Étiqueté : Renaissance

Journée d’étude : « Capricci del Rinascimento – Journée d’étude en l’honneur de Philippe Morel », Rome, Académie de France à Rome – Villa Médicis, 2 octobre 2023

Lundi 2 octobre 2023 10h30 – 18h30 RÉSERVATION Il sera possible de suivre cette rencontre sur Zoom : LIEN Séance inaugurale exceptionnelle du séminaire 2023-2024 du Collectif Renaissance Grottes et Parnasse, Villa Médicis et Palazzo Vecchio, Amour et Bacchus, Parmigianino (1503-1540), Jacopo Zucchi (1542-1596), Giovanni Bellini (1430-1516) ou Dosso Dossi (1486-1542) sont autant de lieux et d’artistes étudiés par Philippe Morel. Les Capricci del Rinascimento, représentations de paysage d’origine italienne et souvent imaginaires, mêlent éléments...

Parution : Emanuele Lugli, “Knots, or the Violence of Desire in Renaissance Florence”, Chicago, Chicago University Press, 2023

An interdisciplinary study of hair through the art, philosophy, and science of fifteenth-century Florence. In this innovative cultural history, hair is the portal through which Emanuele Lugli accesses the cultural production of Lorenzo il Magnifico’s Florence. Lugli reflects on the ways writers, doctors, and artists expressed religious prejudices, health beliefs, and gender and class subjugation through alluring works of art, in medical and political writings, and in poetry. He considers what may have compelled Sandro...

Exposition : « Renaissance Masterpieces of Judaica: The Mishneh Torah and The Rothschild Mahzor », New York, The Met Fifth Avenue, 16 mars 2023 jusque *sans date de fin annoncée à ce jour

The Jewish communities of northern Italy were active participants in the extraordinary flourishing of arts and culture that define the Renaissance. This installation of two rare and sumptuous Hebrew manuscripts explores the fascinating cross-cultural interaction between those Jewish communities and their Christian and humanist surroundings in the fifteenth century. A Jewish scribe and Christian artist working in tandem produced these monumental works of art that bear witness to the prosperity, power, and discernment of the...

Exposition : « Giulio Romano – Intorno a un disegno della Collezione Hertz », Rome, Bibliotheca Hertziana, du 10 juillet au 6 octobre 2023

This research exhibition focuses on one of Giulio Romano’s preparatory drawings for the famous fresco cycle created for the great hall of the Villa Lante on the Janiculum Hill, today preserved in Palazzo Zuccari. The recent restoration of the drawing The Liberation of Cloelia (in the collection of the Bibliotheca Hertziana) has provided an opportunity to highlight the special appreciation for Italian Renaissance art of Henriette Hertz, cosmopolitan collector, and the founder of the Bibliotheca...

Parution : Jean-François Corpataux, « L’Image féconde. Art et dynastie à la Renaissance », Droz, 2023

Le thème de la relation entre l’image et le désir érotique est central. Combinant l’inventivité de l’interprétation avec la rigueur impeccable de la meilleure histoire de l’art, l’ouvrage se déplace avec élégance et perspicacité entre les sources anciennes et modernes, entre les textes théoriques et les récits historiques, entre les catalogues et les archives des musées, peignant une fresque à la fois pleine de nuances et toujours cohérente, capable de donner à l’observateur une vue...

Colloque en ligne : Fertile Furrows: Ruling and (Re-)Working Soil in Early Modern Period, Warburg, 27-28 juin 2023

A two-day virtual conference via Zoom. Tuesday 27 June: 2.00 – 6.30pm Wednesday 28 June: 10.00am – 6.30pm Keynote speakers: Christine Göttler (Universität Bern), Ivano Dal Prete (Yale University), Frances E. Dolan (University of California at Davis). Human life is closely dependent on soil, both for its capacity to produce food and for its geo-political connotations. It is no wonder that soil fertility has been at the centre of human thought from the mythical Golden...

Conférence : Amy Bloch, « From Simone Martini (briefly) to Donatello. Recreating the Objects of the Goldsmith’s Art », Londres, The Courtauld, 17 mai 2023

Wednesday 17th May 2023, 5pm – 6.30pm BST. Vernon Square campus, Lecture Theatre 2. Free, booking essential. This is an in person event at our Vernon Square campus. Booking will close 30 minutes before the event begins. Donatello’s background and apparent training in goldsmithing make it unsurprising that he often represented examples of the goldsmith’s art in his large-scale sculptures. This lecture will consider, in reliefs and statues Donatello fashioned for Florentine, Sienese, and Paduan...

Appel à contribution : « De coloribus. Material, Symbolic and Social Crossroads of Medieval and Renaissance Painting », date limite le 29 mai 2023

Colour, both in its material and light dimensions, played a leading role in Medieval and Renaissance visual culture. Taking part in altarpieces, sculptures, architecture, tapestries, wall paintings and illuminated manuscripts, colour embraced multiple variants. Likewise, the translucent, ethereal but also brilliant and changing tones of enameled pieces and goldsmiths, gems, mosaics and stained glasses acquired an equally vital importance. Far from the imaginaries built during the nineteenth century about a Middle Ages plunged into dark...

Conférence : Marco Ruffini, « Giotto’s Ugliness. Art, Literature, and Pictorial Naturalism », Londres, The Courtauld, 3 mai 2023

Wednesday 3rd May 2023, 5pm – 6.30pm BST. Free, booking essential. Vernon Square campus, Lecture Theatre 1. This is an in person event at our Vernon Square campus. Booking will close 30 minutes before the event begins. That Giotto was ugly – indeed of proverbial ugliness – Boccaccio tells us in the Decameron. But was this really Giotto’s physical appearance? This paper will explain that the painter’s ugliness is a symbolic attribute of Giotto’s pictorial naturalism...

Journées d’étude : « Imaginaries of the Landscape. Media, Materials, Makers », Genève, Université de Genève, 4-5 mai 2023

Annual Conference of the Swiss Association of Art Historians (VKKS | ASHHA | ASSSA) in cooperation with the Comité International d’Histoire de l’Art (CIHA), and the University of Geneva. THURSDAY, 4 MAY UNIVERSITÉ DE GENÈVE, BÂTIMENT COLLADON, C1/C2 09:15 Registration 09:45 Welcome and Introduction Marie Theres Stauffer, Université de Genève / CIHA, Christine Göttler, Universität Bern / CIHA, and Marianne Burki, President VKKS / TaDA Textile and Design Alliance, St.Gallen SESSION I: RECONFIGURING THE LANDSCAPE...

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