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Étiqueté : renaissance nordique

Parution : Emily J. Peters, Laura Ritter, “Tales of the City Drawing in the Netherlands from Bosch to Bruegel”, New Haven, Yale University Press, 2022

  An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists...

Conférence : Stephan Kemperdick, « Hugo van der Goes and Pictorial Logic », Florence, Palazzo Grifoni Budini Gattai, 1er décembre 2022

Hugo van der Goes is certainly the most important Netherlandish artist of the second half of the 15th century, whose works were coveted by members of the court as well as by the civic elite, ranging from Archduke Maximilian of Austria to the rich Florentine merchant Tomaso Portinari. His inventions and re-formulations of standard themes of Christian iconography became a source of inspiration for generations of artists. Starting in 1467, Hugo worked as a master...

Exposition : “Hieronymus Bosch e l’Europa meridionale”, Milan, Palazzo Reale, 9 novembre-12 mars 2023

Il progetto, frutto di una lunga e approfondita ricerca accademica, intende illustrare il successo di Bosch quale creatore di visioni fantastiche in relazione alle tendenze del collezionismo del tempo e della ricezione artistica da parte del Rinascimento spagnolo e italiano. Legami importanti con l’arte di Bosch si possono infatti cogliere in opere di primissimo piano, tra gli altri, di Tiziano, El Greco, Savoldo. La mostra offrirà dunque per la prima volta al pubblico italiano ed...

Parution : Barbara A. Kaminska, “Images of Miraculous Healing in the Early Modern Netherlands”, Leyde, Brill, 2021

Series :  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 58 Author : Barbara A. Kaminska Images of Miraculous Healing in the Early Modern Netherlands explores the ways in which paintings and prints of biblical miracles shaped viewers’ approaches to physical and sensory impairments and bolstered their belief in supernatural healing and charitable behavior. Drawing upon a vast range of sources, Barbara Kaminska demonstrates that visual imagery held a central place in premodern...

Parution : André Verstandig, “Pieter Bruegel – Le Massacre des Innocents”, Bruxelles, SAMSA, 2022

Essai. L’oeuvre de Pieter Bruegel l’Ancien s’inscrit dans son époque, la Renaissance, le « Rinascimento», imaginé dès 1568 par l’italien Giorgio Vasari, on redécouvre à travers toute l’Europe occidentale, les arts, les sciences et, surtout, la littérature. Quelques souverains emblématiques : Charles Quint, François Ier, Henri VIII, Philippe II, ou Soliman le magnifique; et des condottieres comme Andrea Doria, Don Juan d’Autriche, le duc d’Albe, Hernán Cortez, ou Fransisco Pizarro, sont les acteurs des principaux...

Parution : André Scala, “Pieter de Hooch. Un peintre à l’infinitif – Un peintre à l’infinitif”, Strasbourg, ATELIER CONT, 2022

Pieter de Hooch (1629-1684(? )), un parmi tant d’autres peintres du siècle d’or néerlandais, qui ont surgi, avec leur manière d’apparence tranquille, d’un peuple se libérant des Espagnols, menant guerre sur guerre ? : événement calme au milieu des turbulences. Les arts ont une existence fragile. Il dépend des caprices d’une époque qu’elle transforme les oeuvres dont elle hérite en objets de culture, en reportages sur les moeurs du passé, en manifestes d’une morale, en...

Parution : « Imaging Utopia: New Perspectives on Northern Renaissance Art », Peeters, 2021

Imaging Utopia: New Perspectives on Northern Renaissance Art Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting held in Mechelen and Leuven, 11-13 January 2017 On the first page of his famous book, Thomas More describes Utopia as a Libellus vere aureas, a little true golden book. This little book, published in Leuven in 1516, proved to become one of the greatest works of socio-political analysis of all time; the...

Parution : James Hutson, « Gallucci’s Commentary on Dürer’s ‘Four Books on Human Proportion’: Renaissance Proportion Theory », Open Book Publishers, 2020

In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer’s Four Books on Human Proportion. While Dürer’s treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci’s Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of...

Appel à contribution : « The Performativity of Liturgical Art », Amsterdam, 2-5 juin 2021, date limite le 1er juillet 2020

In preparation of the HNA conference 2-5 June 2021, organized by the University of Amsterdam and the RKD – Netherlands Institute for Art History, the program committee invites HNA members to submit proposals for paper sessions. The sessions are posted on the HNA website. Please submit your proposal(s) to the session chair(s), not the program committee. Applicants are allowed to submit multiple proposals to different sessions, but please inform all appropriate chairs about this at...

Exposition : “Georges de la Tour. L’Europa della luce”, Milan, Palazzo Reale, du 7 février au 7 juin 2020

Considerato unanimemente come uno dei più celebri artisti del Seicento, Georges de La Tour non esisterebbe se non esistesse la storia dell’arte. Sconosciuto per più di due secoli, fu riscoperto nel 1915, anno in cui il tedesco Hermann Voss pubblicò un articolo rivelatore sulla sua opera. Una storia segnata da un totale oblio e da una tarda ma efficace riscoperta. La sua pittura è caratterizzata da un profondo contrasto tra i temi “diurni”, crudamente realistici, che ci mostrano un’esistenza...