Étiqueté : sculpture

Exposition : « A nostra immagine. Scultura in terracotta nel Rinascimento da Donatello a Riccio », Padoue, Museo Diocesano, jusqu’au 2 juin 2020

A conclusione del progetto Mi sta a cuore, che tra 2018 e 2019 ci ha visti impegnati nel restauro di tre sculture in terracotta del Rinascimento, dal 15 febbraio al 2 giugno 2020 nelle Gallerie del Palazzo Vescovile è finalmente aperta la mostra: A nostra immagine. Scultura in terracotta del Rinascimentoda Donatello a Riccio È un’occasione straordinaria per avvicinarci a queste preziose quanto fragili immagini del nostro passato, che un tempo popolavano le chiese, i capitelli agli incroci...

Appel à contribution : Funerary Inscriptions in Early Modern Europe, Intersections. Yearbook for Early Modern Studies, Brill, date limite le 15 mai 2020

In this volume of Intersections, we want to bring together studies that consider funerary inscriptions in Early Modern Europe within the context of a culture of commemoration and remembrance. Depending on funding, a 2 day conference to prepare the volume is planned to take place in Frankfurt am Main in late August or early September 2021. Applicants will be notified before June 30, 2020. Although funerary inscriptions from the period 1400-1800 have been collected and...

Parution : Christian K. Kleinbub, « Michelangelo’s Inner Anatomies », Penn State University Press, 2020.

This book challenges the notion that Michelangelo, renowned for his magnificent portrayals of the human body, was merely concerned with “superficial” anatomy—that is, the parts of the body that can be seen from the outside. Christian K. Kleinbub provides a fresh perspective on Michelangelo’s art of the human figure by investigating what he calls the artist’s “inner anatomical poetics,” revealing these beautiful bodies as objects of profound intellectual and spiritual significance. Michelangelo’s Inner Anatomies illuminates...

Appel à contributions : Ninth Quadrennial Italian Renaissance Sculpture Conference, University of Vermont, Burlington, 11 au 13 octobre 2020, date limite 1er mars 2020

Appel à contributions : Ninth Quadrennial Italian Renaissance Sculpture Conference, University of Vermont, Burlington, 11 au 13 octobre 2020, date limite 1er mars 2020 Co-organized by Amy Bloch, SUNY Albany, and Kelley Helmstutler Di Dio, University of Vermont The Ninth Quadrennial Italian Renaissance Sculpture Conference, known colloquially as “Provo-Athens,” will convene in Burlington, Vermont on October 11–13, 2020. The conference will provide a forum for the presentation of new research on Italian sculpture during the...

Exposition : « Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici », Florence, Uffizi, jusqu’au 12 janvier 2020

Tutta l’energia dell’arte barocca imprigionata nel metallo, grazie alla potenza viva della fiamma: è questo, in sintesi, il concetto di Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici, mostra accolta dal 18 settembre 2019 al 12 gennaio 2020 al Tesoro dei Granduchi, negli spazi al pianterreno di Palazzo Pitti. Le opere sono oltre 170, con molti prestigiosi prestiti da musei internazionali, quali i Musei Vaticani, il Louvre, il Victoria and Albert...

Exposition : « Bertoldo di Giovanni : The Renaissance of Sculpture in Medici Florence », New York – The Frick Collection, du 18 septembre 2019 au 12 janvier 2020

This fall, The Frick Collection will present the first-ever exhibition on the Florentine sculptor Bertoldo di Giovanni (ca. 1440–1491), a renowned student of Donatello, a teacher of Michelangelo, and a great favorite of Lorenzo “il Magnifico” de’ Medici, his principal patron. More than twenty statues, reliefs, medals, and statuettes — constituting nearly his entire extant oeuvre — will be on view exclusively at the Frick, which houses the only sculptural figure by Bertoldo outside of...

Parution : Lorenzo Pericolo et Elisabeth Oy-Marra (dir.), Perfection, the Essence of Art and Architecture in Early Modern Europe, Turnout, Brepols, 2019

Whether a painting, a sculpture, or a building, works of art in early modern Europe must achieve the highest degree of perfection. If in the Middle Ages perfection is mostly perceived as a technical quality inherent in craftsmanship–a quality that can be judged according to often unspoken criteria agreed upon by the members of a guild–from the fifteenth century onwards perfection comes to incorporate a set of rhetorical and literary qualities originally extraneous to art...

Exposition : « Caravaggio and Bernini », Vienne – Kunsthistorisches Museum, du 15 octobre 2019 au 19 janvier 2020

The baroque spectacle full of drama and passion In fall 2019, a line-up of singular masterpieces is coming together in Vienna: paintings by Caravaggio, sculptures by Bernini, and other main works of early Roman Baroque will be shown at the Kunsthistorisches Museum. The Special Exhibition entitled Caravaggio & Bernini shows how stirring emotions all of a sudden came to be a subject matter for painting and sculpture. The show combines spectacular loans from all over...

Exposition : « Master/Apprentice: Imitation and Inspiration in the Renaissance », The Cleveland Museum of Art, du 13 octobre 2019 au 23 février 2020

Michelangelo’s sculptures, paintings, and architectural projects have been the subject of artistic admiration for more than 500 years. As a companion to Michelangelo: Mind of the Master, on view in the Kelvin and Eleanor Smith Foundation Exhibition Hall from September 22, 2019, to January 5, 2020, Master/Apprentice: Imitation and Inspiration in the Renaissance surveys the impact of Michelangelo—his practice, his projects, and his biography—on artists working in the Renaissance and beyond. The works on view...

Exposition : « Verrocchio : Sculptor and Painter of Renaissance Florence », Washington – National Gallery of Art, du 15 septembre 2019 au 12 janvier 2020

Verrocchio: Sculptor and Painter of Renaissance Florence is the first-ever monographic exhibition in the United States on Andrea del Verrocchio (c. 1435–1488), the innovative artist, painter, sculptor, and teacher whose pupils included Leonardo da Vinci, Pietro Perugino, and likely Sandro Botticelli as well. The exhibition examines the wealth and breadth of Verrocchio’s extraordinary artistry by bringing together some 50 of his masterpieces in painting, sculpture, and drawing that allow viewers to appreciate how his work...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search