Appel à contributions : “Immobilizing the Gaze: the Visual Fabrication of Events in the Early Modern Period”, Rome, Centre Chastel et EFR, 28-29 mars 2024, date limite le 15 octobre 2023
In the last century, the emergence of a more critical historical discipline initially generated a distancing from events and event-based history in favour of long-term processes. Art history, for its part, has primarily approached events by focusing on the hierarchy of subjects and, more specifically, historical painting. More recently, various historiographical currents in both disciplines have re-examined the event as a historical and artistic object, questioning the very notion of event and the various aspects...