Étiqueté : Venise

Conférence : Patricia Rubin, « Titian and the ‘Ethiop’s Ear’ », Florence, I Tatti, 22 février 2024

Thursday, February 22, 2024, 6:00pm to 7:30pm Speaker: Patricia Rubin (Institute of Fine Arts, New York) With a small, but significant or rather signifying detail – pink earrings – Titian colour-coded the Africans in his paintings. This consistent marking out of difference refers, however, to fluid and fluctuating concepts of Africa and that continent’s inhabitants. Occurring in different pictorial genres (portraits, poesie, and religious paintings), Titian’s Africans play different roles and have different subject positions. In...

Conférence : Maria Aresin, Paul Holberton, « Venetian Disegno: New Frontiers », Londres, The Courtauld, 8 février 2024

The relationship between disegno (drawing or design) and Venetian art has historically been a problematic one. Giorgio Vasari’s notion that painters from Venice and the Veneto were mainly focused on colore and not trained in or accustomed to drawing became a commonplace in the literature on Venetian art. The title of this book, Venetian Disegno, would for him imply an unacceptable paradox. This view can no longer be sustained in light of modern scholarship, and it is clear that drawing...

Parution : Jean-François Corpataux, « Inner Affinity. Ovid, Titian, Philip of Spain », Louvain, Peteers, 2023

The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the...

Parution, Aresin et Dalla Costa (dir.), “Venetian Disegno : New Frontiers”, Chicago, Chicago University Press, 2023

A volume that offers a fresh perspective on the art of Venice and the Veneto region of Italy by focusing on the artistic idea of disegno. Disegno (Italian for drawing or design) refers to the philosophical relationship between the conceptual role of design and the physical act of drawing. Venetian Disegno explores this theme and its history in the Veneto artistic landscape with contributions on myriad artists and art forms including drawing, painting, printmaking, sculpture,...

Appel à contribution : « Arte, cultura e politica in movimento. La Serenissima, l’Abruzzo e le regioni adriatiche del Regno di Napoli (XVI-XVIII secolo) », Teramo, Università degli studi di Teramo, 10-11 avril 2024, date limite le 4 février 2024

La chiamata agli studi in oggetto prende avvio dalle ricerche in corso di due storiche dell’arte e dottorande dell’Università degli Studi di Teramo. Considerati gli ampi vuoti storiografici sull’argomento, le studiose propongono alla comunità scientifica – e particolarmente a giovani ricercatori – due giornate di studio dedicate alla circolazione culturale, artistica e ai rapporti politici ed economici tra la Repubblica di Venezia, l’Abruzzo e le regioni adriatiche del Regno di Napoli (XVI-XVIII secolo), con speciale,...

Journée d’étude : « New Research on Venetian Art », en ligne, 28 octobre 2023

New Research on Venetian Art: A Study Day for Doctoral and Post-Doctoral Students; online conference hosted by the Venetian Art History Research Group, October 28, 2023, 1:30-6:00 pm (UK time / BST). This digital conference brings together an international group of emerging scholars working on topics in Venetian art, with a particular focus on the early modern period. It places special emphasis on the development of novel research; the application of new methodologies; and the...

Parution : Denis Ribouillault, « The Villa Barbaro at Maser. Science, Philosophy, and the Family in Venetian Renaissance Art », Turnhout, Brepols, 2023

Through a careful description of its architecture, paintings and sculptures, this book offers the first comprehensive analysis of the Villa Barbaro at Maser, one of the most famous masterpieces of the Italian Renaissance. Commissioned and designed by Daniele Barbaro, a leading humanist of the Venetian Renaissance, and his brother Marc’Antonio, an important politician of the Republic of Venice and a talented amateur artist, the villa’s architecture and painted decoration were created by two canonical figures...

Conférence : Patricia Rubin, « Titian and the “Ethiop’s ear” », Londres, The Courtauld, 6 octobre 2023

With a small, but significant or rather signifying detail – pink earrings – Titian colour-coded the Africans in his paintings. This consistent marking out of difference refers, however, to fluid and fluctuating concepts of Africa and that continent’s inhabitants. Occurring in different pictorial genres (portraits, poesie, and religious paintings), Titian’s Africans play different roles and have different subject positions. In their variety they register both alterity and the complexity represented by Africa as a legendary...

Appel à contribution : « The Bellini of Renaissance Venice / Renaissance Society of America », Chicago, Palmer House Hilton, 21-23 mars 2024, date limite le 1er août 2023

This session will present the latest research on the Bellini family of artists (Jacopo, Giovanni, Gentile, and Leonardo). Topics may include, but are not limited to: Questions of biography, chronology, attribution, and historiography Their responses to ancient, humanist, and clerical texts Pictorial techniques; workshop practices; recent conservation and new technical studies Responses to the North, the Mediterranean, and the East Artistic receptivity to the artistic, intellectual, and social world of Venice and the terra firma...

Colloque : « Vittore Carpaccio: contesto, iconografia, fortuna », Venise, Fondazione Giorgio Cini, 14-15 juin 2023

L’Istituto di Storia dell’Arte della Fondazione Giorgio Cini si fa promotore di un confronto tra i maggiori specialisti del grande pittore veneziano Vittore Carpaccio (1465-1525 ca.) attraverso le due giornate del convegno internazionale di studi, programmate per il 14 e il 15 giugno 2023, in concomitanza con l’importante mostra sull’artista rinascimentale a Palazzo Ducale a Venezia, organizzata dalla Fondazione Musei Civici di Venezia in collaborazione con la National Gallery of Art di Washington e che...

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