Étiqueté : rome

Appel à contribution : «  Early Modern Rome », Rome, 14-15 novembre 2024, date limite le 30 septembre 2023

Early modern Rome was contradictory and complex; its vernacular and high culture animated and rich. From Petrarch’s crowning as Poet Laureate on the Capitoline in 1341 to the foundation of the “new” Arcadia by Livio Odescalchi in 1711, this conference aims to bring together scholars from a range of disciplines to investigate the city of Rome proper as well as the campagna romana through a variety of different approaches and methods. The resounding response to...

Appel à contribution : « “Né spelunca o caverna è fra gli sassi…”, Ancient and modern nymphaea in Rome and Lazio », Rome, Archivio del Moderno – Università della Svizzera italiana, 13-15 décembre 2023, date limite le 23 juin 2023

On the occasion of the pictorial cycle restoration of the Ninfeo della Pioggia in the Horti Farnesiani, Palatino, Parco archeologico Del Colosseo will house an international thematic conference entitlet “Nè spelunca o caverna è fra gli sassi…”. Ancient and modern nymphaea in Rome and Lazio. Archeology and Fortune of a polysemic space, hosted by Alfonsina Russo, Roberta Alteri, Alessio De Cristofaro. According to archaeological literature, environments and architectural structures that readapt or artificially imitates natural...

Exposition : « The Bentvueghels. A Notorious Art Society in Rome », Utrecht, Centraal Museum, 11 février-4 juin 2023

This exhibition tells the particular story of a group of artists from the Northern and Southern Netherlands, who united in Rome around 1620 in the artist group ‘The Bentvueghels’. The distinctive name of this group derives from how the members saw themselves; namely as a group of colorful birds. With their rites and customs, they parodied the two official ‘sacred houses’ of Italy: the Roman Catholic Church and the Accademia di San Luca. The compatriots...

Colloque : « L’Europa della porpora. Arte e politica dei Principi della Chiesa », Rome, Fondazione Camillo Caetani/Università Roma Tre, 16-17 mars 2023

Dal 16 al 17 marzo 2023, l’Università degli Studi Roma Tre in collaborazione con la Fondazione Camillo Caetani, organizzeranno un convegno internazionale dal titolo “L’Europa della porpora. Arte e politica dei Principi della Chiesa (1564-1605)”. Il convegno vuole aprire una nuova finestra di discussione sul ruolo giocato da presuli e porporati nella costruzione della “Nova Ecclesia” post-tridentina, non solo in Italia, ma sullo scacchiere europeo. Confrontandosi con un’epoca attraversata da forti tensioni socio-religiose, l’incontro vuole provare...

Exposition : « Poussin et l’amour », Lyon, Musée des Beaux-Arts, novembre 2022-mars 2023

Le génie de Nicolas Poussin n’a pas encore livré tous ses secrets. L’artiste est toujours considéré comme le maître de l’école classique française, l’archétype du peintre-philosophe. Qui sait aujourd’hui qu’il s’est également adonné au pur plaisir de peindre, en déployant une iconographie des plus licencieuses, et que certains de ses tableaux ont été jugés si érotiques qu’ils ont été mutilés, découpés, voire détruits, dès le XVIIe siècle ? C’est grâce au thème de l’Amour, -qui a...

Exposition : « Pope Adrian VI. World Leader from Utrecht », Utrecht, Museum Catharijneconvent, 2 juin-13 novembre 2022

Adrian VI is the only Dutch pope ever. He was elected completely unexpectedly exactly five hundred years ago, in 1522. Adrian grew up in Utrecht and made a career in the service of Emperor Charles V. At the time, the church in Western Europe was experiencing a major crisis. Many church leaders were corrupt and the Vatican was bankrupt. There was no worse time to become pope. What does Adrian run into in the Roman...

Conférence : Antonio Sgamellotti, « Raphael in Villa Farnesina. From the colours of prosperity to the Egyptian Blue », Londres, The Courtauld, 15 septembre 2022

Villa Farnesina, the house of Agostino Chigi designed by Baldassarre Peruzzi, and decorated by the masters of Renaissance painting is one of the highest artistic expressions of this period. The fable of Apuleius, frescoed in the Loggia of Cupid and Psyche by Raphael and his workshop, is framed by vegetable festoons: their rich hues associated with fruits from all continents represent the colours of prosperity. The chromatic richness of these fruits, many of them still...

Exposition : “Dai primitivi a Filippo Lippi. Il nuovo allestimento di Palazzo Barberini”, Rome, Palais Barberini, jusqu’au 30 juin 2023

Da venerdì 29 aprile 2022 le Gallerie Nazionali di Arte Antica riaprono le porte delle undici sale del piano terra di Palazzo Barberini, completamente rinnovate e riallestite. Con questo intervento, a cura di Flaminia Gennari Santori con Maurizia Cicconi e Michele Di Monte, e progetto allestitivo di Enrico Quell, si conclude, dopo tre anni, il complesso riallestimento della collezione permanente del museo. Le 50 opere del piano terra, dall’Alto Medioevo al primissimo Cinquecento, sono disposte...

Exposition : « The Lost Murals of Renaissance Rome », Los Angeles, The Getty Center, 31 mai-4 septembre 2022

In Renaissance Rome, the facades of many prominent buildings were painted with spectacular narrative frescoes. Once part of the fabric of the city, only a few now remain. Using works from the Getty’s collection, including the celebrated drawings series “Early Life of Taddeo Zuccaro” in which murals play a central role, the exhibition explores this extraordinary Renaissance phenomenon. This exhibition complements Judy Baca: Hitting the Wall. Source

Parution : Gautier Amiel et al. (dir.), « Les Regrets, Les Antiquités de Rome et Le Songe de Du Bellay », Bouquet XXII, 2022

Sommaire Introduction d’Adeline Lionetto : Du Bellay ou la grandeur du petit. Du Bellay et les arts Corinne Noirot : Janet contre Michel-Ange : l’art du portrait d’après nature selon le sonnet XXI des Regrets de Du Bellay. Jean Balsamo : Poésie et architecture françaises à l’antique : un programme royal. (Du Bellay, Les Regrets, sonnets 157-159). Du Bellay et la satire Mylène Prélat : “Il fait bon voir” : lexique de la vue et...

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