Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Étiqueté : trecento

Exposition : « Il Sassetta e il suo tempo », Massa Marittima, Museo di San Pietro all’Orto, du 15 mars au 15 septembre 2024

Dopo Ambrogio Lorenzetti, il Museo di San Pietro all’Orto, a Massa Marittima, propone un altro grande appuntamento con l’arte senese. Protagonista della mostra, dal 15 marzo al 14 luglio (prorogata al 15 settembre),  sarà Stefano di Giovanni, meglio noto come il Sassetta (attivo a Siena dal 1423 al 1450), l’artista che immise i fermenti del Rinascimento nella grande tradizione trecentesca senese. La mostra, curata da Alessandro Bagnoli, è promossa dal Comune di Massa Marittima, in...

Workshop de l’association Trecento, “L’art du Trecento en France”, le 14 mai 2024, Paris, INHA, Salle Jullian, de 9h à 18h

L’association Trecento est née en septembre 2023 du désir de plusieurs chercheurs travaillant dans des institutions françaises sur l’art du XIVe siècle italien de se constituer un réseau scientifique. Le Trecento étant considéré tantôt comme «médiéval» tantôt comme «renaissant», ses spécialistes peuvent en effet ressentir un certain «isolement» au sein des institutions qui établissent une frontière rigide entre ces deux périodes qu’il transgresse. Il en va de même de la frontière entre monde universitaire et...

Parution : Karl Whittington, “Trecento Pictoriality: Diagrammatic Painting in Late Medieval Italy”, Turnhout, Brepols, 2023

In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical...

Parution : Alexander Nagel (dir.), I Tatti Studies in the Italian Renaissance, The Harvard University Center for Italian Renaissance Studies, 2023

Volume 26, Number 1, Spring 2023 Editor’s Note Alexander Nagel pp. 1–2 The Whisperers: Invidious Perspectives in Trecento Painting Christopher S. Wood pp. 3–33 Caravaggio, Alberti, and Narcissan Disegno Estelle Lingo pp. 35–62 On the Gaze and “gl’idoli altrui”: Vision and Loss in Tasso’s Gerusalemme liberata Alani Hicks-Bartlett pp. 63–90 Islands in Flux: Migration and Ecological Change in Early Modern Isolari (Books of Islands) James K. Coleman pp. 91–108 Cellini’s Dog Sefy Hendler pp. 109–144...

Parution : Nathaniel Silver, “Simone Martini in Orvieto”, New Haven, Yale University Press, 2022

  New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in...

Parution : Sarah K. Kozlowski’s, « Portable Panel Paintings at the Angevin Court of Naples. Mobility and Materiality in the Trecento Mediterranean », Turnhout, Brepols, 2022

Sarah K. Kozlowski’s new study of panel painting in fourteenth-century Naples explores the materialities and mobilities of the medium at and beyond the Angevin court, and reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world. This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on...

Parution : A.-L. Imbert (ed.), « Mnémonique et poétique : La figure et son lieu dans la peinture du Tre-Quattrocento », Éditions de La Sorbonne, 2022

« Il n’est aucun art ou science qui soit plus semblable à la mémoire artificielle que la peinture », écrivit Giovanni Fontana autour de 1430. L’affirmation d’une telle similitude ne signifie pas cependant que l’on ait pensé l’art de la mémoire toujours en fonction d’une praxis picturale, ni au Trecento, ni au Quattrocento, ni dans tous les travaux qui ont remis en lumière les principes de l’ars memoriae depuis un demi-siècle. Daniel Arasse, notant qu’on...

Conférence : Cecilia Mazzocchio, « In Search of the ‘Other’. Ambrogio Lorenzetti’s Martyrdom of the Franciscans (c. 1340) », en ligne, 9 novembre 2021

Our events get underway at 5.15pm via Zoom. Please register via our Eventbrite which will go live after the 15th September. To join the Edinburgh Early Modern Network, please email early.modern@ed.ac.uk with your name and academic affiliation (if any). Follow us on Twitter @EdEarlyModern Source

Journée d’étude : “Pitié, miséricorde, compassion au Moyen Âge et à la Renaissance”, CESR, Tours (et en ligne), 5 novembre 2021

Programme : 9h15 Sabrina FERRARA – Directrice de la FESMAR Introduction Décentrer le regard 9h30 Marie-José GRIHOM – Université de Poitiers, CAPS, URM 4050 Entre passion et compassion : l’enjeu de l’alterité pour la psyché 10h20 [Teams] Adriana VALERIO – Università Federico II, Naples  La categoria biblica di misericordia nella mistica fra Medioevo e Età Moderna 11h10 Pause Les larmes et les arts 11h20 Marcello ANGHEBEN – Université de Poitiers, CESCM La compassion pour le...

Parution : Bryan C. Keene (dir.), « New Horizons in Trecento Italian Art », Turnhout, Brepols, 2021

The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion,...