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Étiqueté : texture

Actualité de la recherche en histoire de l’art de la Renaissance / Conférences

Colloque en ligne : “Superficies. Surfaces, Skins and Textures”, University of Zurich, Institute of Art History, 18-20 janvier 2024

SUPERFICIES. Surfaces, Skins and Textures. Sensory Encounters with Books and Related Multi-layered Objects. University of Zurich Textures of Sacred Scripture. Materials and Semantics of Sacred Book Ornament https://textures-of-scripture.ch A link for online participation will be published on the website. The research group “Textures of Sacred Scripture. Materials and Semantics of Sacred Book Ornament” and the Chair of Medieval Art History at the University of Zurich are organizing an international conference on “Superficies – Surfaces, Skins,...

Actualité de la recherche en histoire de l’art de la Renaissance / Appels à contribution

Appel à contribution : « Superficies – Surfaces, Skins and Textures », Zurich, University of Zurich, 18-20 janvier 2024, date limite le 30 septembre 2023

The research group “Textures of Sacred Scripture. Materials and Semantics of Sacred Book Ornament” (https://textures-of-scripture.ch) and the Chair of Medieval Art History at the University of Zurich invite paper proposals for an international conference on “Superficies – Surfaces, Skins, and Textures. Sensory encounters with books and related multi-layered objects”. The conference, funded by the Swiss National Science Foundation, is scheduled to take place at the Institute of Art History of the University of Zurich on...

Actualité de la recherche en histoire de l’art de la Renaissance / Parutions

Parution : Livia Cárdenas, The Texture of Images, Leyde, Brill, 2020

This study is the first fundamental analysis and synopsis of the printed relic-book genre. Printed relic books represent, both by image and text, precious reliquaries, which were presented to the faithful audience during special liturgical feasts, the display of relics. This study brings into focus the specific aesthetics of these relic books and explores the immense influence that patrons had on figuration as well as on the forms of these books. The analysis focuses on...