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Étiqueté : retable

Exposition : “Dentro Lorenzo Lotto – Dalla pala di San Bernardino alle fotografie di Axel Hütte”, Bergame, Accademia Carrara, du 11 avril au 31 août 2025

Nel 500° anniversario della partenza di Lorenzo Lotto da Bergamo, dall’11 aprile al 31 agosto 2025, Accademia Carrara presenta DENTRO LORENZO LOTTO: un progetto di tutela e valorizzazione dedicato alla Pala di San Bernardino, arricchito dalle fotografie di Axel Hütte. Realizzato in collaborazione con il Comune e la Diocesi di Bergamo, la Parrocchia di Sant’Alessandro della Croce e Fondazione Adriano Bernareggi, il progetto celebra il maestro veneto ospitando eccezionalmente la Pala di San Bernardino, capolavoro proveniente dall’omonima chiesa, situata...

Conférence : Christian Heck, « L’iconographie du Retable de l’Annonciation d’Aix. Nouvelles propositions », Paris, École du Louvre, Amphithéâtre Goya, le lundi 10 février 2025, à 17h30

La prochaine réunion des Ymagiers aura lieu le lundi 10 février 2025, à 17 h 30, à l’École du Louvre, amphithéâtre Goya. Elle pourra aussi être suivie à distance*. Nous aurons le plaisir d’écouter Christian Heck, «L’iconographie du Retable de l’Annonciation d’Aix. Nouvelles propositions». Cette recherche, objet d’un livre qui vient de paraître, renouvelle entièrement notre connaissance de la merveilleuse peinture de l’Annonciation d’Aix, réalisée en 1443-1444 par Barthélemy d’Eyck, artiste flamand installé en Provence et...

Journées d’étude : « Golden Glow: Gold and Silver Altarpieces in Venice and Beyond », Milan, Bocconi University, 23-24 janvier 2025

Between the 12th and the 17th centuries, the churches of Venice gleamed with the brilliance of gold and silver altarpieces and frontals. Radiating from dim interiors, they provided a unique and awe-inspiring backdrop for the celebration of liturgy. Large-scale and materially sumptuous, these altarpieces—possibly inspired by the Pala d’Oro in the Basilica of San Marco—were ingenious and dramatic viewing machines. They could be opened and closed horizontally to reveal different layers of imagery. When closed,...

Appel à contribution : « Baroque Times: The Table’s Scenography », Vila Nova de Foz Côa, 14-16 novembre 2024, date limite le 15 juillet 2024

When discussing the table or the act of being at the table, our immediate thoughts go to the act of eating, the company present, and the food to be shared. However, the table transcends its practical function to become a richly layered symbol, both materially and conceptually, embodying sociability in myriad ways throughout history. During the modern era (17th-18th centuries), the table’s significance unfolded across diverse contexts and environments, from the opulent settings of palaces...

Conférence : Nicholas Flory, « ‘perpetual food for our souls’. The Carthusians at the Cartuja de Miraflores », Londres, The Courtauld, 8 mars 2023

Wednesday 8th March 2023, 5pm – 6.30pm GMT. Free, booking essential. Lecture Theatre 1 Vernon Square. This is an in person event at our Vernon Square campus. Booking will close 30 minutes before the event start time. The Cartuja de Miraflores, founded in 1442, represents one of the most splendid and richly furnished surviving medieval charterhouses, ornamented chiefly by the magnificent tomb of Juan II of Castile and his second wife Isabelle of Portugal and the...

Colloque : « Netherlandish Carved Altarpieces: An International Conference », en ligne, 12-14 mai 2022

Netherlandish Carved Altarpieces: An International Conference Center for Renaissance and Reformation Studies, University of Toronto Illuminare – Center for Medieval and Renaissance Art, KU Leuven   Programme   Organizers : Ethan Matt Kavaler (University of Toronto), Julie Beckers (KU Leuven), Hannah De Moor (Illuminare, KU Leuven). Speakers : Ragnhild Bø (National Museum of Art, Architecture, and Design, Oslo), Katherine Boivin (Bard College), Hannah De Moor (Illuminare, KU Leuven), Anna Dlabačová (Leiden University), Lynn Jacobs (University of Arkansas), Nicola Jennings (Courtauld Institute), Jacqueline Jung (Yale University), Elizabeth Rice Mattison (Hood Museum, Dartmouth College), Kathryn Rudy (University...

Séminaire : David Ekserdjian, « God and the Painters : The Altarpiece in the Italian Renaissance », Londres, The Courtauld Institute, 10 décembre 2021, 18h30-20h

“My book The Italian Renaissance Altarpiece: Between Icon and Narrative, came out in June 2021. It is never easy to judge one’s own work, but what I think I have tried to do is to provide a species of taxonomy for Italian renaissance altarpieces and at the same time to explore who – between the patrons, the ecclesiastical authorities, and the artists – actually calls the shots.” David Ekserdjian is Professor of History of Art and Film at...

Parution : D. Ekserdjian, « The Italian Renaissance Altarpiece. Between Icon and Narrative », Yale University Press, 2021

The comprehensive study of the Italian Renaissance altarpiece from the 13th to the early 17th century The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time—whether painter or sculptor, major or minor—who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available,...

Parution : Bryan C. Keene (dir.), « New Horizons in Trecento Italian Art », Turnhout, Brepols, 2021

The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion,...

Journée d’étude : « Reviving the Trinity. New Perspectives on 15th-Century Scottish Culture », en ligne, 27 mars 2021

This collaborative, interdisciplinary project looks again at the Trinity Altarpiece by Hugo van der Goes, Trinity Collegiate Church, and Trinity Hospital as emblems of Scotland’s inventive and ambitious cultural milieu, and its active, outward looking engagement with Europe and beyond. The network will re-examine the Trinity, and establish its cultural relevance today. Taking innovative approaches to materialities, geographies, and the wider artistic, intellectual, and cultural networks that connect them during the reigns of James II,...