Étiqueté : sculpture

Parution : Emmanuelle Mercier, et al., « Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century », Turnhout, Brepols, 2021

The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution...

Appel à contribution : « Sculpture, Iconoclasm and Facing History », Sculpture Journal, 2022, date limite le 1er février 2021

On 7 June 2020, a statue of slave trader Edward Colston was pushed into the Avon River in Bristol, England in a highly publicized instance of iconoclasm that took place amongst a backdrop of worldwide protests against racial injustice. The Colston statue has brought the issue of sculpture and iconoclasm to the forefront of political and cultural conversation in the UK and beyond, amplifying the rallying cries of the ‘Rhodes Must Fall’ movement and numerous...

Exposition : « Le Renouveau de la Passion. Sculpture religieuse entre Chartres et Paris autour de 1540 », Écouen, Musée national de la Renaissance, 25 novembre 2020-12 avril 2021

Cet automne, le musée national de la Renaissance propose une exposition inédite sur la sculpture. Sujet ambitieux par le caractère monumental des œuvres qui seront présentées, « Le Renouveau de la Passion » est consacré à la sculpture religieuse de la Renaissance française, autour de deux centres de production, Paris et Chartres. Elle présente un moment fondamental de l’histoire de l’art français du XVI e siècle : les années 1540-1550 pendant lesquelles apparaît un nouveau langage formel qualifié...

Appel à communication : Alabaster as Material for Sculpture, Paris, 24-25 Jun 21, date limite le 15 décembre 2020

Alabaster as Material for Sculpture (Paris, 24-25 Jun 21) Musée Du Louvre, Paris, June 24 – 25, 2021 Deadline: Dec 15, 2020 Alabaster as Material for Medieval and Renaissance Sculpture Ards 8th annual colloquium on Current Research in medieval and renaissance sculpture The 8th ARDS annual colloquium, which celebrates new research in the field of renaissance and medieval sculpture will focus on alabaster as a material for european sculpture from the 14th until the 17th century. Much...

Ressource : « Le Corps et l’Âme, de Donatello à Michel-Ange », entretien avec Marc Bormand et Philippe Morel

L’exposition « Le Corps et l’Âme, de Donatello à Michel-Ange » au musée du Louvre avait ouvert ses portes le 22 octobre dernier. Retour sur cette exposition avec Marc Bormand, conservateur en chef au département des sculptures au Louvre, et Philippe Morel, professeur d’histoire de l’art à la Sorbonne. Nous sommes en Europe, au coeur du XVème siècle, alors que l’Italie brillante et créatrice excelle dans tous les arts et se délecte de diverses voluptés. L’Italie en...

Exposition : Le Corps et l’Âme De Donatello à Michel-Ange. Sculptures italiennes de la Renaissance, Paris, Musée du Louvre, du 22 Octobre 2020 au 18 Janvier 2021

Grâce à plus de 150 oeuvres, cette exposition, organisée avec le musée du Castello Sforzesco de Milan, dégage les principales lignes de force qui cheminent dans toute l’Italie durant la seconde moitié du Quattrocento pour aboutir, au début du 16e siècle, à un moment d’apogée de la sculpture de la Renaissance. La représentation de la figure humaine dans la diversité de ses mouvements prend alors des formes extrêmement novatrices. Ces recherches sur l’expression et les sentiments sont...

Colloque : « Per un nuovo canone della scultura. Marmi, terrecotte e legni nell’Italia del nord (1300-1600) », Bologne, Fondazione Federico Zeri, 24-25 septembre 2020

A cura di Andrea Bacchi, Laura Cavazzini, Aldo Galli, Susanna Zanuso Convegno aperto al pubblico Webinar in diretta Facebook 24 settembre 10.00-13.30|15.00-18.00 https://us02web.zoom.us/j/83459504733 25 settembre 9.30-13.30|15.00-17.30 https://us02web.zoom.us/j/86067612227 Bologna, Fondazione Federico Zeri (piazzetta Giorgio Morandi 2 – 40125 Bologna)     Ancora qualche posto disponibile in sala, per riservare scrivere a fondazionezeri.info@unibo.it Ricordiamo che sarà possibile seguire tutto il convegno in diretta streaming e che la registrazione sarà resa disponibile sul canale YouTube della Fondazione Zeri. Il...

Parution : Amy R. Bloch et Daniel M. Zolli, « The Art of Sculpture in Fifteenth-Century Italy », Cambridge, Cambridge University Press, 2020

The Art of Sculpture in Fifteenth-Century Italy Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture...

Conférence en ligne : Nicholas Penny, From Antiquity to Modernity: from Sculpture to Painting, Londres, The Warburg Institute, 15-22-29 juin 2020, 17h30

These three lectures, extracted and adapted from the eight Slade Lectures given at the University of Cambridge earlier this year, explore some of the different ways in which the art of ancient Greece and Rome was interpreted, misinterpreted, revived and re-imagined between the fifteenth and the twentieth centuries. Sir Nicholas Penny is Visiting Professor at the China Academy of Art in Hangzhou. He was Director of the National Gallery from 2008 to 2015, and previously held...

Appel à communication : Newberry Seminar in European Art, date limite le 15 juin 2020

The Center for Renaissance Studies is pleased to welcome proposals for the 2020-2021 Newberry Seminar in European Art. Focused on the history of European art, from its origins through the nineteenth century, this seminar provides a forum for presenting current research, as well as a venue to bring together a diverse community of art historians for intellectual exchange, collegial conversation, and debate. We construe art history in broad terms, embracing painting, sculpture, graphic art, architecture,...

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