, as well as indicators of the superiority...

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