Étiqueté : Vittore Carpaccio

Colloque : « Vittore Carpaccio: contesto, iconografia, fortuna », Venise, Fondazione Giorgio Cini, 14-15 juin 2023

L’Istituto di Storia dell’Arte della Fondazione Giorgio Cini si fa promotore di un confronto tra i maggiori specialisti del grande pittore veneziano Vittore Carpaccio (1465-1525 ca.) attraverso le due giornate del convegno internazionale di studi, programmate per il 14 e il 15 giugno 2023, in concomitanza con l’importante mostra sull’artista rinascimentale a Palazzo Ducale a Venezia, organizzata dalla Fondazione Musei Civici di Venezia in collaborazione con la National Gallery of Art di Washington e che...

Exposition : « Vittore Carpaccio. Master Storyteller of Renaissance Venice », Washington, National Gallery of Art, 20 novembre 2022-12 février 2023

A leading figure in the art of Renaissance Venice, Vittore Carpaccio (c. 1460/1466–1525/1526) is best known for his large, spectacular narrative paintings that brought sacred history to life. Although for centuries he has been loved and celebrated in his native city for his observant eye, fertile imagination, and storytelling prowess, this exhibition marks the first retrospective of the artist ever held outside Italy. In a focused selection of some 45 paintings and 30 drawings, large-scale canvases painted...

Parution : Peter Humfrey, “Vittore Carpaccio Master Storyteller of Renaissance Venice”, New Haven, Yale University Press, 2022

An authoritative and comprehensive celebration of the life and work of one of the most prominent artists of the Venetian Renaissance Meticulously researched and luxuriously illustrated, this volume offers a comprehensive view of Vittore Carpaccio (c. 1460/1466–1525/1526), whose work has been admired for centuries for its fantastical settings enriched with contemporary incident and detail. Capturing the sanctity and splendor of Venice at the turn of the sixteenth century, when the city controlled a vast maritime...

Conférence : Stefan Neuner, « The Boatman and the Possessed. Passages in a Double History by Vittore Carpaccio », Florence, Kunsthistorisches Institut, 27 octobre 2022

27. Oktober 2022, 15:00 Uhr Vittore Carpaccio’s Miracle of the Relic of the True Cross (ca. 1494–96) from the Scuola Grande di S. Giovanni Evangelista is commonly known as a “veduta” of the Grand Canal with a view of the ancient, wooden Rialto Bridge, which interests researchers primarily for its potential to generate cultural-historical “data.” The talk, however, turns to the narrative structure of the painting, and argues that Carpaccio actually juxtaposed two disparate events....

Conférence en ligne : Peter Humfrey, “Vittore Carpaccio: curating the forthcoming exhibition in Washington and Venice”, Londres, The Courtauld, 18 octobre 2022

Internationally recognized specialist of fifteenth- and sixteenth-century Venetian painting, Peter Humfrey will discuss the upcoming exhibition Vittore Carpaccio: Master Storyteller of Renaissance Venice, opening at the National Gallery, Washington in November 2022 and subsequently at the Doge’s Palace, Venice in March 2023. The exhibition marks the first ever retrospective of Carpaccio’s work outside of Italy, despite his being one of the leading artists of the Venetian Renaissance. Peter Humfrey is Professor emeritus of art history at the...

Exposition : El Caballero de Carpaccio : Restauración y estudio técnico, Madrid, Museo Thyssen-Bornemisza, jusqu’au 1er novembre 2021

Tras finalizar la restauración de Joven caballero en un paisaje de Vittore Carpaccio (c.1505), una de las obras más emblemáticas del museo, se muestran los resultados del trabajo realizado en una instalación especial, en la misma sala 11 de la colección permanente donde se han llevado a cabo esos trabajos, de cara al público, a lo largo del año 2020 y parte de 2021. El cuadro restaurado se presenta junto a un vídeo que explica e ilustra...

Exposition : “Vittore Carpaccio. Dipinti e disegni”, Venise, Palazzo Ducale, du 10 octobre 2020 au 24 janvier 2021

Celebre soprattutto per i suoi cicli di dipinti narrativi e religiosi, Vittore Carpaccio (1460/66 – 1525/26) rappresenta la grandezza e lo splendore di Venezia trasportando le storie sacre nella vita quotidiana, in scenari ricchi di dettagli, unendo l’osservazione della scena urbana al poetico e al fantastico. Oggetto di un rinato interesse della storiografia, anche grazie a recenti scoperte, attribuzioni e restauri, Carpaccio non è più stato oggetto di un’esposizione monografica dal 1963, dalla storica mostra...

Appel à contribution : Convegno Internazionale “Vittore Carpaccio”, Venezia, Fondazione Giorgio Cini, 11 – 12 novembre 2020, date limite le 13 mars 2020

Convegno internazionale di studi  “Vittore Carpaccio” Venezia, Fondazione Giorgio Cini, 11 – 12 novembre 2020 In occasione della mostra dedicata al grande pittore veneziano che aprirà nel prossimo autunno a Palazzo Ducale,  l’Istituto di Storia dell’Arte della Fondazione Giorgio Cini organizza un convegno internazionale di studi su Vittore Carpaccio (1465-1525 ca.), che si terrà sull’isola di San Giorgio Maggiore l’11 e 12 novembre 2020. Comitato scientifico: Luca Massimo Barbero, Patricia Fortini Brown, Giorgio Fossaluzza, Deborah Howard, Peter Humfrey, Giulio...

Exposition : « La collection Alana. Chefs-d’oeuvre de la peinture italienne », Paris – Musée Jacquemart-André, du 13 septembre 2019 au 20 janvier 2020

À la rentrée 2019, le Musée Jacquemart-André met à l’honneur la Collection Alana, l’une des plus précieuses et secrètes collections privées d’art de la Renaissance italienne au monde, actuellement conservée aux Etats-Unis. En écho à son exceptionnelle collection d’art italien, le Musée Jacquemart André présente plus de 75 chefs-d’œuvre des plus grands maitres italiens comme Lorenzo Monaco, Fra Angelico, Uccello, Lippi, Bellini, Carpaccio, Le Tintoret, Véronèse, Bronzino ou Gentileschi. Cette exposition offre l’occasion unique d’admirer...

Uccello, Leonardo, Carpaccio | Séminaire de Wolfram Pichler chez Giovanni Careri mardi 5 mars

Uccello, Leonardo, Carpaccio | Séminaire de Wolfram Pichler chez Giovanni Careri mardi 5 mars

“The ring and the hinge: Some topological complications in the work of Leonardo da Vinci, Caravaggio, Lygia Clark and others”   The three seminars proposed here are dealing, mostly from an art historical point of view, with the story of certain things characterized by: holes, hinges, and twists. Taken together, the three seminars form a kind of triptych, the central part of which is a piece on diptychs. All three of them are, in some...

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