Étiqueté : Rubens

Parution : J. Vanessa Lyon, « Figuring Faith and Female Power in the Art of Rubens », Amsterdam, Amsterdam University Press, 2020

Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used — and abused — to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book...

Parution : Katlijne Van der Stighelen, Hans Vlieghe, « Portraits of Unidentified and Newly Identified Sitters Painted in Antwerp. Corpus Rubenianum Ludwig Burchard XIX.3 », Turnhout, Brepols, 2021

This book, one of four devoted to Rubens’s portraiture, contains a catalogue of all the portraits of unidentified individuals attributed by Ludwig Burchard or by the authors to Rubens and executed in Antwerp. The volume thus complements the catalogue of all the portraits of known persons painted by Rubens in Antwerp, published in the Corpus Rubenianum Ludwig Burchard as Part XIX.2 in 1987. A decade earlier the volume on the portraits painted by Rubens outside...

Parution : Nico van Hout, « Study Heads. Corpus Rubenianum Ludwig Burchard, Part XX, 2 », Turnhout, Brepols, 2021

This book is devoted to a remarkable aspect of Rubens’s painted production. It investigates and catalogues not only works that Ludwig Burchard (1886–1960) gathered into the category of ‘Study Heads’, but also head studies by artists closely connected to Rubens’s workshop which were demonstrably used in his paintings. The existence of a stock of study heads or tronies allowed Rubens and his collaborators to exploit the same figures in many different contexts and create satisfying...

Parution : Ben Van Beneden, Fred Meijer, Timothy De Paepe et Dirk Imhof, “From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections”, Gand, Snoeck, 2020

From Titian to Rubens – Masterpieces from Antwerp and other Flemisch Collections  In 2017 the Rubens House in Antwerp received two exceptional masterpieces on long-term loan from a private collection : the Vision of Saint Catherine, a painting that has meanwhile become known worldwide as `David Bowie’s Tintoretto’, and Portrait of a Lady and her Daughter, one of Titian’s rare double portraits of a woman and child. To mark the return of these two iconic...

Exposition : “Da Tiziano a Rubens, Capolavori da Anversa e da altre collezioni fiamminghe”, Venise, Palazzo Ducale jusqu’au 1er mars 2020

Alla scoperta dell’arte fiamminga con gli esclusivi capolavori dai principali musei fiamminghi in mostra al Palazzo Ducale di Venezia. Dal 5 settembre fino al 1 marzo 2020 la Fondazione Musei Civici di Venezia, assieme alla città di Anversa, VisitFlanders e la Flemish Community, presenta Da Tiziano a Rubens. Capolavori da Anversa ed altre collezioni fiamminghe, una mostra curata da Ben Van Beneden, direttore della Rubenshuis di Anversa. Gli spettacolari appartamenti del doge verranno trasformati in...

Séminaire du Collectif d’historiens de l’art et de la Renaissance : Diane Bodart, Pauline Lafille, Pascal Briost, Marion Boudon-Machuel, « La peinture à l’épreuve de la bataille : éclats, bruits et mouvement », Tours, CESR, salle Rapin, Mercredi 9 janvier, 14:00-18:00

  Le Séminaire du Collectif d’Historiens de l’Art de la Renaissance est organisé par le Centre d’Études Supérieures de la Renaissance (Université de Tours), le Centre d’Histoire de l’Art de la Renaissance (Université Paris 1 Panthéon-Sorbonne), le Centre André Chastel (Université Paris Sorbonne),l’École Pratique des Hautes Études, l’École des hautes études en sciences sociales, l’Institut de Recherches Historiques du Septentrion (Université Charles de Gaulle – Lille II) et le Laboratoire de Recherche Historique Rhône-Alpes (Université...

Parution: Philippe Morel, «Renaissance dionysiaque – Inspiration bachique, imaginaire du vin et de la vigne dans l’art européen (1430-1630)», sortie le 19 février 2015

.   Couverture en pdf Sortie le 19 février 2015 Le Félin, 880 p., 266 ill. coul. et n. et bl.   La figure de Bacchus ou de Dionysos incarne et résume un faisceau d’idées, d’évolutions et d’aspirations caractéristiques de la Renaissance, période au cours de laquelle on a cherché à renouer plus étroitement avec l’héritage antique et certaines de ses valeurs, à relativiser ou à redimensionner la place du christianisme pour des registres existentiels qu’il...

Appel à communication : « Likeness and kinship. Artistic families from the sixteenth- and seventeenth century portrayed », Anvers, date limite : 1er mars 2015

Appel à communication : « Likeness and kinship. Artistic families from the sixteenth- and seventeenth century portrayed », Anvers, date limite : 1er mars 2015

« Likeness and kinship. Artistic families from the sixteenth- and seventeenth century portrayed » 22 juin 2015, Anvers, Rubens House Museum In conjunction with the exhibition Rubens in private. The master portrays his family (Rubens House Museum, 28/03/2015 – 28/06/2015), the Rubenianum organizes a symposium on the early modern family portrait on Monday 22 June 2015. Portraits of artists’ families or family members will be given special attention, but images of families which played a different role...

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