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Étiqueté : Tintoret

Appel à communications : Tintoretto and Landscape, Venise, 4-6 octobre 2023, date limite le 15 octobre 2022

TINTORETTO AND LANDSCAPE: THEMES AND CONTEXTS International Study Conference, Venice – October 4-6, 2023 (Italian version below) The Venetian Institute of Sciences, Arts and Letters and the Scuola Grande di San Rocco are promoting an interdisciplinary conference on Jacopo Tintoretto and the theme of landscape. The latest of a series of calls aimed at reassessing the painter’s work, this project starts from the acknowledgment that the role of landscape in Tintoretto’s painting, as well as...

Exposition : “Titian and the female image: beauty, love, poetry”, Milan, Palazzo Reale, 23 février-5 juin 2022

This exhibition focuses on the women painted by Titian and his contemporaries: their beauty, elegance, sensuality and the particular status that their representation acquired in Venetian society at that time. (Sylvia Ferino) In sixteenth-century Venice, the female image acquired unprecedented importance in the history of painting. To celebrate this theme, Palazzo Reale opens its 2022 programme with the “Tiziano e l’immagine della donna” (Titian’s Vision of Women) exhibition. From February 23rd to June 5th, 2022...

Appel à contribution : « The Church of San Rocco: Confraternal Religious Space and Sanctuary », Venise, 2-4 décembre 2021, date limite le 21 juin 2020

The project Churches of Venice: New Research Perspectives (Chiese di Venezia: Nuove prospettive di ricerca)—begun in 2010 and from 2017 supported by the Department of Philosophy and Cultural Heritage at Ca’ Foscari University, Venice and currently sponsored by Save Venice Inc.—consists of a multi-year program of interdisciplinary conferences each focused on a specific Venetian church. The project is designed to engage different disciplines for a deeper understanding of the complex social and religious phenomena embodied...

Séminaire : « La culture des peintres de la Renaissance » Paris, École Normale Supérieure, octobre 2019-mai 2020

Ce séminaire dédié à la culture des peintres de la Renaissance se propose de défricher un terrain quasiment vierge : la culture scientifique et littéraire des peintres du XVe au XVIIe siècles en Italie. Aucune synthèse n’a encore été proposée sur l’éducation et la culture des hommes de l’art, en dehors de l’ouvrage collectif consacré à l’artiste comme « lecteur » (The Artist as Reader: On Education and Non-education of Early Modern Artists, Brill, 2012)....

Parution : Florian Métral, Figurer la création du monde. Mythes, discours et images cosmogoniques dans l’art de la Renaissance, Arles, Actes Sud, 2019

Les cosmogonies – mythes de création du monde – n’ont jamais cessé d’accompagner l’histoire de l’humanité. Mais parce que l’investigation sur les origines fut l’un des leitmotivs de la pensée des XVe et XVIe siècles, nulle autre époque plus que la Renaissance n’a su en mesurer les enjeux anthropologiques, philosophiques et artistiques. À partir des œuvres de Ghiberti, Mantegna, Bosch, Michel-Ange, Raphaël, Parmigianino, Bandinelli, Salviati, Tintoret, Véronèse, Goltzius, El Greco ou encore Caravage, Florian Métral guide...

Exposition : “Tintoretto – A star was born”, Cologne – Wallraf-Richartz Museum, du 6 octobre 2017 au 28 janvier 2018.

Tintoretto – A Star was Born 6 Oct 2017 – 28 Jan 2018 This autumn the Wallraf will play the opening role in the celebrations for the 500th birthday of the painter genius Jacopo Tintoretto (*1518/19 Venice – Venice 1594) and launch an international series of top-ranking exhibitions marking the event. In its large special exhibition Tintoretto – A Star was Born, the Cologne picture gallery will start by showcasing the mesmerising early work of...

Appel à contribution: «Tintoretto 500», Boston, Renaissance Society of America, date limite 31 mai 2015

Appel à contribution: «Tintoretto 500», Boston, Renaissance Society of America, date limite 31 mai 2015

  « Tintoretto 500  »     The life, personality, career, and critical fortune of Jacopo Tintoretto, one of the preeminent painters of late-sixteenth-century Europe, continue to fascinate scholars and the public alike, as demonstrated by the steady stream of studies; major exhibitions in Madrid (2007), Boston and Paris (2009), and Rome (2012); and the release of a popular biography (2009). 2018/2019 will mark the five-hundredth anniversary of his birth; what more can be said...