Étiqueté : technique

Colloque : « Contact: Transcultural Techniques and Metaphors of Imprinting », Berlin, Insitut für Kunst- und Bildgeschichte, 30-31 Mai 2023

On 30 and 31 May, 2023, the Insitut für Kunst- und Bildgeschichte hosted an international conference devoted to the theme of imprint. The conference explored the technical and metaphorical implications of imprints, casts, seals and other types of reproductions made by physical contact between two bodies. The conference, organised by Stefano de Bosio, Kathleen Christian, and Ralph Dekoninck, was made possible by a generous grant from the Thyssen Stiftung and was part of the activities...

Appel à contribution : « Artists and Craftsmen: Multidisciplinary Approaches in the Analysis of the Production of Medieval Wall Paintings », Rome, Sapienza Università di Roma, 28-31 août 2024, date limite le 8 février 2024

30th Annual Meeting of the European Association of Archaeologists (EAA), Rome, Italy, 28-31 August 2024. Session no. and Title: 787 Artists and Craftsmen: Multidisciplinary Approaches in the Analysis of the Production of Medieval Wall Paintings Organizers: Patrick Cassitti, Giulia Bordi, Giovanni Cavallo We invite researchers to contribute to a session on the multidisciplinary examination of medieval wall paintings at the upcoming 30th Annual Meeting of the European Association of Archaeologists in Rome, Italy, 28–31 August 2024. This session addresses research groups...

Appel à contribution : « Cimabue et la Toscane à la fin du XIIIe siècle », Technè, n°58, date limite le 10 janvier 2024

Depuis deux décennies, les études sur Cimabue ont été renouvelées par des découvertes spectaculaires, telle le petit panneau avec la Maestà aujourd’hui conservé à la National Gallery de Londres ou celui figurant la Dérision du Christ récemment acquis par le Musée du Louvre. Plusieurs œuvres majeures du peintre ont fait l’objet de restaurations de grande ampleur accompagnées d’études de laboratoire inédites, telles la Maestà de Santa Maria dei Servi à Bologne, la grande Maestà du...

Appel à contribution : « Painting the Materials, Imitating the Techniques. A Dialogue between Mediums in Early Modern Art », Lyon, CIHA, 23-28 juin 2024, date limite le 15 septembre 2023

How can we comprehend the trend for simulating materials in European painting between the 15th and 17th centuries? Was it simply a demonstration of technical virtuosity underscoring the superiority of pictorial practice over the other arts? These issues are worth revisiting in light of anthropological approaches and materiality studies regarding the communicative potential of early modern images. Since Leonardo, debates on the paragone have essentially focused on the confrontation between painting and sculpture. However, Renaissance...

Conférence : Maria Gabriella Matarazzo, Francesca Persegati, Fabio Piacentini, « A Pictorial Agon. Experiments with Oils in Mural Painting, from Leonardo to Vasari », Rome, Bibliotheca Hertziana, 30 novembre 2022

DATE: Nov 30, 2022 TIME: 05:00 PM – 06:30 PM (Local Time Germany) SPEAKER: Maria Gabriella Matarazzo in conversation with Francesca Persegati and Fabio Piacentini LOCATION: Villino Stroganoff, Via Gregoriana 22, RM 00187 Rome. In person and online CONTACT: john.rattray@biblhertz.it The recent restoration campaign of the Hall of Constantine in the Vatican Apostolic Palace has confirmed that Raphael authored the figures of Iustitia and Comitas, executed in oil on plaster. This talk will situate Raphael’s...

Appel à contribution : « Gold in Renaissance Western Europe. Interdisciplinary Approaches », Paris, 9-10 juin 2022, date limite le 1er mars 2022

In his influential book on painting and visual culture in fifteenth-century Italy (Painting and Experience in Fifteenth-Century Italy, 1972), Michael Baxandall described the abandonment of gold in painting practices as a sensitive phenomenon both in contracts between painters and patrons, and in the writings of some authoritative art theorists. He linked this attitude to a more general movement on a European scale, consisting of the decline of some practices of display, for example the fashion...

Parution : “Ingenuity in the Making. Matter and Technique in Early Modern Europe”, University of Pittsburgh Press, 2021.

Ingenuity in the Making. Matter and Technique in Early Modern Europe, edited by Richard J. Oosterhoff, José Ramon Marcaida and Alexander Marr, Pittsburgh, University of Pittsburgh Press, 2021 Ingenuity in the Making explores the myriad ways in which ingenuity shaped the experience and conceptualization of materials and their manipulation in early modern Europe. Contributions range widely across the arts and sciences, examining objects and texts, professions and performances, concepts and practices. The book considers subjects...

Journée d’étude : « Voyages d’artistes, circulations d’œuvres, de matériaux et d’idées dans le bassin méditerranéen (XVIe-XVIIe siècles) », Aix-en-Provence, Maison Méditerranéenne des Sciences de l’Homme, 22 novembre 2021

Journée d’étude organisée par Magali Théron (Aix-Marseille Université – TELEMMe UMR 7303) et Céline Ventura Teixeira (Aix-Marseille Université – LA3M  UMR 7298). Cette journée est centrée sur la question des circulations artistiques (hommes, matériaux et idées) dans le bassin méditerranéen (XVIe-XVIIe siècles). À travers des cas d’études précis appartenant aux domaines de la peinture, de la sculpture, des arts du décor, de la joaillerie mais aussi de la littérature artistique et des récits de voyage, il s’agira de...

Online Conference : Venice in Blue : The Use of Carta azzurra in the Artist’s Studio and in the Printer’s Workshop, ca. 1500–50, University of St Andrews, 2–3 Septembre 2021

At the turn of the sixteenth century, blue paper emerged as a chosen support for drawing and printing in Venice. Artists including Vittore Carpaccio (ca. 1460–ca. 1526), Lorenzo Lotto (ca. 1480–1556), Titian (ca. 1488–1576), Sebastiano del Piombo (ca. 1485–1547), and Jacopo Tintoretto (1518/19–1594) utilised this support for drawings to explore the tonal effects of light and shade on colour. At the same time, publishers like Aldus Manutius (ca. 1445–1515), Francesco Marcolini (ca. 1500–after 1559), and...

Parution : Nicola Suthor, « Bravura: Virtuosity and Ambition in Early Modern European Painting », Princeton University Press, 2021

The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers...

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