Étiqueté : Venise

Appel à candidature : « Les fêtes à Venise », XXVIe Séminaire d’histoire de l’art vénitien, Venise, date limite le 2 avril 2023

XXVIE SEMINAIRE D’HISTOIRE DE L’ART VENITIEN école du louvre/ istituto venetodi scienze, lettere ed arti Venise, du 22 juin au 28 juin 2023 Comme la guerre et les épidémies, la fête revient. Production collective organisée, anticipée ou plus spontanée, elle est à la fois irruption d’un temps exceptionnel et événement cyclique marqué par le rite. Dans la Sérénissime, elle se signale par sa variété, son exceptionnelle vitalité quand sa longévité n’a pas débouché sur une...

Colloque : « Inventing Past Narratives. Venice and the Adriatic Space (13th-15th centuries) », Brno, Centre for Early Medieval Studies, Hans Belting Library, 12-13 décembre 2022

This conference aims to explore the dialogue between Venice and the Adriatic area from a specific perspective: the construction of the past. We would like to create a dialogue between specialists from various disciplines and also examine the validity of interdisciplinary approaches at the intersection of different cultural fields: textual and visual, material, and historiographic. The chronological and geographical perspective chosen covers the late Middle Ages and the early modern age and focuses on the...

Exposition : « Vittore Carpaccio. Master Storyteller of Renaissance Venice », Washington, National Gallery of Art, 20 novembre 2022-12 février 2023

A leading figure in the art of Renaissance Venice, Vittore Carpaccio (c. 1460/1466–1525/1526) is best known for his large, spectacular narrative paintings that brought sacred history to life. Although for centuries he has been loved and celebrated in his native city for his observant eye, fertile imagination, and storytelling prowess, this exhibition marks the first retrospective of the artist ever held outside Italy. In a focused selection of some 45 paintings and 30 drawings, large-scale canvases painted...

Parution : Peter Humfrey, “Vittore Carpaccio Master Storyteller of Renaissance Venice”, New Haven, Yale University Press, 2022

An authoritative and comprehensive celebration of the life and work of one of the most prominent artists of the Venetian Renaissance Meticulously researched and luxuriously illustrated, this volume offers a comprehensive view of Vittore Carpaccio (c. 1460/1466–1525/1526), whose work has been admired for centuries for its fantastical settings enriched with contemporary incident and detail. Capturing the sanctity and splendor of Venice at the turn of the sixteenth century, when the city controlled a vast maritime...

Conférence : Stefan Neuner, « The Boatman and the Possessed. Passages in a Double History by Vittore Carpaccio », Florence, Kunsthistorisches Institut, 27 octobre 2022

27. Oktober 2022, 15:00 Uhr Vittore Carpaccio’s Miracle of the Relic of the True Cross (ca. 1494–96) from the Scuola Grande di S. Giovanni Evangelista is commonly known as a “veduta” of the Grand Canal with a view of the ancient, wooden Rialto Bridge, which interests researchers primarily for its potential to generate cultural-historical “data.” The talk, however, turns to the narrative structure of the painting, and argues that Carpaccio actually juxtaposed two disparate events....

Recrutement : Post-doctoral Research Assistants, Londres, Warburg Institute, date limite le 23 août 2022

The Warburg Institute is looking to recruit two Research assistants at a post-doctoral level to support a 4-year Arts and Humanities Research Council (AHRC) funded project titled Greek manuscripts in Renaissance Venice: the library of Guillaume Pellicier and its contribution to Europe’s intellectual heritage. The posts will be fixed term, one on a 4-year (RA1) starting 1 October 2022 or as soon as possible, the other on a 3-year (RA2) contract starting 1 April 2023. The...

Parution : Daniel M. Unger, « Titian’s Allegory of Marriage. New Approaches », Amsterdam, Amsterdam University Press, 2022

This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini’s Sacred Allegory and Giorgione’s Tempest. Throughout the years, Titian’s Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze,...

Parution : Giovanni C.F. Villa, “Giorgione”, Silvana Editoriale, Milan, 2022

    The most comprehensive overview in print on the Renaissance master of Venetian sensuality Famous for his enduringly popular and canonical masterpieces such as The Sleeping Venus and The Tempest—often considered the first true landscape painting in Western art—Zorzi da Castelfranco, known as Giorgione (1474 or 1478–1510) was, along with Titian, one of the greatest masters of the Venetian Renaissance. Although his brief career lasted just over 10 years, the handful of surviving paintings...

Cycle de conférences de Valentina Sapienza, Paris, EPHE, 18 – 20 – 31 mai et 3 juin 2022, de 15h à 17h

Cycle de conférences de Valentina Sapienza, Professeure associée à l’université Ca’ Foscari de Venise depuis 2018 et directrice du Centro Studi RiVe, invité par Michel HOCHMANN et Guy Michel LEPROUX. Ce cycle de conférences propose d’investiguer le métier de peintre à Venise durant la Renaissance, à partir de trois différentes perspectives de recherche : la corporation des peintres, qui subit au cours du XVIe siècle d’importantes métamorphoses ; l’apprentissage de la peinture et ses dynamiques...

Exposition : “Titian and the female image: beauty, love, poetry”, Milan, Palazzo Reale, 23 février-5 juin 2022

This exhibition focuses on the women painted by Titian and his contemporaries: their beauty, elegance, sensuality and the particular status that their representation acquired in Venetian society at that time. (Sylvia Ferino) In sixteenth-century Venice, the female image acquired unprecedented importance in the history of painting. To celebrate this theme, Palazzo Reale opens its 2022 programme with the “Tiziano e l’immagine della donna” (Titian’s Vision of Women) exhibition. From February 23rd to June 5th, 2022...

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