Étiqueté : trecento

Parution : Bryan C. Keene (dir.), « New Horizons in Trecento Italian Art », Turnhout, Brepols, 2021

The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion,...

Parution : Nicolas Bock, Michele Tomasi (dir.), « Art et économie en France et en Italie au XIVe siècle. Prix, valeurs, carrières », Lausanne, Université de Lausanne, 2020

Ce volume invite à se jouer des frontières disciplinaires et à s’aventurer sur un terrain encore trop peu exploré pour le XIVe siècle, l’un des plus grands siècles de l’art européen. Les contributions réunies ici éclairent les rapports entre art, économie et société à l’aide de quelques études de cas, en adoptant différentes démarches: de la microanalyse de la production d’un seul artiste à la réflexion sur l’organisation de toute la chaîne de valeur, de la fabrication...

Parution : Santa Casciani, Heather Richardson Hayton (dir.), « A Companion to Late Medieval & Early Modern Siena », Leyde, Brill, 2020

A Companion to Late Medieval and Early Modern Siena presents chapters by prominent scholars on the powerful commune that birthed a pope, sheltered saints, built banking institutions that have thrived for nearly 1000 years, and nurtured vibrant communities of artists and intellectuals. This multi-disciplinary book, edited by Santa Casciani and Heather Richardson Hayton, redresses scholarly imbalances of the past by introducing early period Siena to a wider audience. Focusing mostly on the 12th to 16th...

Parution : Annette Hoffmann, Lisa Jordan et Gerhard Wolf, Parlare dell’arte nel Trecento, Berlin, Deutscher Kunstverlag, 2020

Die Literatur des italienischen Trecento ist reich an Künstleranekdoten, Erzählungen und Ekphrasen, in denen Kunstwerke eine wichtige Rolle spielen. Der Band behandelt das Sprechen über Kunst und Künstler in einer Zeit vor und während der Etablierung der Kunsttheorie als literarischer Gattung. Im Zentrum steht die Frage nach dem „Kunstgespräch » vor Ort und den Spuren seiner Überlieferung in literarischer Brechung, wie etwa in Dantes Commedia, Petrarcas Sonetten oder Boccaccios und Sacchettis Novellen. Untersucht werden neben der...

Parution : Beth Williamson, « Reliquary Tabernacles in Fourteenth-Century Italy: Image, Relic and Material Culture », Suffolk, Boydell and Brewer, 2020

Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images. Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the 1340s, in the area of Central Italy surrounding the city of Siena, combined images and relics, presented visibly together, within painted and decorated wooden frames. In these tabernacles the various media and materials...

Parution : Iris Helffenstein, Wissenstransfer in Bildprogrammen des Trecento, Leyde, Brill, 2020

Iris Helffenstein, Wissenstransfer in Bildprogrammen des Trecento : Allegorie, Imitation und Medialität, Leyde, Brill, 2020 Das Buch untersucht allegorische Wandbilder des Trecento als Medien öffentlicher Bildpolitik und beleuchtet die künstlerischen Verfahren über die sie gesellschaftliche Wissensdiskurse mitbestimmen. Mit Bildprogrammen wie dem Planeten-Lebensalter-Zyklus Guarientos in der Paduaner Eremitanikirche oder der sogenannten Allegorie des Wissens suchen institutionelle Auftraggeber sich an der Schnittstelle von gelehrter Wissenskultur und verfeinerter Bildkultur zu verorten. Ebenso exponierte wie kontroverse Wissensbestände aus den Bereichen...

Appel à contribution : Andrew Ladis Memorial Trecento Conference, Frist Art Museum and Vanderbilt University, Nashville, 7 au 9 janvier 2021, date limite 6 avril 2020

Andrew Ladis Memorial Trecento Conference   Frist Art Museum and Vanderbilt University, Nashville, January 7–9, 2021 The Andrew Ladis Memorial Trecento Conference is held biennially in honor of the art historian Andrew Ladis (1949–2007), an authority on Taddeo Gaddi and Giotto and an inspiring teacher. The conference—the only gathering of its kind—emphasizes trecento Italian art as a fruitful area of research and offers participants the opportunity to exchange ideas formally and informally in a collegial environment....

Parution : Linda Pisani, Francesco Traini e la pittura a Pisa nella prima metà del Trecento, Milan, Silvana Editoriale, 2020

La stagione della pittura pisana raccontata in questo volume rappresenta uno straordinario crogiolo di esperienze e di linguaggi, alla cui costituzione hanno contribuito Cimabue, Giotto e Simone Martini. In questo clima prende le mosse e si afferma Francesco Traini, massimo pittore cittadino, la cui figura dalla biografia sfuggente è finalmente qui restituita nella sua statura artistica e inquadrata nel contesto culturale e storico di cui, assieme al senese Lippo Memmi e al fiorentino Buffalmacco, ma...

Parution : Daniele Benati, Il Trecento riscoperto Gli affreschi della chiesa di Sant’Agostino a Rimini, Cinisello Balsamo, Silvana Editoriale, 2019

Coperti alla fine del XVI secolo e riapparsi sotto uno strato d’intonaco in seguito al terremoto del 1916, gli affreschi della chiesa riminese nota come Sant’Agostino, ma dedicata a San Giovanni Evangelista, rappresentano una delle testimonianze più alte e precoci della cosiddetta scuola riminese del Trecento. A partire da tali testimonianze, che coniugano l’influenza di Giotto, attivo in città negli ultimi anni del XIII secolo, con l’ascendente di una più antica cultura adriatico-orientale di matrice...

Parution : Holly Flora et Sarah Wilkins (dir.), Art and Experience in Trecento Italy, Turnhout, Brepols, 2019

The age of Giotto, Dante, and Boccaccio, the fourteenth century in Italy, known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, materiality, politics, patronage, and devotion, contributing to a new understanding of how...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search