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Étiqueté : rome

Conférence : Babette Bohn, « Bologna pittrice e Roma pittrice nel Seicento: A comparison », Florence/en ligne, The Medici Archive Project, 21 janvier 2025

January 21 at 5:00 pm ET (U.S) Zoom Thanks to a variety of factors, the emergence of women painters in Rome and in Bologna during the Seicento followed different patterns. Bologna, influenced by its venerable university, a diverse group of patrons and collectors, and exceptional local biographers, produced a greater number of women painters, and allowed a greater variety of access to artistic training for its female citizens, including professional training with male non-relatives. The situation...

Conférence : Shawon Kinew, « Hammer Art History Lecture », Los Angeles/en ligne, UCLA, 21 janvier 2025

Tuesday, Jan 21, 2025 @ 5:00 PM – 7:00 PM Royce 314, 10745 Dickson Ct Los Angeles, CA 90095 United States Shawon Kinew is an art historian of early modern Southern Europe at Harvard University and specializes in seventeenth-century Rome’s art and theory. Her research on Roman Baroque sculpture focuses on the Maltese artist Melchiorre Cafà, who is the subject of a book manuscript in preparation, Baroque Softness: Melchiorre Cafà and the Sculpture of Mysticism. Register...

Exposition : « Ribera. Ténèbres et lumière », Paris, Petit Palais, 5 novembre 2024-23 février 2025

Le Petit Palais présente grâce à une centaine de chefs-d’œuvre – peintures, dessins et estampes venus du monde entier – la première rétrospective française jamais consacrée à José de Ribera (1591-1652). Dans le sillage du Caravage, José de Ribera, artiste espagnol installé en Italie, s’impose comme l’un des interprètes les plus fascinants de la peinture d’après nature. Arrivé très jeune à Rome, il part définitivement pour Naples, alors possession espagnole où il fait toute sa...

Conférence : « Before Michelangelo: ‘Revisioning’ Sixtus’s Sistine Chapel as sensorium », Rome, ACU Rome Campus, 21 octobre 2024

Before Michelangelo: ‘Revisioning’ Sixtus’s Sistine Chapel as sensorium, ACU Rome Campus, with a public lecture (Peter Howard with Shannon Kuziow), 5 pm, 21 October 2024  Peter Howard is past Director of the IRCI and an honorary professor at ACU and also in the School of Divinity, the University of St Andrews. His research and publications have centred on theology, preaching, and visual and material culture in Renaissance Italy. He is particularly interested in lay theological...

Exposition : « Faszination Rom. Maarten van Heemskerck zeichnet die Stadt », Berlin, Kulturforum, 26 avril-4 août 2024

The Kupferstichkabinett Berlin owns two spectacular albums with around 160 drawings by the Dutch artist Maarten van Heemskerck (1498–1574), executed in Rome between 1532 and 1536/37. During these years he wandered through the city, visited collections of antiquities, made pilgrimages to the holy sites, and filled his sketchbook with drawings. These include wide panoramas and city views as well as studies of ancient ruins and sculptures. In this way, he compiled an extensive stock of...

Appel à contribution : « The Lessons of Rome », Lyon, Musée des beaux-arts, 15 mars 2024, date limite le 16 février 2024

The Lessons of Rome (7th edition). The Lessons of Rome aim to propose a space for reflection for anyone who grasps Italy as an architectural, urban, and landscape research laboratory. Defining Italy as a laboratory involves analyzing contexts of urban policies but also as design experiences, theories, practices, legacies, mutations, and prospects. It means building knowledge and culture, learning and developing tools to conceive the present and to enrich contemporary practices. The Lessons of Rome provide...

Journée d’étude : « ‘e caminando alla perfezzione’: Pellegrino Tibaldi Pittore e Architetto tra Roma, Pavia, Madrid », Pavie, Collegio Borromeo, 8-9 novembre 2023

Mercoledì 8 novembre 2023, Aula Goldoniana del Collegio Ghislieri, Piazza Collegio Ghislieri 5. Ore 15,00-17,00 L’esperienza di Pellegrino pittore Ore 15,00 Introduce Gianpaolo Angelini (Università di Pavia) 15,30 Giulia Daniele (Scuola Normale Superiore): La prima attività di Pellegrino pittore: Roma, Bologna, Ancona e il rapporto con Prospero Fontana 16,00 Camilla Colzani (Università degli Studi di Urbino “Carlo Bo”): Pellegrino Tibaldi attraverso i disegni. Roma, Bologna, le Marche 16,30 Valentina Balzarotti (Fondazione 1563 per l’Arte e la...

Appel à contribution : « Exploring Rome through Drawing in the 16th Century », Rome, Bibliotheca Hertziana – Max Planck Institute for Art History, 6-8 mars 2024, date limite le 12 novembre 2023

Concept and organization: Tatjana Bartsch, Tanja Michalsky, Johannes Röll. Invited keynote speaker: Ilja M. Veldman In 1532, the painter Maarten van Heemskerck (1498–1574) set out on a journey from Haarlem to Rome. A collection of 94 sheets with about 160 drawings in the Berlin Kupferstichkabinett, including 66 sheets of a former sketchbook with drawings on both sides, provides a visual testimony to his five-year stay. It is the world’s largest corpus of Van Heemskerck’s Roman drawings,...

Journées d’étude : « The Allure of Rome: Studying Ancient Architecture 1500 – 1550 », Rome, The British School/en ligne, 26-27 octobre 2023

The buildings of antiquity, especially those in Rome, were of fundamental interest to Renaissance architects over the course of the first half of the sixteenth century. During a very few decades, numerous works were surveyed and recorded, often for the first time, and in ever more exacting detail and with ever greater sophistication, among them Rome’s Colosseum and Pantheon and very many other prominent monuments. This great achievement not only provided a touchstone for contemporary...

Séminaire : Barbara Furlotti, « The Long Road to Success. Giulio Romano between Rome and Mantua », en ligne, 11 janvier-8 février 2024

In his Lives of the Artists (1568), Giorgio Vasari describes Giulio Romano (1492 or 1499/1546) as “inventive, versatile, prolific”, but also “jovial, affable, gracious and absolutely abounding in the finest manners”. Having met Giulio in Mantua and having spent a few days leafing through his outstanding collection of drawings, Vasari’s opinion was based on first-hand experience. For him, Giulio embodied the ideal Italian Renaissance artist: someone who possessed a prodigious talent and the manners of...