Étiqueté : retable

Colloque : « Netherlandish Carved Altarpieces: An International Conference », en ligne, 12-14 mai 2022

Netherlandish Carved Altarpieces: An International Conference Center for Renaissance and Reformation Studies, University of Toronto Illuminare – Center for Medieval and Renaissance Art, KU Leuven   Programme   Organizers : Ethan Matt Kavaler (University of Toronto), Julie Beckers (KU Leuven), Hannah De Moor (Illuminare, KU Leuven). Speakers : Ragnhild Bø (National Museum of Art, Architecture, and Design, Oslo), Katherine Boivin (Bard College), Hannah De Moor (Illuminare, KU Leuven), Anna Dlabačová (Leiden University), Lynn Jacobs (University of Arkansas), Nicola Jennings (Courtauld Institute), Jacqueline Jung (Yale University), Elizabeth Rice Mattison (Hood Museum, Dartmouth College), Kathryn Rudy (University...

Séminaire : David Ekserdjian, « God and the Painters : The Altarpiece in the Italian Renaissance », Londres, The Courtauld Institute, 10 décembre 2021, 18h30-20h

“My book The Italian Renaissance Altarpiece: Between Icon and Narrative, came out in June 2021. It is never easy to judge one’s own work, but what I think I have tried to do is to provide a species of taxonomy for Italian renaissance altarpieces and at the same time to explore who – between the patrons, the ecclesiastical authorities, and the artists – actually calls the shots.” David Ekserdjian is Professor of History of Art and Film at...

Parution : D. Ekserdjian, « The Italian Renaissance Altarpiece. Between Icon and Narrative », Yale University Press, 2021

The comprehensive study of the Italian Renaissance altarpiece from the 13th to the early 17th century The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time—whether painter or sculptor, major or minor—who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available,...

Parution : Bryan C. Keene (dir.), « New Horizons in Trecento Italian Art », Turnhout, Brepols, 2021

The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion,...

Journée d’étude : « Reviving the Trinity. New Perspectives on 15th-Century Scottish Culture », en ligne, 27 mars 2021

This collaborative, interdisciplinary project looks again at the Trinity Altarpiece by Hugo van der Goes, Trinity Collegiate Church, and Trinity Hospital as emblems of Scotland’s inventive and ambitious cultural milieu, and its active, outward looking engagement with Europe and beyond. The network will re-examine the Trinity, and establish its cultural relevance today. Taking innovative approaches to materialities, geographies, and the wider artistic, intellectual, and cultural networks that connect them during the reigns of James II,...

Parution : Emmanuelle Mercier, et al., « Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century », Turnhout, Brepols, 2021

The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution...

Appel à contribution : « Reviving the Trinity. New Perspectives on 15th-Century Scottish Culture », en ligne, 27 mars 2021, date limite le 1er février 2021

This collaborative, interdisciplinary project looks again at the Trinity Altarpiece by Hugo van der Goes, Trinity Collegiate Church, and Trinity Hospital as emblems of Scotland’s inventive and ambitious cultural milieu, and its active, outward looking engagement with Europe and beyond. The network will re-examine the Trinity, and establish its cultural relevance today. Taking innovative approaches to materialities, geographies, and the wider artistic, intellectual, and cultural networks that connect them during the reigns of James II,...

Parution : Giulia Puma, « Les Nativités italiennes (1250-1450). Une histoire d’adoration », École française de Rome, 2019

Cet ouvrage, situé à la croisée de l’histoire des images et de l’histoire religieuse, est fondé sur la constitution d’une série longue, allant de 1250 à 1450, et couvrant les régions centrales de la péninsule italienne, des scènes peintes, à fresque et sur retable, représentant la Nativité du Christ. La série est traitée aussi bien pour les possibilités quantitatives qu’elle offre que pour les études de cas ou de groupes d’images qu’elle permet d’identifier. La...

Colloque international : “The Saint Enshrined, European Tabernacle-altarpiece, c. 1150-1400”, Valladolid, Université de Valladolid, le 7 et 8 juin 2019

En junio de 2019 tendrá lugar en Valladolid el simposio internacional The Saint Enshrined: European Tabernacle-Altarpices c.1150-1400. Se trata de un evento científico que pretende profundizar en un tipo primitivo de retablo que tuvo amplia difusión por todo el Occidente Medieval, pero del que actualmente subsisten pocos ejemplares, conservados, fundamentalmente, en regiones periféricas de Europa (en términos puramente geográficos). Un retablo-tabernáculo es un dispositivo destinado a enfatizar y a monumentalizar una imagen de culto colocada sobre...

Appel à communication : “Netherlandish Art and Luxury Goods in Renaissance Spain”, Louvain, date limite : 1er octobre 2015

Appel à communication : “Netherlandish Art and Luxury Goods in Renaissance Spain”, Louvain, date limite : 1er octobre 2015

Netherlandish Art and Luxury Goods in Renaissance Spain Université de Louvain, Belgique 4-6 février 2016 Initiated and organized by Illuminare – Centre for the Study of Medieval Art | KU Leuven In 2010, Illuminare – Centre for the Study of Medieval Art (KU Leuven) acquired the archive of the eminent Belgian art historian professor Jan Karel Steppe (1918-2009). Steppe is internationally renowned for his groundbreaking research on the influx of Netherlandish art and luxury goods...

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