Étiqueté : XVIe siècle

Conférence en ligne : Jenny Spinks, « Blood rain, crucifixions and instruments of the Passion: Christ, visuality and religious identity in sixteenth-century prodigy books », , le 14 octobre à 6h (heure de Paris)

ACU Medieval and Early Modern Seminar Series The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on 15 October at 2:00 PM (AEDT/GMT+11): “Blood rain, crucifixions and instruments of the Passion: Christ, visuality and religious identity in sixteenth-century prodigy books,” presented by Jenny Spinks (University of Melbourne) For more information and an abstract, please email: Mems.seminar@acu.edu.au. Source  

Parution : T. Shephard, S. Raninen, et all., « Music in the Art of Renaissance Italy, 1420–1540 », Brepols, 2020

Présentation de l’éditeur :  The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries. Visual representations of music were ubiquitous in Renaissance Italy. Church interiors were enlivened by altarpieces representing biblical and heavenly musicians, placed in conjunction with the ritual song of the liturgy. The interior spaces of...

Appel à communication : « Animal et portrait à la Renaissance », Paris/ Écouen, date limite le 30 octobre 2020

Colloque international : « Animal et portrait à la Renaissance », 17 et 18 mai 2021 Musée de la Chasse et de la Nature (Paris) / Musée national de la Renaissance (Écouen) RÉSUMÉ L’intitulé du colloque invite à réfléchir aux rapports que les humains ont entretenus avec les bêtes à la Renaissance, et aux échos que de tels rapports ont pu trouver dans l’art du portrait. Les effigies animales individualisées, et même autonomes pour certaines d’entre elles, apparaissent...

Appel à communication : Colloque sur la Renaissance, Paris, 10-12 mars 2021, date limite le 15 septembre 2020

Collaboration entre les Instituts d’histoire de l’art : Universidad de Jaén ; Universität Leipzig ; École Pratique des Hautes Études – PSL (HISTARA) de Paris et Julius-Maximilians-Universität Würzburg. Avec le soutien de l’Université franco-allemande/ Deutsch-Französische Hochschule Du 10 au 12 mars 2021 se tiendra à Paris le prochain colloque dédié aux jeunes talents, qui s’inscrit dans le cycle initié à Leipzig en 2002 dans le but d’explorer l’art et la culture de la Renaissance. Le projet résulte de...

Appel à communication : « Renaissance Bergamo: At the Edge of the Venetian Terraferma », RSA 2021, Dublin, date limite le 5 août 2020

Session du Congrès de la Renaissance Society of America – Dublin, 2021 Present day Bergamo is bifurcated into an  upper and lower portion of the city by the Venetian walls, built in 1561-1623 to discourage Milanese northward expansion, as well as to limit contraband trade. Bergamo was one of the most important of the strong points fortified by the Venetian state in the sixteenth century, through its position at the end of the chain in acting...

Appel à contribution : « Strange Encounters in the Italian Baroque », Quaderni d’Italianistica, date limite le 31 août 2020

Quaderni d’Italianistica – Special Issue Strange Encounters in the Italian Baroque This special issue of Quaderni d’Italianistica will explore the centrality of the strange, the weird, and the Other in the Italian Baroque. The late 16th, the 17th and 18th centuries are a complex and vivid cultural chapter in the history of Italy, a period often described as both skeptical and spiritual, brutal and urbane, theatrical, passionate, sensual and logical at the same time. As...

Appel à communication : « Collecting and Display of Small, Portable Objects (15th–17th century) », RSA 2021, date limite le 30 juillet 2020

Session du Congrès de la Renaissance Society of America – Dublin, 7-10 avril 2021 The taste for small objects, such as gems, jewels, coins, small antiquities, statuettes and miniature works of art is evident in leading collections from the fifteenth through the seventeenth centuries. The materiality of small precious objects and their portability raise questions about the dynamics and the reasons behind the taste for small things, addressing concepts of intimacy, privacy and public access in...

Conférences en ligne : « The Medici and Their Archives : Artistic Patronage and Diplomacy », The Medici Archive Project, 6-11 juillet 2020

THE MEDICI AND THEIR ARCHIVES: ARTISTIC PATRONAGE AND DIPLOMACY The Medici Archive Project is pleased to announce the free Online Lectures Series The Medici and Their Archives: Artistic Patronage and Diplomacy, that will be held on Zoom, July 6-11, 2020. Although the series will be open to everyone, we particularly welcome the participation of graduate and postgraduates students. Schedule and description : Monday –  July 6th  (6-7:30 PM) : THE ARCHIVE OF THE MEDICI IN THE...

Appel à communication : « New Perspectives on Italian Art », RSA 2021, Dublin, date limite le 13 juillet 2020

Session du Congrès de la Renaissance Society of America – Dublin, 7-10 avril 2021 Ilaria Andreoli, ITEM-CNRS, Paris / Fondazione Cini, Venice & Kelley Helmstutler Di Dio, University of Vermont This session aims to create a space for emerging scholars (recent Ph.D.s or Ph.D. candidates) of Italian art to present their work. Proposals on any area of Italian early modern art (1300-1600) are welcome. We are particularly interested in scholars working in new methodologies, new areas...

Parution : L. Bosch, « Mannerism, Spirituality and Cognition. The Art Of Enargeia », Routledge, 2020

This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele...

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