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Étiqueté : Venise

Exposition : “A Cabinet of Wonders. Una celebrazione di arte e natura. The George Loudon Collection”, Venise, Musée du palais Grimani, du 15 décembre 2024 au 11 mai 2025

I Musei archeologici nazionali di Venezia e della Laguna presentano la mostra A Cabinet of Wonders. Una celebrazione di arte e natura. The George Loudon Collection, prodotta con la Fondazione Venetian Heritage e George Loudon Collection. La mostra si terrà al Museo di Palazzo Grimani a Venezia, dal 15 dicembre 2024 all’11 maggio 2025. A Cabinet of Wonders è un progetto espositivo pensato come omaggio al collezionismo, all’interno dello spazio architettonico rinascimentale di Palazzo Grimani e cogliendo l’eredità lasciata dal suo proprietario,...

Exposition : “1338 Da Venezia a Delhi. Sei mercanti sulle Vie della seta”, Venezia, Museo d’Arte Orientale, du 22 février au 4 mai 2025

Dal 22 febbraio al 4 maggio 2025, presso il Museo d’Arte Orientale di Venezia sarà esposta una pergamena trecentesca dell’Archivio di Stato di Venezia che, con un esaustivo apparato scientifico e didattico, permetterà ai visitatori di viaggiare nel tempo e nello spazio, in particolare verso l’India e le meraviglie dell’Asia. Il progetto, patrocinato dal Consolato generale dell’India a Milano, è promosso dalla Direzione regionale Musei nazionali Veneto-Museo d’Arte Orientale, dall’Archivio di Stato di Venezia e...

Journées d’étude : « Golden Glow: Gold and Silver Altarpieces in Venice and Beyond », Milan, Bocconi University, 23-24 janvier 2025

Between the 12th and the 17th centuries, the churches of Venice gleamed with the brilliance of gold and silver altarpieces and frontals. Radiating from dim interiors, they provided a unique and awe-inspiring backdrop for the celebration of liturgy. Large-scale and materially sumptuous, these altarpieces—possibly inspired by the Pala d’Oro in the Basilica of San Marco—were ingenious and dramatic viewing machines. They could be opened and closed horizontally to reveal different layers of imagery. When closed,...

Parution : Annette Hojer, Christine Follmann (dir.), “Carpaccio, Bellini und die Frührenaissance in Venedig”, Munich, Hirmer, 2024

Zum 500. Todestag feiert der Band Vittore Carpaccio (um 1460/65 –1525/26) als einen der bedeutendsten Renaissancemaler Venedigs. Als Meistererzähler mit dem Pinsel besticht er durch farbenprächtige und detailreich ausgeschmückte Bildgeschichten, liebevoll inszeniert vor der prächtigen Kulisse der Lagunenstadt oder schillernden Landschaften des Nahen Ostens. Beschreibung Carpaccio gehörte um 1500 zweifellos zu Venedigs erfolgreichsten Malern und arbeitete in großem Stil für die mächtigen Scuole. Was machte ihn so beliebt und wie gelang es ihm, sich neben...

Parution : Kathryn Taylor, “Ordering Customs Ethnographic Thought in Early Modern Venice”, Harrogate, Combined Academic Publishers, 2023

Ordering Customs explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways. Taylor draws on a trove of unpublished sources—diplomatic correspondence, court records,...

Journée d’étude : « ‘La maraviglia del mondo’. Leandro Bassano (1557-1622) », Venise/en ligne, Fondazione Giorgio Cini, 3-5 juillet 2024

Nella sua “Breve Istruzione” (1674), Marco Boschini ha descritto Leandro Dal Ponte, detto Bassano (1557-1622), come “la maraviglia del mondo”. In Leandro, quarto figlio del ben più famoso Jacopo (c. 1510-1592), troviamo un artista che ha caratterizzato in modo decisivo il passaggio dal Cinquecento al Seicento a Venezia, unico artista delle quattro generazioni di botteghe bassanesi a discostarsi chiaramente dallo stile del padre, malgrado ne abbia ripetuto in certa misura motivi e repertori figurativi. Sviluppò...

Appel à communication : « Venice: Trade, Production, Consumption of Textiles and Dress in the Early Modern », Venise, date limite le 30 septembre 2024

Dressing the Early Modern Network Conference 2025 Wednesday and Thursday 28-29 May 2025  Centro Tedesco di Studi Veneziani, Venice, Italy Venice in the early modern period flourished as a centre of textile production and trade, shaping and fostering global networks of connections that directly impacted dress in Europe and elsewhere. Due to Venice’s impenetrable location, its proximity to the centre of Europe and a long-standing tradition of merchants and seafarers, Venice had positioned itself as...

Conférence : Patricia Rubin, « Titian and the ‘Ethiop’s Ear’ », Florence, I Tatti, 22 février 2024

Thursday, February 22, 2024, 6:00pm to 7:30pm Speaker: Patricia Rubin (Institute of Fine Arts, New York) With a small, but significant or rather signifying detail – pink earrings – Titian colour-coded the Africans in his paintings. This consistent marking out of difference refers, however, to fluid and fluctuating concepts of Africa and that continent’s inhabitants. Occurring in different pictorial genres (portraits, poesie, and religious paintings), Titian’s Africans play different roles and have different subject positions. In...

Conférence : Maria Aresin, Paul Holberton, « Venetian Disegno: New Frontiers », Londres, The Courtauld, 8 février 2024

The relationship between disegno (drawing or design) and Venetian art has historically been a problematic one. Giorgio Vasari’s notion that painters from Venice and the Veneto were mainly focused on colore and not trained in or accustomed to drawing became a commonplace in the literature on Venetian art. The title of this book, Venetian Disegno, would for him imply an unacceptable paradox. This view can no longer be sustained in light of modern scholarship, and it is clear that drawing...

Parution : Jean-François Corpataux, « Inner Affinity. Ovid, Titian, Philip of Spain », Louvain, Peteers, 2023

The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the...