Étiqueté : Renaissance italienne

Conférence : Julia Castiglione, Margerita Quaglino, Anna Sconza, « Le projet ArTerm – La terminologie artistique (Italie XVe-XVIe siècles) », Paris, INHA, 16 mars 2023, 16h-18h

Le projet ArTerm se situe au croisement de l’histoire de l’art, des techniques et de la langue, ayant comme objets la création d’une base de données et la constitution d’un Dictionnaire historique de la peinture, à partir d’un corpus significatif du patrimoine textuel et iconographique. Les objectifs et la méthodologie adoptés seront exposés à travers la présentation du numéro de la revue Studi di Memofonte (déc. 2022) consacrée au Lexique de la couleur (France-Italie, XIVe-XVIIe...

Conférence : « Dining with Hannibal? Italian Renaissance maiolica at the table, a new look at the collection of the Courtauld », en ligne, 14 mars 2023

14 March 2023, 5:30PM – 7:00PM warburg@sas.ac.uk 020 7862 8910 Elisa Sani (Courtauld Institute): ‘Dining with Hannibal? Italian Renaissance maiolica at the table, a new look at the collection of the Courtauld’ This event is part of the A Material World: Private vs Public, which brings together academics and heritage professionals from a wide range of disciplines to discuss issues concerning historical objects, their materials, forms, and functions, as well as their conservation, presentation, display, and...

Conférence : Saida Bondini, « In the Aftermath of Destruction. Natural Catastrophes and Art Making in Sixteenth-century Italy », Londres, The Courtauld, 13 mars 2023

Monday 13th March 2023, 5pm – 7pm GMT. Free, booking essential. Lecture Theatre 1 Vernon Square. This is an in person event at our Vernon Square campus. Booking will close 30 minutes before the event start time. At the beginning of the sixteenth century, the city of Bologna was devastated by a series of violent earthquakes that shocked its inhabitants and destroyed most of its monuments. An even more exceptional seismic period hit Ferrara between 1570 and...

Parution : Christiane Klapisch-Zuber, « Florence à l’écritoire. Écriture et mémoire dans l’Italie de la Renaissance », Éditions de l’EHESS, 2023.

La Florence de la première Renaissance est une ville de négociants, d’industriels, d’artisans, de peintres. Ces hommes tiennent des livres de comptes et beaucoup ne lâchent pas la plume en rentrant chez eux. Certains se piquent même de généalogie. Si cette écriture domestique qui enregistre, calcule et transmet est la pierre angulaire de la confiance réciproque et de l’identité sociale, elle est en revanche encore mal partagée entre hommes et femmes. Celles-ci s’efforcent toutefois de...

Journées d’étude : « Carlo Crivelli. Nuovi studi e interpretazioni », Macerata, Biblioteca Comunale Mozzi Borgetti, 1er-3 février 2023

Mercoledì 1 febbraio 2023, Macerata, Biblioteca comunale “Mozzi Borgetti”, Auditorium h. 17.00 Preliminari al convegno. I curatori Luigi Gallo /Direttore della Galleria Nazionale delle Marche di Urbino e della Direzione Regionale Musei delle Marche e Raffaella Morselli / Università degli Studi di Teramo presentano la mostra Arte liberata 1937-1947. Capolavori salvati dalla guerra (Roma, Scuderie del Quirinale, 16 dicembre 2022- 10 aprile 2023) Introduce Patrizia Dragoni /Università di Macerata Modera Caterina Paparello /Università di Macerata Giovedì 2 febbraio 2023, Macerata, Biblioteca comunale “Mozzi Borgetti”,...

Appel à contribution : « ‘Si loin, si proche’. Le regard du XIXe siècle sur l’architecture de la Renaissance italienne dans les relations entre la France et l’Italie », Paris, INHA, octobre 2023, date limite le 30 janvier 2023

La publication de Palais, maisons et autres édifices modernes dessinés à Rome (1798) de Percier et Fontaine marque une étape décisive dans le développement d’un intérêt pour l’architecture de la Renaissance italienne qui, au cours du XIXe siècle, ne cesse de croître avant de culminer dans l’œuvre de l’historien Jacob Burckhardt (Die Kultur der Renaissance in Italien, 1860; Geschichte der Renaissance in Italien, 1878). Cet intérêt se traduit de façon très diverse. D’abord, la réflexion...

Parution : Nathaniel Silver, “Simone Martini in Orvieto”, New Haven, Yale University Press, 2022

  New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in...

Parution : E. Toreno, « Netherlandish and Italian Female Portraiture in the Fifteenth Century. Gender, Identity, and the Tradition of Power », Amsterdam University Press, 2022

This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of...

Parution : David Young Kim, « Groundwork: A History of the Renaissance Picture », Princeton University Press, 2022

The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive...

Conférence : Maria Gabriella Matarazzo, Francesca Persegati, Fabio Piacentini, « A Pictorial Agon. Experiments with Oils in Mural Painting, from Leonardo to Vasari », Rome, Bibliotheca Hertziana, 30 novembre 2022

DATE: Nov 30, 2022 TIME: 05:00 PM – 06:30 PM (Local Time Germany) SPEAKER: Maria Gabriella Matarazzo in conversation with Francesca Persegati and Fabio Piacentini LOCATION: Villino Stroganoff, Via Gregoriana 22, RM 00187 Rome. In person and online CONTACT: john.rattray@biblhertz.it The recent restoration campaign of the Hall of Constantine in the Vatican Apostolic Palace has confirmed that Raphael authored the figures of Iustitia and Comitas, executed in oil on plaster. This talk will situate Raphael’s...

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